Michelle Xen - 31 May 2013, Alhambra Lounge

 w/ MKO, Scraps

It’s always fun when three local bands get together to put on a show and when these three acts are incredibly fun electro acts, it makes it rather rad. We have Michelle Xen to thank for this.

Opening the night was experimental act Scraps. She had a really cool vibe to her music, with vocals that floated over the top. I would have loved it however, if you could actually understand the vocals. They were so far in the back of the mix that it didn’t really add to anything she was creating on stage apart from another layer of effects. Also, there was so much reverb and delay I’m blowed if I could understand anything of what she said when when she tried to talk to the audience. As a producer, she is rad. And what she created was fabulously amazing.

Next up was MKO, and oh my! What a set of chops. Backed by a talented group of musicians, frontwoman Hannah Macklin's voice is certainly a force to be reckoned with. They produce a really cool funk vibe with their music. The bass was fat, the synths were captivating and the drums were insane. Mid set they broke from their funky vibe to play “Shadows”, which had a really different feel to it. It proves that this band is quite amazing. They closed with “Sexy You” another really rad tune that was the perfect way to close the set.

Headlining the night was the beautiful Michelle Xen. She came out donned in a patterned dress, with an outrageous cloak thrown over the top. You have to understand that I mean 'outrageous' in the most fashionably amazing way possible. Throughout the course of the set there was also a black fluffy, and a colourful material coat. I love it! “Cleopatra” was something I was not expecting; it was even more weird and wondrous. Michelle’s music had much more of a chilled electro than the other two bands, but at the same time it was still true to the electro genre.

Michelle is such a spirited and dramatic performer, matched only by her synth player. It certainly makes for something entertaining to watch. The new single “Lose My Cool” was definitely the highlight of the set. She picked up a dozen roses and during the casually decided to toss them away, pulling petals out as she went.

It was such an amazing even filled with music made for dancing, and let me tell you, there was certainly a lot of it.

The Cat Empire - 10 May 2013, The HiFi

w/ Flap!

To celebrate the release of the much-anticipated new album Steal the Light, The Cat Empire brought their highly acclaimed live experience to the Brisbane Hi-Fi for two sold out shows together with an underage matinee.

Opening the night was Melbourne band Flap!. The quintet boasted some terrific 1920's influenced gypsy-jazz. What I loved about this band was how well they complemented The Cat Empire; so similar, yet nothing alike. Jess Guille’s uke-banjo (ukelele with a banjo head) was the only chordal instrument in the band, but with the virtuosity of the double bass player there was nothing at all missing from the band texture wise. Their final tune, a song based upon the Tetris melody, was the coolest thing I've heard in a long time.

Although Steal the Light is only officially released this coming Friday (the 17th) it was so good to see The Cat Empire go on warm up tour before heading out on the road for the better part 6 months. Tonight was made up both the old and the new, with songs from their self-titled debut release, as well as tunes that Brisbaneites were hearing for the first time. Highlights from the newbies were “Wild Animals” and “Still Young”. The latter is claimed to be their competitor to set list stable “The Chariot”. I’m not quite sure if it will get there, however it is a rad song.

Whenever I see the band live, I always get thinking about the differences between frontmen. Felix Reibl seems to be the lead singer on many of the singles, yet it is Harry James Angus who has the insane vocal solos in the live shows. What baffles me more is the fact that their vocals work so well together! Their vocals are so very, very different, yet somehow everything still work. I love it.

It is at the point where I have to say “Holy-Fuckballs”. These guys are true musicians. There are young bands were you can see that the players are still getting their heads around their instruments, and there are bands that are filled with musicians that could solo for days and never repeat the same melodic material. The Cat Empire it filled with these types of musicians and it is an honour to see them play. In each of the songs that were played tonight there was some form of solo, whether that be a vocal solo by Harry, an auxiliary percussion solo from Harry, a brass trio from the Empire horns and Harry, a piano solo from Ollie, or a 5+ minute solo from drummer Will Hull-Brown.

For the entirety of the set, which I have to add was over two hours, I stood in awe and admiration of the musicians I was watching on stage. They know each other like the back of their hand and this is plainly obvious in the way that they just let solos continue past the rehearsed bar allowance. I am ever thankful that this band has been as successful as they have been. Lord knows they deserve every success. Tonight has reinforced that I can still call The Cat Empire the best live act I’ve seen. Period.

Groovin the Moo Festival - 28 April 2013, University of Canberra

As a Brisbane girl it’s an exciting experience to make a special trip out of my city and state for a festival. And with the line up at this years Groovin' the Moo, I wasn’t going to miss it for the world, even if it meant two days of 4am wake up calls.

To open the festival at the University of Canberra on the Triple J main stage was Julia and the Deep Sea Sirens. The band have a good little thing going on, even if they still are slightly unpolished. Julia’s vocals are reminiscent of Emma Louise but with a little more rasp. I did chuckle a little when they mentioned that they were going to play their most “electro” tune as it was definitely not electro. Folk-pop would be a more appropriate description and even that is a bit too pop and not enough folk. To open a Regional festival in their home “town” is such an amazing kick start to their journey.

Next up was Elisha Bones who played on the Channel V main stage. These guys were kinda cool, with their bass heavy indie rock. However, they were a little generic for my liking, and I would have liked to have seen something that really made me go 'wow'. In saying that, the last song of the set was the only song in which there was a taste of this.

Safia were up next with their electro tunes, and they were by far the most impressive local act of the tour. Frontman Ben Wooler has such an intense direction and focus to his voice, with a nice vibrato that really suited the music they were producing. They put on a fun, high-energy show with intricate and smart hook lines that got us bobbing along. Their tune “Space Invaders” was really rad.

I can’t even remember the last time I saw Last Dinosaurs live. But I do believe it had been some time, and to tell you the truth, I was a little disappointed with their set. Don’t get me wrong, they're a fantastic band, however at festivals you have to bring your “A” game, and the set they played just didn’t feel like that. They have so many insane dance numbers they just didn’t play. Their mash up of “Lady” by Modjo and Sophie Ellis Bextor's “Groovejet (If this Ain’t Love)” was awesome, but old. They premiered the mash up over a year ago at their album launch. Maybe even before. Usually I am all praise for this band. Today they felt tired.

My first visit to the Moolin Rouge stage was for the Hungry Kids of Hungary. Having only seen them in support of their latest album a week previous, it was really interesting to see them at their peak, but in a completely different context. They had lost all the “slow” numbers from their set and replaced them with rad on stage jamming, a whole lot more energy and a brilliant yet simple projection presentation. They played all their of their usual’s including “Scattered Diamonds” and “Wristwatch” and their latest “Twin Cities” and “Litter and Sand”. Today, Kane was on fire with the Tambourine. He was definitely in charge of crowd participation, and oh my, did they respond. I just chuckle at how often he used the instrument to instigate and initiate the crowd.

After some chow, I witnessed the bliss that was Matt and Kim. They are such eccentric performers, especially Kim. She was all over that drum kit and standing on the bass drum like it was a sturdy chair. They covered Alice DJ’s “Do You Think You’re Better Off Alone” and you could hear the whole crowd singing along from halfway back the paddock. There was a moment in the set where Kim decided it was a good idea to walk out into the crowd on peoples’ hands. It was quite a sight to see someone standing on top of the people grooving along to what Matt was producing. He is such an incredible singer as well. Kim should stick with the drums. They then gave out uninflated balloons for the crowd to blow up, and then in the next song they got everyone to raise them above their heads and let go. There were balloons going everywhere. And it looked really cool from a distance.

