w/ Mr Mojo Rising, Your Mum's Favourite Funk Band
We are all lucky that the Troubadour is still alive and kicking after the week it has had. A blown circuit causing a power outage closing the venue for the night, followed by a fire a couple of days later threatening to destroy the venue completely. Thankfully there was only minor damage with a but of ash and a nasty smell. But now for something completely different! Jennifer Boyce! Friends of Jennifer Boyce! A Jazz Band! A Doors Covers Band! Sweet As Music! Yeah!
What do you get when you combine trumpet, a guitar, a bass, a drum kit with Chris Darbyshire on Saxophone. You get one awesome slab of funky jazz music called Your Mum's Favourite Funk Band. Pretty sure they've became a bit of a favourite of many people now though, not just "Your Mum's". Needless to say, I did quite enjoyed this set. Anyone who can rock a loop machine is A-Ok in my books! But seriously, two of Chris' solo pieces utilised said loop machine, and the layers he created were both intricate and detailed, yet so simple in their formulation. With his band he performed some pretty sweet tunes, giving everyone - even the bassist and drummer - a chance to solo. T'was nice to see.
Paul Furness together with Sam Cromack with their backing band form Mr Mojo Rising, and tonight, tackle sexy covers of some of The Doors greats. Master Sam is a talented lad. Whatever he touches he adds a magic touch to. He has done this with not Ball Park Music, but also his solo side project My Own Pet Radio, and he did this tonight with Mr Mojo Rising. Good show guys!
Next up, Jennifer Boyce of Ball Park fame took up the stage in a solo capacity, opening with a number showing off her new pride and joy - A Keytar (a keyboard played like a guitar). In fact she featured this new acquisition quite prominently in her set. She is quite the amusing on stage, amusing us with her babble as she sets up the mic stand she forgot in her prep. 'Lily's Song', a song showing her keyboard finesse, was for me the highlight of her set. It showed just heavily influenced she has been through jazz and soul music. Tonight she also performed some divine covers of well known songs with the help of her Ball Park friends, Paul and Sam. This girl has so much to give, and is remarkably talented in this solo capacity.
T'was so much more a chilled evening to those gig nights of late, but it was quite a welcome change of pace. One thing I was a little disappointed about however was the lack of a Ukulele! The Troubadour website promised me a Ukulele, and I am devastated that it did not tell me the truth. That is all.
Tuesday, September 21, 2010
Friday, September 17, 2010
Valley Fiesta - 11 September 2010, Fortitude Valley
Night 2 - The Boat People, John Steel Singers
Valley Fiesta continued in style today, however I missed most of the day's scheduled events which was quite a shame. Fortunately though, the events continued into the evening with probably two highlights of the day, excluding those which I had previously seen in the past couple of days.
T'was exciting to see a return of the white shoes to set as The Boat People took to the stage for the first big event of my evening. I have said it before, and I will say it again, The Boat People are amazing. They have so much going for them, and their new album 'Dear Darkly' really shows what they are all about. Meeting somewhere in the middle of pop, electro and rock, they certainly have a sound that can not be ignored. Continuing to promote their new album in all it's glory, they set full of new songs, my personal pick for the night had to be 'Cat's Collar'. Previously the song had never stuck with me, tonight however, was something more. As always they ended their set with a bang with the crowd favourite "Light of Love (You Got A...)". No matter how many time I hear this song, it never gets old.
The John Steel Singers were up next, and having only seen them once before at a festival event, I was curious to see what they would do with this smaller venue. Let me tell you, they rocked! This band has something special. There are not enough Brisbane bands who can incorporate and trumpet and a trombone successfully into their line up. These guys not only successfully achieve this, but they do it with a certain je ne se qua. Showcasing both new and old tunes they captured the crowd and had them going with them as they moved through their set. November brings their new album, and if this is any indication of what is to come then I think we should all be excited!
Thus ends four consecutive nights of live music. I don't think there can be anything greater. In the past few days I have seen 18 full sets, with bits and pieces of other things thrown in here and there as well. Now comes the recovery...
Valley Fiesta continued in style today, however I missed most of the day's scheduled events which was quite a shame. Fortunately though, the events continued into the evening with probably two highlights of the day, excluding those which I had previously seen in the past couple of days.
T'was exciting to see a return of the white shoes to set as The Boat People took to the stage for the first big event of my evening. I have said it before, and I will say it again, The Boat People are amazing. They have so much going for them, and their new album 'Dear Darkly' really shows what they are all about. Meeting somewhere in the middle of pop, electro and rock, they certainly have a sound that can not be ignored. Continuing to promote their new album in all it's glory, they set full of new songs, my personal pick for the night had to be 'Cat's Collar'. Previously the song had never stuck with me, tonight however, was something more. As always they ended their set with a bang with the crowd favourite "Light of Love (You Got A...)". No matter how many time I hear this song, it never gets old.