Let me interrupt this review with some BREAKING NEWS! There has been an outbreak of onesies at Groovin the Moo Canberra! No really, there were so many people wearing onesies, including (but not limited to) giraffes, lions, elephants, Pikachus, Winnie the Poohs, Angry Birds, superheroes, flying unicorns, and there was even proper pyjama onesies. Seriously… I didn’t quite understand.

The next act I caught were Alpine. I love this band to death, and for a first live show experience, it was incredible! The two frontwomen, Phoebe Baker and Lou James work so well together that their vocals almost seem to meld into one sometimes. This is a hard thing to achieve from two very different frontwomen. Also, those girls are crazy! There was nothing that was to over the top in terms of performance. They were all over the stage and looked as though they were having a merry ol’ time. Because of this if brought the crowd into the palm of their hands. A really cool set.

Regurgitator always get me pondering. They break all the rules when it comes to genre conventions. One minute they are electro-pop the next minute- hardcore rock, and the next hip-hop. And I love every part of their sound, which is even more bizarre. They have a massive catalogue of releases, and I was so stoked to hear some of my personal favourites including “Polyester Girl”, “Fat Cop” and they closed with “! (The Song Formerly Known As)” such a well rounded set. today they were dressed in pure white and stood out like light bulbs against the black stage in the blazing sun. Such a rad set.

I can’t believe that They Might Be Giants are in Australia. I remember listening to “Doctor Work” when I was a kid! They are a genuinely funny band but had a nice balance between silly songs including “The Guitar (The Lion Sleeps Tonight)” and more serious songs. I cannot believe how much I enjoyed their set. They played a lot of music from their latest record but delved back into their back catalogue as well, which was a good thing. And when I realised the introduction to the next song they were going to play was actually going to be “Doctor Worm” I literally started giggling like a small child. It was a little embarrassing.

Tame Impala were up next and I have to say even though the sun had not completely set, the production behind the set was the best of the day. Imagine Windows Media display in the good ol’ days. That’s what it was like, but on a whole new level. Musically their set was flawless, and so darn enjoyable! Frontman Kevin Parker has such a special voice that is so pure. I swear every voice in the mosh was singing along to “Feels Like We Only Go Backwards” and they are the moments you long for at festivals. So amazing.

I’ve never been really into Tegan and Sara but tonight’s set really changed my mind on that matter. I loved everything that they were doing. Especially “I Was A Fool” off their latest release Heartthrob. Their presentation was so incredibly good and I’m pretty sure I have a girl crush on both of them. Note to self: buy entire discography.

The Kooks presented the premature climax to the evening with their psychedelic tunes for which I was humbled to be in the 5th row. It was such a surreal experience. They had set up the stage so that frontman Luke Pritchard could jump up on a half stage that was raised along the entire width of the stage. To tell you the truth, there are no words that can describe the epic-ness of this set.

To close the main stages were The Temper Trap. They opened with “Love lost” which set the tone for the entire set. Full of high energy tunes and quite a stunning light show it may not have been my choice of acts to close the festival, coming off the back of the Kooks for example, but they do know how to put on a good show.

What makes Groovin the Moo such a special festival is that during the day it is hot as, I know I for one have a wicked tan, and at night, I was FREEZING! I mean, properly cold. Well at least coming from a Brisbaneite. It was such a spectacular day with too many highlights to recite. The food was delish, the drinks were refreshing, the coat check was well worth it, although highly disorganised and the music? Well I think I’ve said more than enough on that. Well done Canberra. Well done.

Hungry Kids of Hungary - 19 April 2013, The HiFi

w/ The Preatures, Them Swoops, Little Odessa

In 2010, the Hungary Kids of Hungary played the Hifi in support of their debut album Escapades. Over two years on and they return to this very stage to celebrate the release of their sophomore album You’re a Shadow.

Little Odessa opened the night with Them Swoops following soon after. Them Swoops have such an amazing showmanship, and have a rad live sound. They have the type of live show where all the songs have slightly different arrangements whenever you hear them. I love that in a band, because if you’re going to see a live show, you want more than just a play by play through recorded tracks.

The Preatures were freaking fantastic! The band played a 40min set however it felt like no time at all, they captivated me that much. I’d never heard anything from this band before, and shame on me. Fronted by Isabella and Gideon, they shared lead vocal duties each taking a half a set each. Isabella has such an interesting voice with so many colours throughout it, and Gideon sound like a deeper version of Jack Black. Take that whichever way you want. Their “new” song was probably my favourite of the set. Their tunes, a mixture of funk and rock ‘n’ roll, were well rounded and diverse enough to avoid that same-same feel which is ever present in Australian acts at the moment.

It’s amazing what a banner, a good man on lights, and an awesome sound man can make to an already stellar band. Hungry Kids of Hungary were out of this world tonight. With such simplistic production, it made the band look and sound so much more polished than previous gigs. They played through most of the tracks from the new albums, without leaving out the classics from their past. It made for a well-rounded set. There were never too many “slow” songs in a row which meant the vibe in the room was never lost.

“Scattered Diamonds” is a song where the band usually initiates the clap along in the bridge, however tonight, there was absolutely no need. The crowd took it upon themselves to get it started and partied like there was no tomorrow. For an encore, they played their cover of Tame Impala’s “Feels Like We Only Go Backwards” which the lads played for Triple J’s, Like a Version and finished with “Coming Around”.

It’s not every day that an Australian band come out with a stellar follow up record. So many unfortunately disappear into the abyss, but the Hungry Kids have truly stepped up their game with this latest tour, with an exciting and promising future ahead. Go forth and be fantastic. Allons-y.

The xx - 9 April 2013, Brisbane Convention Centre

w/ Jagwar Ma

I’ve always liked the Brisbane Convention Center as a music venue. Although a little clinical and sports carpeted floors which is so not rock ‘n’ roll, the sound is always right and it vibes well. Tonight English sensation The xx wrapped up their Australian tour. Supported by Jagwar Ma it certainly was a concert to remember.

Australian dance act Jagwar Ma came along for the ride around the country with The xx and tonight truly knocked my socks off. They had an instantly recognisable sound and had a immense energy that they maintained for the entirety of the set. It is interesting when an electro band has a song where the bass is completely dropped out, making it lose the sensation of it slapping you in the guts. When the entirety of the set had been like that, it was certainly bizarre to not have it. Half way through the song it kicked in again, however a mistake? Who’s to know?

The xx were out of this world. From the very first notes they had the entire audience captivated and in silence during their songs. To tell you the truth though, I expected more production wise from the show. They had this great projection screen rigged up, but only used it for two maybe three songs and when they did, at times they flooded the stage with front lighting which rendered the projections pointless. Lighting 101 right? However, during the last song when the screen was raised to reveal their signature X and it was pretty rad.

The music was flawless. It was so great to see Jamie, controlling all the production, actually creating live drum patters on pads rather than just pressing play on the computer. There was so much happening up back, I wish that I could have seen it better than I did. Oliver and Romy work so well together as vocalist with the richness in Oliver’s vocals complemented by the lightness of Romy’s voice. They played track from both of their critically acclaimed albums, including “Islands” and “Chained”. Throughout the set the audience were sill and silent, captivated by the lush tones being produced infront of them. However, when them came back for their encore and played Angels, there was a moment when all the couples in the room held each other a little closer. It was cute.

It was a seriously amazing concert and I think a perfect way to end the bands’ Australian tour. Kudos guys!

Little Casino - 7 April 2013, Black Bear Lodge

w/ Soviet X-Ray Record Club, Wolver

This EP launch has been a long time coming for Brisbane band, Little Casino. Back in June 2012 they said they were releasing their new EP Soon. It’s now April 2013, and it is finally here! They were joined tonight by fellow Brisbaneites Wolver and Soviet X-Ray Record Club.

Warming up the room first were 'Post Rockers' Wolver. I instantly fell in love with this band. On the bands Facebook they state that “Wolver produce a refreshing change from the ever-growing hyped up Indie Pop scene filling Australia airwaves.” And I completely and whole heartedly agree. I love my indie pop, don’t get me wrong, but when everything starts to sound the same it get a little mundane.

They two guitarists had such a connection on stage, vibeing off each other to create intricate riffs with complex rhythms. As soon as I heard the rad instrumentals, I was hoping and praying that the vocals would top it off nicely, as there are so many bands that have awesome music, but shit vocalists. Thankfully I was not disappointed. The frontman’s vocals were perfect for the genre: light, airy, unobtrusive and most importantly distinguishable from the bands’ instrumental texture.

Soviet X-Ray Record Club were up next. And you know what? As good as Wolver were, this is how average this band was. As a group of musicians they are talented and play a tight set, however, as a “psychedelic, garage” band they need to stay in their garage and write some good tunes before coming on stage again. It was all same-y same-y, with one track blending into the next with no real purpose. The vocals had almost no purpose as you could barely distinguish them in the mix. A really average set from the lads.

Little Casino was everything I hoped they would be and more. Frontman Ben Forbes has such a stunning voice that reaches out to everyone who has the pleasure of listening to him. Tonight the band were tight, creating their folk-rock melodies flawlessly. When Mr Forbes sang a song accompanied just with his guitar it was such a special moment. The whole room was silent, captivated by the young man’s voice. And when the whole band came it, it was a wow moment. Something that really stays with you as an audience member.

This is a band that are really going places. They ooze talent and appeal and have refined their set to be the best it can be. For now. Hear's hoping that it continues to develop and grow into something even more brilliant.

Mama Kin - 7 March 2013, Black Bear Lodge

w/ Spender

Celebrating the release of her latest full length LP, Danielle Caruana AKA Mama Kin, graced the Black bear Lodge with her melodious presence along with the vibrant Spender.

From just looking at the 6-foot plus Spender, I would have picked him for the type of music he performed tonight. I am definitely ok with being proven wrong. I have always admired people who can work with loops to create something extraordinary, and Spender created all of his material in such a way that made it fascinating to not only watch but also listen to. The song “Never Again” was such an intense song that utilised guitar loops, vocal loops and saxophone loops. All of his songs had such dense layering with multiple harmonies layered on top of each other to create his backing track. A pretty rad artist.

Mama Kin has such a presence about her. Her voice has such a beautifully natural tone and vibrato and is seemingly so effortless. She performed the majority of songs her latest LP The Magician’s Daughter as well as some track from her 2010 release Beat and Holler. She opened with “Cherokee Boy” a rather depressing way to begin, yet at the same time the perfect way. It was a strange experience. She moved quickly onto her more up tempo tunes including “Rescue” a rather rad song about nod needing rescuing like the princesses in the fairy tails.

She played “To My Table”, “Tore My Heart Out” and “My Friend” from her previous release as well as other well loved songs from her collection. But it was how she presented her latest material that really impressive. If anything, I feel she talks too much between songs, and they could have played more music if there hadn’t had been so much idle chatter, but that’s why we go to gigs right, to get the whole package. Otherwise we’d all just sit in our small dark rooms and listen to CDs every night.
The highlight of the set was definitely one of her new songs “I’ll Be Ready”. The harmonies created were just exquisite! The type of music where you want the chorus to go on and on and never end. This is pretty much what happened. The repeated the chorus for what seemed an age, and it was the best thing ever.

Mama Kin certainly is a unique performer embracing and being completely true to what she wants to achieve as an artist. Her latest record The Magician’s Daughter is out now.

I Heart Hiroshima - 22 January 2013, Alhambra Lounge

It is such a special occasion when a band reunites for a show, no matter how big or small they may be. I Heart Hiroshima did just this for the Gold Coast Big Day Out with members flying half way across the world to make it happen. It's even more special when said band puts on a slightly sneaky headline show a couple of days later to make the union all that more special.

Up first, playing for a fairly thin crowd was Cobwebbs. And in my own personal opinion, I had no idea what the deal was with this group of guys. It was like a garage band had been thrust unexpectedly onto the stage and told to play. The frontman was stumbling all over the place like he was on something and the instrumentalists just looked bored, with one of the guitarists performing the entire set with his back to the crowd. I get that I Heart Hiroshima started off as an underground band and all that, but this was a different kind of raw. Hey, that’s just my opinion.

Next up was Tight Slip, who was another interesting kind of a band. Donning his pink stretchers, the frontman had a voice that reminded me all too fondly of the colour grey. It was good and fine, yet uninteresting. In saying this, the music the guitars were producing was awesome. It was well construed and inviting, so I guess the simplicity of the vocals on top works. Of note was the last song the band played. It had a wicked guitar solo, and I so wish there had been more of it!

Once I Heart Hiroshima hit the stage, the whole dynamic of the venue changed. Alhambra was full, not packed, but nicely full, and the band responded to this in a big way. Susie Patten throughout the gig just kept saying with all sincerity how appreciative they were that everyone came out on a Tuesday night to see them play. She also remarked that this gig meant so much more to them than their set at BDO.

IHH knocked my socks off. They played heaps of songs from Tuff Teef as well as The Rip, but it was sons like “Shaketown” that really got the crowd going. There was a group of barely 18 year olds right up against the stage who amused me greatly. There was not one moment in the entire set that they stopped dancing like maniacs. That’s the power of music and music played passionately. I've never seen a band more enthused by what they are playing than this band, especially Susie on the drums. In all, she broke at least three drumsticks, while Matthew Somers broke two guitar strings on the last “official” song alone and had to borrow a guitar for the encore. You know you've played a good gig when things break, right?

This gig has restored my faith in indie music, but it is a sad day when you know that you may never see the band play again. But that’s music for you. Bands come, bands go. However, never let it be said that they will be forgotten. Come and play again one day IHH. Yeah?

Big Day Out - 20 January 2013, Gold Coast Parklands

So, let it be known that I until this day was a Big Day Out virgin and might I say, what a ride! The day started slow and steady and ramped up for one big party at the main stages.

Once through the doors, a quick turn about the Gold Coast Parklands was in order while the crowds were still thin. Although not as hot as the 46 degree day Sydney had for their BDO, it was still remarkably hot and shade was limited to spattering’s under trees.

Up first for the day was Sneeky Picnic, an all girl five-piece from the Gold Coast. They were rad! I couldn't have imagined a better start to the day. The band are still very rough, I mean the drummer couldn't keep a tempo to save her life because she was so busy doing tricks with her sticks, but they have so much potential. It’s not every day you see a chick rapping in a young band and between Jess Koroi and the singer Erin Ross, they led the band in well written tunes.

Catching the end of Toucan, it was clear the duo, accompanied by their friends, have a real clear vision as to the sound they make. It was pop but infused with roots and electro, and was really cool to hear. Up next in the same tent was Avalanche City; why have I not looked this man up before?! Absolutely sensational! It’s the “new” folk-pop sound that I have been searching for. They had a huge assortment of instruments that makes a good folk band.