The John Steel Singers were up next, and having only seen them once before at a festival event, I was curious to see what they would do with this smaller venue. Let me tell you, they rocked! This band has something special. There are not enough Brisbane bands who can incorporate and trumpet and a trombone successfully into their line up. These guys not only successfully achieve this, but they do it with a certain je ne se qua. Showcasing both new and old tunes they captured the crowd and had them going with them as they moved through their set. November brings their new album, and if this is any indication of what is to come then I think we should all be excited!
Thus ends four consecutive nights of live music. I don't think there can be anything greater. In the past few days I have seen 18 full sets, with bits and pieces of other things thrown in here and there as well. Now comes the recovery...
Saturday, September 11, 2010
Valley Fiesta - 10 September 2010, Fortitude Valley
Night 1 - Disco Nap, The Cairos, Last Dinosaurs, Charlie Mayfair, Montpelier
After two ticketed nights of music, it was nice to enjoy some free music as part of Valley Fiesta, or should I say, the Big Sound after party.
So Disco Nap have a funny thing going on. See I am in love with frontman, Ross', voice, and they have some decent songs. with 'The Soft Sell' being by far their greatest hit, but they are just boring to watch! I hate to admit it, because I really quite like this band on record, but they are. The crowd on the outdoor stage though small, were responsive to what they had they had to offer. Being on the Brunswick Street Mall Stage meat that there are a stack of people drifting past, and the band played on this really well, singling out unsuspecting members of the crowd. T'was quite funny seeing peoples reactions.
Staying put for the next act, The Cairos, I was hoping for something special. I'd even settle for good. But I was severely disappointed. To me, The Cairos have the same sound as the band next door, and subsequently didn't capture me at all. It made me chuckle that the drummer was wearing a Last Dinosaurs t-shirt. Something else I will mention that actually really annoyed me about this band is that they would always say "thank you" as soon as they finished a song, not even waiting for the audience to start clapping first!! Who does that! It's like, oh yeah I've just said thanks so now you are obliged to clap regardless of what you actually thought! You play, the audience acknowledges your performance, then you thank your audience for that acknowledgment! I thought that was common knowledge! Geez!
Last Dinosaurs are something of an oddity. They have one maybe two incredible songs, 'Honolulu' and maybe' As Far As Your Concerned' but that's about it. They did preview some new tunes tonight, but they didn't have the sparkle that 'Honolulu' has. I hope that they are just going to be one of those bands that have one signature song, with nothing else even coming close to that caliber. I also feel that they talk to much on stage. There is a fine line between not enough small talk and too much on stage I feel. These guys also told the same story about the songs 'Alps' tonight as I had heard a few times before. Not cool... By this stage, more and more people had been rolling into the open air stage, most of whom were underage (open air stage, all age gig). I had forgotten just how annoying teenagers are. Standing behind a big mob of 15-16 year olds for this 45min set, I swear that they went through half a pack of cigarettes each. Not that I am against smoking or anything (each to their own) but at least have some respect for those around you! Stupid kids. I knew there was a good reason why gigs are usually held at 18+ venues.
Enough of the open air, back inside for some licensed fun with Charlie Mayfair at X&Y. Now here is a good band. They have everything going for them with their alt-folk sound. Frontwoman Hannah's voice is just divine and is so suited to this type of songwriting. Tonight continued the induction of the newest member of the band, replacing Sam on backing vocals and glock. This didn't change the sound or dynamic of the group, so I believe this to be a good thing. It will be nice to see some new songs where she can shine instead of being thrust into amongst pre-exsisting songs. They also invited Greg from Montpelier to help them out with a tune, which was nice to hear. It's always fun when bands do that I think.
Next up were Montpelier. Man I really dig this band and had been up there with my must see's this week. Upon hearing them again live, and listening to their record in between shows I have come to the conclusion that they remind me a little of The Coronas but without the Irish accent. This is a good thing. By this time, the floor had filled up and through their balance between the upbeat pop tunes, and the ballad-esk, they were really creating a good vibe. Still a personal favourite of mine is 'Last Boat Out to Sea'. Greg's voice really shines in this song, and it strikes a chord for me. Montpelier returned the invitation and had Hannah come out to sing one of their songs. Like I said, it is always fun when bands share their members around!