I tried to have a look into Hunting Grounds, but the Vans Tent was packed and standing out in the sun in midday heat was too much to bear. They were sounding rad though! Grinspoon. They are such a solid band. They put on a remarkable show and were everything we've come to expect from the band. They played tracks from across their catalogue, but mainly tracks from their latest record.
At this time, it was time for some chow and of all the festivals I’ve been to, BDO certainly has the widest selection. I settled in on the top of a hill under a tree with my woodfired pizza and watched We All Want To play the Red Stage. They have a cool, chill vibe and were the perfect soundtrack to accompany lunch.

My second venturing to the Main Stage was for Band of Horses. The band was spot on and played a great set, but there was no magic in what they were playing. Vampire Weekend who were up next however were just sensational! They have the entire D barrier crowd dancing around like maniacs. I was one of these maniacs. This band is sensational and live, are even better. Frontman Ezra Koenig has such unique vocals that accompany the African influenced percussion so incredibly well.

The Yeah Yeah Yeahs continued to heat up the main stage, while over at the Lilypad, Hey Geronimo performed to a crowd of movers and shakers as they caught people's attention as they walked through the thoroughfare. This band has an undeniable talent for creating a hell good pop tune that, upon listening to, you can’t help but dance and be unconditionally happy. The new songs they have added to the setlist are no different. Kudos lads.

As the night was drawing to a close, The Killers were playing the main stage, and were the definite highlight of the night. The production of the set was phenomenal, and even though I was close to 150m back from the stage, it still felt like I was in the mosh. The camera work also has to be mentioned, as without such quality, that feeling wouldn't have been created. They played all the songs that everyone wanted to hear as well as songs from across their catalog. It was balanced and it had fireworks! Yes, at the end of the set, there were fireworks timed to be set off at pivotal moments in “When You Were Young”.

As everyone shifted their eyes to the right for the Red Hot Chili Peppers there was a feeling of excitement in the air, however that feeling was gone by the middle of the first song. The sound was terrible! I’m not talking average, but borderline unlistenable. From where I was standing, I could only hear the bass drum, and pretty much no vocals at all. And where The Killers used the video stream to their advantage, with the Chili Peppers, it felt like a pre-recorded video due to the amount of filter and editing to the live feed. If you couldn't see the stage itself, which oh-so-many people couldn't, then the feed didn't help you to experience the show at all. They played their classic hits and songs off their latest record, but I know from what I heard around me that people were got really frustrated and many left saying it wasn't even worth it. I was disappointed and I’m not even a die-hard RHCP fan. I hope that Adelaide fares better.

Despite the disappointment in sound at the Peppers, it was a day to remember with many highlights, including the heavy metal band Compressorhead who played in between each act on the main stages. I return to Brisbane with my BDO cherry popped and a wicked sunburn, despite the multiple reapplications of sunscreen, to prove it. Nicely done BDO.

Two Door Cinema Club - 7 January 2013, The Tivoli

w/ The Vaccines, The Jungle Giants

Two Door Cinema Club. The first and only time I have seen the band play was at Laneway two years ago. They were amazing them, sensational now.

Likewise, it’s been a long time since I'd seen The Jungle Giants play, and it’s surprising even now how much you actually miss a good live act. The band showcased a whole range of their pop hits and certainly got the crowd dancing in anticipation for the main act. Frontman Sam Hales has extraordinary vocal talent and creates that crazy party atmosphere. Cesira Aitken is an amazing guitarist, and tonight was her first time using a mic, and In “Mr. Polite” she provided some “hey’s”. Cute. I do love this band and I wait in anticipation for some new recorded material from them.

Next up were The Vaccines. I don’t really know what they have going on, but I like to think of them as Punk-Alt-Rock. Their set was full of short sharp to the point songs, which was cool, and although I was a bit stunned to begin with, they won me over by the end and had me dancing like a fool along with everyone else. Their frontman was all over the place and eccentric as anything. Loved it. The one thing that brings all three of these bands together was their lead guitar parts. They all have a sound that relies on these solos and the unique sound that it brings. The Vaccines are no exception. The parts were really complimentary, and work well.

Where do I even start with Two Door Cinema Club. I love this band so unconditionally much and it was such a privilege to see them live. The production of the show was incredible and whoever does their lighting design deserves to be bought a drink. So many flickering lights flickering in time with the music! The band themselves were sensational, and the music was flawless, however it did seem like they have been playing the same set for quite some while now. They energy was insane, but it was like they didn’t care where they were or who they were playing for.

Regardless, no one in the room could dispute the fact that they put on a hell good show. They had the whole room, especially the lower floor, dancing like lunatics. Their second song, “Undercover Martyn” was stupidly amazing, and is still one of my favorites alone with “I Can Talk”, which they played later in the set. When “Sun” came around you heard many, many voices singing along with frontman Alex Trimble’s smooth voice. Throughout the set lead guitarist, Sam Halliday’s guitar, intrigued me and I wish I could have seen it up close. He is such a sensational player, and really makes the band’s unique sound what it is. They played a good mix of songs from the latest release Beacon as well as a good selection from Tourist History. This was a really good thing. I though we had missed “What You Know”, but was very excited to have them play it as their final song in the encore. Brilliant.

What a show. It was a privilege to see the band play, and but I do hope they mix things up. I know they age old saying, stick to what works or whatever, but changing things up is also a good thing. It would make it even more sensational!

Gotye - 12 December 2012, Brisbane Riverstage

w/ PTV, Bertie Blackman

It is so good to have the man of the hour back in the country. For last eight or so months, Gotye AKA Wally De Backer has been touring the world and being generally amazing. He's bringing the tour to a close in his home country. Making Mirrors is not even a year and a half old yet and it is still gaining critical acclaim at the Arias and now, The Grammys; a huge thing for this little Australian artist. This tour is a big step up from the last time he toured the country, and shows what a true musical genius this man is. Supporting him on this tour were the sensational Bertie Blackman and PVT.

Bertie Blackman opened to the grassy hill that is Riverstage, and stunned those that made the effort to come down early. She has a cool electro sound that can only be described as raw. This is a good thing indeed. Unfortunately, however there’s not much you can sing along with in Bertie's repertoire. It’s all lacks a certain melodious quality at times. Her upcoming single is really catchy and, however it was “Shadow Chasers” that was definitely the highlight of the set for me. It was played with a delicacy that I hadn’t seen in her previous songs. Ashamedly, this was my first Bertie Blackman experience, and I was not disappointed in the slightest.

Up next was PVT. More people had dragged themselves away from their daily working lives to grace the venue with their presence and it was good to see the band play to a less grassy hill. From the opening passage, I knew I liked these guys. The frontman’s vocals were really quite remarkable and the drummer’s rhythmic fills were something. I need to know more about this band. That’s for certain.
To say that Wally De Backer is a musical genius would be the understatement of the century. He was joined on stage by nine other musicians, including the regular rhythm section, a three piece horn line that doubled as vocalists, a dedicated synth player and aux percussion player. This was the same line up as his previous line up, but there was something more polished that only an extended time on the road can achieve. What was wonderful to hear with this set was music not only from Making Mirrors, but also Like Drawing Blood and more noteworthy, “What Do you Want?” from his debut release, Broadface.

“State of the Art” has got to be one of my favourite tracks off the record and to make this track even better live, Wally brought out his home organs as well as the salesman who sold it to him, the legendary Barry Morgan. He led Mr De Backer through his one finger method of playing the organ, which led into this tune. Tonight, the words changed to incorporate the organ and Barry Morgan, and it was one of the funniest and best things I’ve seen.

“Somebody that I Used to Know”, has such a different feel live to its recorded version. This is such a good thing, as we know and love it so much, it’s nice to hear it interpreted in a different way. Bertie Blackman returned to the stage in a Cat Suit. Not a catsuit, a Cat Suit. Ie, dressed up as a cat. It made me chuckle a little as it changed the meaning of the song entirely. “Now you’re just a cat I used to know…”.