With a little bit a disappointing start to the evening, it sure as hell ended well. I could have easily skipped the whole set at the Mall Stage and just started at X&Y, but regardless I suppose it was worth it, make the most of my Valley Fiesta. Good times to be had, with some sweet tunes, with still more fun to be had in this week of epicness.
After two ticketed nights of music, it was nice to enjoy some free music as part of Valley Fiesta, or should I say, the Big Sound after party.
So Disco Nap have a funny thing going on. See I am in love with frontman, Ross', voice, and they have some decent songs. with 'The Soft Sell' being by far their greatest hit, but they are just boring to watch! I hate to admit it, because I really quite like this band on record, but they are. The crowd on the outdoor stage though small, were responsive to what they had they had to offer. Being on the Brunswick Street Mall Stage meat that there are a stack of people drifting past, and the band played on this really well, singling out unsuspecting members of the crowd. T'was quite funny seeing peoples reactions.
Staying put for the next act, The Cairos, I was hoping for something special. I'd even settle for good. But I was severely disappointed. To me, The Cairos have the same sound as the band next door, and subsequently didn't capture me at all. It made me chuckle that the drummer was wearing a Last Dinosaurs t-shirt. Something else I will mention that actually really annoyed me about this band is that they would always say "thank you" as soon as they finished a song, not even waiting for the audience to start clapping first!! Who does that! It's like, oh yeah I've just said thanks so now you are obliged to clap regardless of what you actually thought! You play, the audience acknowledges your performance, then you thank your audience for that acknowledgment! I thought that was common knowledge! Geez!
Last Dinosaurs are something of an oddity. They have one maybe two incredible songs, 'Honolulu' and maybe' As Far As Your Concerned' but that's about it. They did preview some new tunes tonight, but they didn't have the sparkle that 'Honolulu' has. I hope that they are just going to be one of those bands that have one signature song, with nothing else even coming close to that caliber. I also feel that they talk to much on stage. There is a fine line between not enough small talk and too much on stage I feel. These guys also told the same story about the songs 'Alps' tonight as I had heard a few times before. Not cool... By this stage, more and more people had been rolling into the open air stage, most of whom were underage (open air stage, all age gig). I had forgotten just how annoying teenagers are. Standing behind a big mob of 15-16 year olds for this 45min set, I swear that they went through half a pack of cigarettes each. Not that I am against smoking or anything (each to their own) but at least have some respect for those around you! Stupid kids. I knew there was a good reason why gigs are usually held at 18+ venues.
Enough of the open air, back inside for some licensed fun with Charlie Mayfair at X&Y. Now here is a good band. They have everything going for them with their alt-folk sound. Frontwoman Hannah's voice is just divine and is so suited to this type of songwriting. Tonight continued the induction of the newest member of the band, replacing Sam on backing vocals and glock. This didn't change the sound or dynamic of the group, so I believe this to be a good thing. It will be nice to see some new songs where she can shine instead of being thrust into amongst pre-exsisting songs. They also invited Greg from Montpelier to help them out with a tune, which was nice to hear. It's always fun when bands do that I think.
Next up were Montpelier. Man I really dig this band and had been up there with my must see's this week. Upon hearing them again live, and listening to their record in between shows I have come to the conclusion that they remind me a little of The Coronas but without the Irish accent. This is a good thing. By this time, the floor had filled up and through their balance between the upbeat pop tunes, and the ballad-esk, they were really creating a good vibe. Still a personal favourite of mine is 'Last Boat Out to Sea'. Greg's voice really shines in this song, and it strikes a chord for me. Montpelier returned the invitation and had Hannah come out to sing one of their songs. Like I said, it is always fun when bands share their members around!
With a little bit a disappointing start to the evening, it sure as hell ended well. I could have easily skipped the whole set at the Mall Stage and just started at X&Y, but regardless I suppose it was worth it, make the most of my Valley Fiesta. Good times to be had, with some sweet tunes, with still more fun to be had in this week of epicness.
Big Sound Live - 9 September 2010, Fortitude Valley
Night 2 - The Medics, Guineafowl, Ball Park Music, Deep Sea Arcade, The Holidays
The lo Big Sound rocks on for another night of greatness. Let us continue...
First up were The Medics hitting The Zoo. Like many from last night, it was a new live experience for me. I found their set quite the interesting, not so much in visual appeal - for unfortunate they didn't have the charisma that some posses - but more so by the diversity between songs. For example, ranging from acoustic number's like "Her Song" right through to their final tune, which was toward the other, heavier end of the spectrum in all aspects, especially vocals. I found myself really quite enjoying their set, however at the same time wondering why... I suppose some things you just can't explain. They pulled quite a decent turnout considering they had the early slot, and I do believe those who were there were shown quite the treat.