Wally ended the set with “Hearts a Mess” which was a fitting way to end, before returning to stage to play a couple more, including the instrumental “Seven Hours with a Backseat Driver”. It is at this moment that I have to mention the visuals that accompanied the entire show. Many have already been uploaded to YouTube as videos to accompany the songs, including the stunning “Bronte” that never fails to bring a tear to my eye. The visuals that accompanied “Seven Hours with a Backseat Driver” were just bizarre. To complete the show was “I Feel Better” merging into “Learnalilgivinanlovin”. This got everyone dancing, and was the proper way to finish the show.

This was one of the most incredible shows I’ve been to this year, with the every particular of the show perfectly executed. Wally himself is such a gentleman, thanking and introducing a member of his band after each song. I still can’t believe just how complicated each and every one of his songs are. I know I’ve said this a couple of times already, but once more for reinforcement. Wally is a genius and he deserves every success he is receiving.

Harvest Festival - 18 November 2012, Brisbane Botanic Gardens

Sigur Rós. Beck. Ben Folds. Cake. Silversun Pickups. And they were just my picks! With a line up like this, how could anyone even consider missing the 2012 Harvest Festival? The Brisbane leg of the tour was held at the Botanic Gardens, which provided to perfect backdrop for the festival. But due to the severe storms the day before it was well after the advertised time of 11am when the gates finally opened.

Up first on the menu was the Trouble with Templeton at The Big Red Tractor stage. The sun was shining and it was swelteringly hot. Despite this, the early festival goers provided them with a remarkably large crowd to play to. This is a band I had heard a lot of on record, but never heard live, and I was pleasantly surprised by the how they presented themselves. Their music, a mixture between indie pop and rock was the perfect way to kick start the day.

Up next were The Dandy Warhols at the Riverstage. I was lucky enough to be third row in, and it was a surreal experience. With a career spanning decades it is hard to fault the band, and why they were playing so early in the day was beyond me. They played all their big hits including “We Used to Be Friends” and “Horse Pills”, but the highlight of the set has to be the antics of the keyboard player, Zia McCabe. She is so charismatic is almost funny, but in a good way! Early on in the set there was an intense downpour of rain seeing the entire crowd don their attractive plastic ponchos. Special mention must go to the guy who decided instead of wearing a poncho; he would MacGyver one out of an orange garden bag. Kudos. Frontman Courtney Taylor-Taylor’s vocals are just something else. His effects mic just gives the vocals that something special that we have come to know and love from the charmer.

Back at the Windmill Stage were the Silversun Pickups. With a new bass player in toe, the band is showing their true colours on the festival stage. They always put on an entertaining show, and it was seriously awesome to play the festival show.

At the same stage was where CAKE showcased their almighty talents. I love Cake unconditionally, and seeing them live for the first time was something that I was beside myself with excitement about. Here’s the thing. The opening of their set was rad. The last 20 or so minutes of the set was even better. The middle frustrated me. It’s not that that was the section they had all the new material in. I bought the CD, I like those songs. But it was the way frontman, John McCrea held himself in that section that exasperated me. He held the opinion that no one knew these songs and that no one would care about them and he spent a good 5 minutes talking about this fact. He then spent 10 minutes explaining to the crowd how he was going to get some sing-along happening. In this time they could have played another two, maybe three tunes that we all wanted to hear! It was a little pretentious of him. What they did play was awesome! I am eternally thankful that they did play “ Short Skirt/ Long Jacket”.

Again at the same stage, Ben Folds Five were due to play. It is at this point in the afternoon, I have to mention the crew that worked at Harvest. A guy came onto the stage to warn the crowd of a severe storm warning that could contain hail. He told us that if he came back and told us to move, then move would have to. 10 minutes later, this same man came back onto stage and said that we had to evacuate the grounds. It was all handled so well. There was no panic, and everyone was co-operative. Apart from the drunken few who thought they were too good for the system… Only a very short time after, the downpour started. It was like someone turned a tap onto full. The entire festival crowd ran to the nearby grounds of QUT finding shelter anywhere they could. There were hoards of people crowded into doorways, under staircases, and in under croft areas. That’s when the hail started.
45 minutes later we were allowed back into the now muddy and sloppy parklands and the music continued.

Back to Ben Folds Five. It has been over 15 years since the group as they stand toured to Australia. For me, this is what I had been looking forward to most. I was not disappointed. The first thing that has to be said is that there was a full size Grand Piano on stage. I don’t know of many people who actually use a grand piano on stage, let alone at a festival event! It weathered the storm and came away unharmed, until Mr Folds got his hands on it! Despite the delay, they played a full hour set with songs from the past including “Kate” and “Song for the Dumped” as well as songs from the new album including “Erase Me”. Ben Folds himself is such an eccentric performer. He leaves nothing in the tank. He was bashing that piano, using his fists and forearms. It was certainly something to behold. At the end of the set, he threw his chair at the piano. This hurt me a little bit inside…
With the delay all the running times were messed up, due to stages getting started quicker than others. Because of this, I missed more of Beck than I would have liked… What I did see was phenomenal. The river stage was packed! So standing up the very back was like watching a tiny any move around on the stage. My four song set opened with “Loser” one of my favourite tracks from the artist! And it went uphill from there. Oh how I am torn that I didn’t see more!

To close Harvest 2012, was Icelandic act Sigur Rós. As they set up the stage I marveled at the array of instruments that were present. You’ve got all the normal stuff, as well as a Celesta, three piece string ensemble, Trumpet, French Horn and Trombone, Xylophone and Glockenspiel and heaps of other random shit. I’ve never quite experienced a sound like the one I heard from Sigur Rós tonight. It gave a new definition to Wall of Sound AND Soundscape. Frontman Jónsi Birgisson’s vocals are otherworldly, and at one point he used the pickups on his electric guitar (which for the entire set he used a violin bow to play) as a microphone. Who even thinks of that?! By song three I had tears streaming down my face from absolute awe. No one could have closed the night better.

Well Harvest, you had me at hello, but you have shown me that you are more than just a pretty face. You blew me away, quite literally. You had everything. There was rain, there was sweltering heat, there was lightning and thunder, there was hail and there was a chilly evening breeze. On top of all that there was amazing music. Cake rocked my socks and had me dancing like a maniac. Ben Folds had me in fits of envy and admiration. And Sigur Ros had me in tears. You win Harvest. You're amaz-balls!

Tara Simmons - 24 October 2012, Black Bear Lodge

w/ Pluto Jonze, The Kite String Tangle

It was great to see Tara Simmons hit the Black Bear Lodge. It has been some time since we have had the songstress headline a round of shows. Joining her on the co-headline tour is Pluto Jonze.

Opening the night was The Kite String Tangle. This solo artist oozes a certain something that marvels. A lot of his electronic music was a little pop-y, but the stuff that wasn’t was still catchy and recognizable even though it delved deeper into the more ambient shades of the genre. His vocals were really well matched over the backing that he was semi-creating on the stage. As well as his own electronic tunes, he also covered a song, as well as remixed another. Get on board. This guy has a lot more to give.
 
Pluto Jonze was up next with something that I had not seen at the Black bear Lodge before. Projections. They were small, and on a skew angle, but they were there. Also on stage was something I’d not seen before: a Theremin. In a nutshell, the instrument is controlled with hand movements in space that control pitch. Move the hand closer to the rod, pitch goes higher. Fascinating. Think “Good Vibrations” by The Beach Boys. This guys is so charismatic on stage it’s infectious. The combination of Theremin and vocals on stage created some awesome harmonies and really makes this artist someone special.

I have so much love for Tara Simmons. She had tonsillitis tonight, and yet, she still battled on.it was clear that her vocals were not on par with her usual standard, but they were still pretty darn amazing. Tonight she had a completely new band accompanying her onstage, and this brought a heavier pop-rock feel to her music. The only thing missing on stage was another singer. None of the band member snag with the solo artist, and because of this, the beautiful harmonies that she crates on her new record are lost to digital substitutes. She played mostly songs from her new record It’s Not Like We’re Trying to Move Mountains, and only one tune from a previous release. By the end of the set her voice was absolutely wrecked. Can’t blame her! She left everything her voice had on the stage.

It’s so good to see Tara Simmons headlining her own shows again. It has been too long. The new record is sensational, and it’s great to hear the songs in live setting.

Hungary Kids of Hungary - 18 October 2012, The Zoo

w/ Gung-Ho, Jeremy Neal

It’s been over a year since Hungry Kids of Hungary toured the country and they’ve come back with a sensational new show filled with the old, the very old and the very new.

Opening the night at The Zoo was Jeremy Neale, fromtman from Brisbane favourites Velociraptor. What a crazy good performer that guy is. He does, unfortunately, need to learn crisis management. He broke the sixth string in the opening song, and it threw him completely. He went on to play the next tune, and it obviously wasn’t working well. A text message and a borrowed Hungry Kids guitar saved the set from being a total disaster, but still. For the set, I particularly liked the uncluttered stage: two guitars, a Bass and a drummer. No extra fluff, just four musicians doing what they love. Music wise, the band work really well together, especially when they bring their saxophonist to the stage. In a nutshell, well-dressed wholesome fun.

Gung Ho. They have really stepped up their game since I last saw them. No longer do they sing the same vocal parts together. This is a good thing. I love the instrumental work they do so very much. In the new songs they are playing, they feature this even more, to a point where there was a completely instrumental song with no vocals detracting from the splendour. I have no great love for this band, but what they’re doing on this tour shows that they have matured as a band and command the stage.

Where do I even start with Hungry Kids of Hungary? Opening with “The Vacationer” they hit the nail right on the head, and got the party started right then and there. In the set they previewed five new tracks, including current single “Sharp Shooter”. I am personally most excited about the track that goes along the lines of “I don’t mind if you’re having a good time”. Such a stellar track! Another thing that was brilliant about this set for long-time fans was the inclusion of the tunes “Old Money” and “One By One”. The band has evolved so much from when they recorded those tunes, and it was fascinating to see to how they had been reworked.

The new touring guitarist, ‘Uncle Benno’ as he has been nicknamed, is a sensational inclusion. He brings so much more than another guitar part and another set of vocals; there’s a presence that works really well with the rest of the band. Dean admitted mid-set that it had been a while since they’d played a show this long. The hour-long set was something new from the band, and not just because of the new tracks. They have a refreshed attitude and demeanour. This is a good thing indeed.

There are so many exciting things coming from the Hungry Kids it’s insane. With a new album dropping in March of next year, there’s going to be one hell of a lead up to something fans will be longing to get their hands on. Gear up, it’s going to be one hell of a ride.

BIGSOUND Live - 13 September 2012, Fortitude Valley

Night 2 - Set Sail, Mosman Alder, Loon Lake, Hey Geronimo, Hungry Kids of Hungary, Elizabeth Rose, Tin Sparrow,  Argentina, Aston Shuffle

The night kicked off at The Zoo with Set Sail. The Sydney band absolutely blew me away! Another name randomly picked off a list, the band are indie pop at it’s finest. The three piece, with added bass, not only play stellar tunes, but are also well presented and put on one hell entertaining show.
The violin player is one of the most eccentric players I’ve ever seen. Most of the time when you see a violin player on stage, they’re stiff and play the instrument like it was designed, as a classical augmentation to the band. This guy was rocking out and not only playing it in a traditional fashion, but holding it like it were a guitar, and playing chords on in. Rad. After the tune “Kids “ the frontman stood on the bass drum and did a backflip onto the lower stage, and said “that’s how the kids grow up in America” Holy wow, this band were sensational.

Next up at Alhambra was Mosman Alder. This band are so mellow, due to the fact the lead singer’s vocals blends into the texture of the band rather than soaring over the top of it. This is another band with a dedicated violin player, yet this player is so so different to the one just witnessed. She was more of the classical type, playing stiffly and singing harmonies. I’m not saying this is a bad thing. It works well for this band. And I do really like what they create together.

I had planned on getting into Loon Lake, however, the Q Music Stage was packed, and there was very little chance of getting a good look at the lads. So off the Hey Geronimo at The Zoo I went. Good-looking ridiculous fun. This band certainly know how to throw a party, and get everybody dancing. The band played all the tracks of their self title EP as well as a couple of newies. During the first half of the set there was this annoying “photographer” climbing on stage to take photos of the bass player, Greg, and getting all up in his face. Turns out it was their rapper friend, how jumped up on stage for that song to get up to his usual antics. This song had the entire crowd bouncing.

Staying at The Zoo for Hungry Kids of Hungary, was a good idea. Apparently the line was epicly long. Tonight marked the first time HKoH have played in Brisbane in over a year. They played a whole bunch of new songs off their forthcoming record as well as old favourites, including “Writstwatch”, “Let you Down” and “Coming Around”. Of their new songs, opener “Sharp Shooter” is set to be their next single, and sounds rad! They lads have really stepped it up since the last time they played to a home crowd. If the set was anything to go by, we have not seen the best of the boys yet.

At the Press Club, Elizabeth Rose was breaking hearts with her electric tunes. It was the perfect little stage for her. With her laptop, her synth set up and her truly stunning voice she wowed the crowd. Miss Rose was another I picked off a list, and again I was blown away by how much I loved her set. She was so into the music she was producing, and there was not a second where she wasn’t moving or pulsing. “Again” was one of the highlights of her set for me, as well as her last song. This set was only meant to be a pop in, see what was happening before catching the full set of Tin Sparrow, but I was captivated and did not want to go anywhere.

I walked into Mustang Bar in the middle of Tin Sparrow’s rendition of “Bricks”. This is such a heartfelt song and it was moving to hear it performed live. The harmonies created by the four piece are truly stunning. In their other songs, the arrangements get a little repetitive at times, with the same vocal harmonies being repeated for entire sections of the song. I do love this band though.

Moving next door to Oh Hello, Argentina was playing strutting his stuff on an extend stage. His music is always different, regardless of when you hear him. The arrangements are always slightly different. This is what makes this group so amazing to listen to time and time again. It would have been so good to hear all of the set but alas. At BIGSOUND this is a hard thing to achieve.

The closer for BIGSOUND Live 2012 was The Aston Shuffle at the Bakery Land Stage. This was nothing less than a dance party. Their music is cleverly constructed electro, and was an amazing way to finish the night. They played a good mix of old and new tunes. But the new tunes were a little rough around the edges. They fell apart at time, and at the end of their set it was a serious anti-climax. They had put all this work into creating the perfect dance environment, and then the last section of the last song had no weight behind it. Regardless, great set.

And done. Over the two nights, I managed to fit in 18 bands, over 8 stages. This is something that never happens in Brisbane. Over half of these venues do not usually exist, or do not play live music on a regular basis. And it’s so disheartening to see! This BIGSOUND week shows just how important the music industry is, and how it can all come together to create something truly amazing. It’s not everyday that you can pick a name off a list in ignorance, walk in and discover something sensational. That is what BIGSOUND is to me. A showcase of artists that you may not go out of your way to see, because you’ve just not heard of them before, but stumble in and think wow.