Rushing to the Troubadour I hoped to catch a little bit of Big Scary before moving on, however rounding the corner, I immediately saw the line to get in! Children Collide was playing there after Big Scary, and I do believe there were a must see, hence the reason The Troub was already at capacity. Despite my disappointment, not all was lost. There would always be another opportunity this month to see them!
It was worth it to get to the Sonicbids Club House a little early, as by the time Guineafowl were just starting their set, the room had filled up quite substantially. Those who were there were blessed with a brilliant set of sweet, sweet music. On first hearing this band, some time ago, I really liked their stuff. On second hearing, I believe they could be my new favourite band. This is a big call, but everything about them sits just right, with the perfect mix between live sound synth augmented sound. It is obvious that this band, especially their frontman, enjoy what they do and the music they make, as it shows all over their performance in their faces and their actions. I really am in love with this band right now.
Staying in the one place for once, Ball Park Music took to the stage for one of the beat sets I've ever seen them produce. For the first time ever in my live Ball Park experience I heard the keys as a prominent instrument in the mix! It was delightful. Every other time, they had been there as a part fattening out the sound, but tonight was the first time I could hear a discernible keys part that stood out! And it was awesome!! Kudos to Paul. Not only is he a stellar trombone player, but now I can appreciate his mad keyboard skills. To top everything off, Sam put on his usual antics, jumping into the crowd to share the love with a more than willing crowd!
A change in scenery brought a bit of Deep Sea Arcade to Ric's. But seriously, for a band of that caliber to be playing at Ric's is a defiant recipe for disaster! The Venue is sooo small, that it almost made for a unpleasant gig experience. Almost. Regardless it was actually pretty cool being in the front row seeing all that was going on with the synth and such. I will also add that the drummer had a hard task. A kit barely fits on the Ric's stage as it is, and he was going nuts. So awesome to watch, thought I kinda felt sorry for him being so cramped. For me, a first, and I really dig. "Don't be sorry" was certainly a highlight for me. Such a good song.
So Deep Sea Arcade had troubles on the Ric's stage. The Holidays had serious dilemmas... Their percussion section took up a good chunk of the stage, then add the kit on the other side of the stage, while trying to fit two guitarist and a bass player with room to move and you a slight problem. BigSound should really have thought that one through a little bit more. Not to mention the following they pulled! Also! In the small enclosed space that is Ric's a miced wood block and cowbell actually have the potential to make ears bleed. As much as I really like The Holidays I couldn't stay until the end of their set, it hurt too much. This made me sad inside... I can't wait to hear them again in the future, as I believe they have the makings of something more.
So it is my conclusion that BigSound was pretty darn amazing. There were so many more bands that I would have loved to have seen, for example the likes of Eagle and the Worm and Boy and Bear, but alas. One can only be in once place at one moment in time. Wait! The week has not yet finished! The Bog Sound after party, Valley Fiesta, is yet to begin!
The lo Big Sound rocks on for another night of greatness. Let us continue...
First up were The Medics hitting The Zoo. Like many from last night, it was a new live experience for me. I found their set quite the interesting, not so much in visual appeal - for unfortunate they didn't have the charisma that some posses - but more so by the diversity between songs. For example, ranging from acoustic number's like "Her Song" right through to their final tune, which was toward the other, heavier end of the spectrum in all aspects, especially vocals. I found myself really quite enjoying their set, however at the same time wondering why... I suppose some things you just can't explain. They pulled quite a decent turnout considering they had the early slot, and I do believe those who were there were shown quite the treat.
Rushing to the Troubadour I hoped to catch a little bit of Big Scary before moving on, however rounding the corner, I immediately saw the line to get in! Children Collide was playing there after Big Scary, and I do believe there were a must see, hence the reason The Troub was already at capacity. Despite my disappointment, not all was lost. There would always be another opportunity this month to see them!
It was worth it to get to the Sonicbids Club House a little early, as by the time Guineafowl were just starting their set, the room had filled up quite substantially. Those who were there were blessed with a brilliant set of sweet, sweet music. On first hearing this band, some time ago, I really liked their stuff. On second hearing, I believe they could be my new favourite band. This is a big call, but everything about them sits just right, with the perfect mix between live sound synth augmented sound. It is obvious that this band, especially their frontman, enjoy what they do and the music they make, as it shows all over their performance in their faces and their actions. I really am in love with this band right now.