BIGSOUND Live - 12 September 2012, Fortitude Valley

Night 1 - The Good Ship, Electric Empire, Boy in a Box, Clairy Browne and the Bangin' Rackettes, YesYou, Ball Park Music, Millions, Velociraptor

This years BIGSOUND was bigger and better than ever. They boasted 120 bands over 12 stages. They did not fail to deliver. With all new venues including Magic City, Mustang Bar, and Press Club, the whirlwind Live program just that, a whirlwind. 30 minute sets, 20 minute turnarounds. With five sets per venue per night, there was absolutely no way to get to everything, but oh my, did I try make the most of sensational two night live music event.

First up were The Good Ship at the Q Music Stage in the lane behind The Zoo. After playing their first song, they announced “thanks for Something for Kate for opening for us!” True statement! The band had just finished up the EMI industry party. Funny none the less. The Good Ship are all kinds of fun, and make me think of being a old school pub with pirates, wenches, and good ol’ fashioned booze. The relentless ‘mm-cha’ notion of their music was enough to get the crowd bobbing in a frenzy. It’s so great to see the use of a Banjo, Piano Accordion, Trumpet and Monkey Stick (beer bottle caps fixes to a central pole).

Electric Empire were up next at the Bakery Lane stage. BIGSOUND is an even for going out to hear bands you’ve never heard of play a set. So, when you pick a name semi-randomly off the list of bands playing that time slot, that you’ve never heard of before, it can either be an amazing surprise, just good, or meh. These lads were one of the real surprises for me this BIGSOUND. They were crazy awesome! Funk infused goodness. They’re the kind of band you can properly dance to, that’s not electro/house. They had the musical stops in all the right places and in all honest, I could not keep a grin off my face. The three main vocalists, have such different voices, and it was awesome to see each of them take a verse in on particular song.

Electric Playground was again part of the BIGSOUND music venue list, but it still was not an enjoyable venue. In my opinion, it’s way too loud for the room it boasts. I could be such an amazing venue, but… Boy in a Box were the first band of the night in that particular venue, and the venue really distracted how good these lads actually are.

Back at the Bakery Lane Stage was Clairy Browne and the Bangin’ Rackettes. This 60s pop/soul inspired band was certainly something different from almost everything else at BIGSOUND. She boasted three back up singers (The Bangin’ Rackettes) as well as a full rhythm section and Baritone Sax. The doo-wap girls certainly complemented Clairy herself, and really showcased the talent of the group. Something that has to be said about the band is the dance moves of the Bangin’ Rackettes. They are so cliché doo-wap that it was, at the same time, cringe worthy and truly awesome.

A brisk stroll to the Press Club brought YesYou to the stage. They opened with “The Half Of It”. This is such a good song, especially live. On the tiny, tiny stage, the four piece and all their equipment barely fit, and it came as little surprise that when the drummer was belting out drum fills that the hardware supporting the cymbals started loosening, rendering parts of the kit useless for the song. In one point, vocalist Tara Simmons took center stage for a tune. This track is awesome, and I can’t wait to hear it in solid form.

At the Zoo, there was a massive line to get into see Ball Park Music. It is so good to see the band play The Zoo again. After multiple shows at the The HiFi, it must feel nice to return to the roots and return to play one of the first big venues they played in. Tonight they played quite a few new tracks off their forthcoming record Museum. Of all the tracks “Great Display of Patience” is going to be a crowd favourite for sure judging on tonight’s performance. As well as these new tracks they played old favourites including “Sad Rude Future Dude”, “All I Want Is You” and “iFly” as well as new favourite “Surrender”. I was so glad to see them back at the more intimate room that is the Zoo and they created such an amazing vibe!

Back at Electric Playground was Millions. These guys create really darn catchy indie rock stuff, playing a mixture of old and new material for the short set. One look down at the mosh was all you needed to see, as the people were going wild, and dancing like maniacs.

Last but not least for the night was Velociraptor at the Q Music Stage. This band, in a nutshell, is organized chaos. On stage they are one of the most dysfunctional groups I’ve seen; four electric guitars, two bass guitars, and a synth. I don’t quite get the need two bass guitars and four electric guitars. There’s only so many different ways a chord progression can be played right? Regardless, this band produces some hell good tunes, and was a great way to end the epic night.

What a night! So much good music, a fair bit of which, I hadn’t really been exposed to before. The highlight for me, apart from personal favourites Ball Park Music, was Electric Empire. They were just so good, and such a surprise considering I picked them randomly off the list of bands playing the timeslot. Now… Night two.

Kate Miller-Heidke - 26 August 2012, The HiFi

w/ The Beards

Supporting the amazing Kate Miller-Heidke were The Beards. They have luscious beards, and sing songs about beards. They don’t like people without beards. The only reason they are on tour with Kate Miller-Heidke is because they are “supporting” the fact that she doesn’t have a beard. It’s a little hard to take these guys seriously, but that’s the whole point, right? I couldn’t keep a smile off my face throughout their entire set, and at times it was laugh out loud funny.

For those of you who have been living under a rock for the last little while, The Beards have songs with lyrics including “as long as your dad doesn’t have a beard, you have two mums”, “there was once a band called Kings of Leon and they shaved off their beards and now they’re shit”, plus their Hottest 100 hit, titled “You Should Consider Having Sex With A Bearded Man”. The thing about this band is that behind those ridiculous lyrics are a stupidly talented bunch of musicians. The frontman is not only a seriously talented singer, but also saxophonist, keytar, and melodica player. They’re just a hell decent band.

Looking back in time, the first Kate Miller-Heidke gig I went to would have been in 2005. And, oh my, what a journey she has embarked on over the years. When Kate and band came onto the stage, there was a huge eruption of sound, however, as soon as guitarist, Keir Nuttall, started playing “Iron and Fire” there was dead silence, and when Kate sang her first phrase, there was another eruption of sound. But for the rest of the song, the silence returned and there was not a sound in the room. To say it was intense is the understatement of the year. Her one hour and forty-five minute set was filled with songs from her latest record Nightflight, as well as tunes from both Curiouser and Litter Eve. I was so glad to hear her playing track from these early albums, including a massively slowed down rendition of “Mama”.

Kate has a wonderful way of reinterpreting her music for the stage, and it was so great to hear “God’s Gift to Women” open with just the acoustic guitar, before moving into something much heavier and drum based. This came straight after a selection of songs including “Politics in Space” and “The Devil Wears a Suit”, played without Dan Parsons on the drums, but instead on guitar. Kate’s cover tonight was a mash up of Eminem's “The Real Slim Shady” and Kanye West's “Monster”. To see a petite white woman rap is certainly something you need to experience at least once in your life.
As a conclusion to her encore, she played an acoustic rendition of “Space They Cannot Touch”. This is my all time favourite Kate Miller-Heidke song, and it was such a special moment to hear it played with only Keir on acoustic guitar, and Maddie Page, Dan Parsons and James O’Brien grouped around a single microphone singing harmonies. Such a perfect way to end the brilliant set.

Jinja Safari - 18 August 2012, The HiFi

w/ White Arrows, Opossum

Jinja Safari has been touring the country on their Blind Date tour, taking along with them White Arrows, hailing from LA, as well as Opossum, from across the Tasman. It’s nice to see Jinja Safari playing the larger venue that is The HiFi, however, for some reason or another, by the time they were ready to get their set under way, the venue was probably just over half full.

To open the night was LA band, White Arrows. These guys are all kinds of rad! They have a heavy electro-pop kind of sound that was well received by those that made the effort to get to the venue early. It’s the kind of music that you instinctively pulse along to. I’m not talking the slight head bob, but the whole body type of pulse. Their tune “Stay at Home” had quite a different feel to the music they had showcased so far, but it was still really involving. Their second last song has to be mentioned, as it featured a synthesised riff that sounded as though it was created from old school computer sounds. But, not only was it novel, it was catchy as all hell. These lads do put on a good, fun show, and I do believe their first tour to Australia has won them many new fans.

Opossum confused me tonight. I wanted to like them, and to appreciate them, however there were just so many things off with their performance that it made it very hard. The fact that the keyboard player was at a right angle to the audience so you basically couldn’t see her face was not the best of ideas. I understand why, in that for the improvised and experimental nature of some of the songs, all members of the three piece had to be able to see each other, but it made it so the band lost all their impact. Also, in the mix, the keys overpowered and the vocals didn’t stand out at all. You couldn’t understand a word they were singing about, nor even when they were speaking to the audience. Their music isn’t bad, not at all, however these things mentioned made it difficult to enjoy what they were producing. When the girl picked up her guitar for the last two songs, the whole style of their music changed. It was more structured, thus more “appealing” to the wider audience.

Jinja Safari. Holy Wow. This band is amazing. They opened the night with “Hiccus” closely followed by “Families”. Tonight was a night for the new as well as the old. The band played heaps of new songs, while playing old favourites like “Peter Pan” as well. Their latest single “Toothless Grin” is a sensational song and really shows the direction the band are heading in. As for showmanship, these flamboyant lads are second to none! They graced the stage, jumping over things and beating their chests, and they didn’t stop there. There was even a moment when crazy man, Papa Knight, clambered onto one of the speakers, making him over seven feet in the air, before jumping off and running back to his synth. Jinja Safari have all the normal instruments you would expect from a band, but add some fun stuff, including a keytar, wood flute, xylophone and their signature sitar.

Jinja Safari keep going from strength to strength; they’re amazing one show, and the next time you see them, they’re even better. The stupid thing about this gig is the fact that there weren’t enough people in the room experiencing the incredible things these three bands were producing. Meh, they missed an simply sensational show.

The Paper Kites - 20 July 2012, Alhambra Lounge

 w/ Patrick James, The Phoncurves

As I walked around the corner to Alhambra Lounge, I was greeted with a 200m line to get into the venue. This was both a good and a bad thing. Good, as it meant The Paper Kites and support acts would play to a packed out crowd in the small venue, but bad because it was quite chilly.

Up first was Brisbane duo The Phoncurves. Unfortunately because of the ridiculously slow line outside to get in, I missed most of their set. However what I did see was delightful. The girls sung beautifully together with the vocals blending so very well. Their final song, “Do Do Do” was quite different form the rest of the songs in their set, utilizing a sampler to create extra depth to the vocals. This song sounded quite reminiscent of a Doo-wop kind of song. Really cool.

Next up was Patrick James and band. These guys are the reason I love Indie-folk music. One, they use a banjo, a proper banjo. None of this ‘ganjo’ crap. And two, they sing with such conviction in three part harmony. It was so good to hear them singing together so well. Frontman, Patrick James, has an intriguing stage presence, and you can hear such emotion in the way he sings. One of the new songs “Stay” was really something. A lot mellower than those they had played previously. They then invited Christina from The Paper Kites, to sings a duo entitled “Shine” which was probably my favourite of the set: so very simple in its statement yet quite beautiful. They concluded their set with a self-proclaimed hoedown, which was good fun indeed.

So, before tonight, I’d only heard little snippets from The Paper Kites, but as a live experience, this band are breathtaking. They opened with “Featherstone” and that set the tone for the rest of the gig. Again, as will all the bands on the register for tonight, the vocals were gorgeous. The harmonies between the frontman, the guitarist, and Christina were stunning, and perfectly matched. So when the played songs that had a single acoustic guitar and three vocalists sensing in harmony, it was otherworldly. You hear this on their recordings, but to hear it live makes it something more special. By the time they got to “Bloom” they had the audience almost silent, which is no mean feat for a band to achieve. They encouraged everyone to join in the whistling in this song, and it’s got to be one of the most hilarious crowd participation activities I’ve been apart of. Whistling a tune is deceptively hard it would seem. The next songs they played, “Paint” the frontman asked for complete silence, and to my surprise, he got it. For the entirety of the song, there was not a sound in the venue. Only melodious vocals and guitars. The roar after the song concluded was more than well deserved. It was a wow moment.

This gig was certainly something special, and has restored my faith in indie-folk music. These three acts are amazing, especially The Paper Kites. I wouldn’t want to go on tour as that band though. The amount of gear they brought with them was insane. Two six-sting acoustics, a 12-string acoustic, and electric guitar, a bass, a mandolin, a slide guitar, a banjo, and whatever the drummer wanted to bring with him. Insane...

Tin Can Radio - 28 June 2012, Black Bear Lodge

w/ Rapids, Fushia

Tin Can Radio has to be one of the most underrated bands out there. They work so hard, and yet never seem to reap the rewards that those contemporaries achieve. I can’t understand this, when you attend one of their shows, you just can’t help but feel happy and dance around like an idiot.

Opening the night was indie rock outfit, Fushia. They have this awesome little rock-y feel to them with a whole lot of synth, topped with funky bass lines. The band’s 'new' keyboard player was great. I can’t imagine what the band was like before this, but hell, I like what they’re putting out now. They wrote a song about having a whole lot of fun and my, oh my, that song was indeed a whole lot of fun. And catchy as all hell. This is the kind of band where I couldn’t keep a silly little grin off my face. It doesn’t happen often, but when it does, I know that I’ve found a good thing.

Rapids took to the stage nest, and to be honest, I don’t know what to make of this band. They played a tight set, and musically were great. But at times I found the indie-pop sound they made to be a little generic. There was so much energy on stage, and they certainly enjoy what they do, but I think they need a little more diversity between their songs. “Shoppe Sorry”, their last tune was definitely the highlight of the set, as it was a lot more funk inspired than the rest, which set it apart.

The first thing I have to note about Tin Can Radio: there is so much hair in this band. Each band member has more luxurious hair than most women have, especially the bass player. Seriously, that’s just not fair! Second thing I have to note, Rob Nobillia’s three unit synth set up was epic. Mainly because it was set up on what looked like an ironing board. No joke. This made me happy inside. Tonight was the official launch of their latest single, “It Goes On”, as well as their new project, The Audie Democracy Project. With this project, fans get to decide which tracks the band will record for their new EP. I think this is such a brilliant idea, and actually gets those people who love the band involved in the process.

They played a whole bunch of these songs tonight, and oh my, they are just rad! There was one new track where everyone disposed of their guitars and took up a synth to create a wall of sound. There was no pre-record in the background and it was being created live. Blew my mind. Every time you hear the band play an older track, “Hot Trash”, “A Deafening Silence” and “Skeletons” for example, It was a completely new arrangement, with a different array of synth sounds and slightly different formula. That is a sign of a good band. When you can go to a gig and have a completely new experience of the same song, from both the recorded version and the version you heard at the previous gig.

You know your listening to a Tin Can Radio song when you look around and you can see the crowd pulsing and dancing around like crazy people, then when the band hit the half tempo bridge they immediately follow suit. The band had every body at the Black Bear Lodge in the palm of their hands tonight. With ease.