Staying in the one place for once, Ball Park Music took to the stage for one of the beat sets I've ever seen them produce. For the first time ever in my live Ball Park experience I heard the keys as a prominent instrument in the mix! It was delightful. Every other time, they had been there as a part fattening out the sound, but tonight was the first time I could hear a discernible keys part that stood out! And it was awesome!! Kudos to Paul. Not only is he a stellar trombone player, but now I can appreciate his mad keyboard skills. To top everything off, Sam put on his usual antics, jumping into the crowd to share the love with a more than willing crowd!
A change in scenery brought a bit of Deep Sea Arcade to Ric's. But seriously, for a band of that caliber to be playing at Ric's is a defiant recipe for disaster! The Venue is sooo small, that it almost made for a unpleasant gig experience. Almost. Regardless it was actually pretty cool being in the front row seeing all that was going on with the synth and such. I will also add that the drummer had a hard task. A kit barely fits on the Ric's stage as it is, and he was going nuts. So awesome to watch, thought I kinda felt sorry for him being so cramped. For me, a first, and I really dig. "Don't be sorry" was certainly a highlight for me. Such a good song.
So Deep Sea Arcade had troubles on the Ric's stage. The Holidays had serious dilemmas... Their percussion section took up a good chunk of the stage, then add the kit on the other side of the stage, while trying to fit two guitarist and a bass player with room to move and you a slight problem. BigSound should really have thought that one through a little bit more. Not to mention the following they pulled! Also! In the small enclosed space that is Ric's a miced wood block and cowbell actually have the potential to make ears bleed. As much as I really like The Holidays I couldn't stay until the end of their set, it hurt too much. This made me sad inside... I can't wait to hear them again in the future, as I believe they have the makings of something more.
So it is my conclusion that BigSound was pretty darn amazing. There were so many more bands that I would have loved to have seen, for example the likes of Eagle and the Worm and Boy and Bear, but alas. One can only be in once place at one moment in time. Wait! The week has not yet finished! The Bog Sound after party, Valley Fiesta, is yet to begin!
Thursday, September 9, 2010
Big Sound Live - 8 September 2010, Fortitude Valley
Night 1 - [26], Hungry Kids of Hungary, My Fiction, Washington, The Jezabels, Fire! Santa Rosa, Fire!
Crashing the Big Sound Conference after party was just the beginning of what was to be an EPIC night! I had a plan. It was foolproof. With Hungry Kids of Hungary being the only act I had seen live before, I was beyond excitement. Finally an opportunity to see Washington and The Jezabels, two acts I have been dying to see for an age, and both on the one night! Half hour sets, 20 min turnaround. Yes, yes, it was only going to be a snapshot of what they have to offer, but hell, it's going to be the best of what they have to offer. Your time starts... NOW!
The nights started at the Artisan Gallery Stage with [26]. I had not heard of this band before at all, but seeing as thought they were on the same stage as the Hungry Kids would be, I thought it would be an idea to check them out. To be entirely truthful, I didn't enjoy them. I liked one, maybe two of their songs, but even in those something just didn't sit right with me. They used a whole lot of pre-programmed backings. For example, one of the tracks had an acoustic guitar and a tambourine playing as an introduction. I thought something like that (especially when the guitarist was not playing guitar at all in the song) would be achievable live. I guess not... Maybe it was that, I don't know. I still can't really pick what didn't sit right with me...
Next up on the same stage was the Hungry Kids of Hungary. And let me tell you, they KILLED it! They played their power set, rocking one single after the next, showcasing both the new singles including Kane's hit "Coming Around" as well as all the old favourites. Me, I can't go past "Two Stones". I love that song so much and I was so glad to hear it in this power set, amongst of all their singles. Kane and Dean put such a great face to the band, with Kane at one point jumping down into the packed audience to show off his mad tambourine-ing skills. This makes for such a better live experience I believe. So many bands out there just play the notes and try rocking out, but their guys have art of performing in their veins. Maybe that was what I didn't get about [26]. They had a stage presence but it didn't look natural. Hmm...
After a quick change over from the Artisan Gallery stage to the Zoo, I walked in on the end of Metals' set. This was a little bit a strange sight. I see a girl in a leotard with feathery shoulder doobies alongside a drummer and two other guys with their backs turned to the audience playing their synths facing the drummer... What I did hear was quite pleasing, if a little strange (the music now, not the set up). As My Fiction took to the stage next, I was a little excited. Heard of them, never hear much of their music. A strange line up for them though, the frontman being just a singer. No instrument. Apart from that, guitar, bass, skins (with sampler), the use-. I hate to admit it, but I was severely disappointed with them! The one song I had head of theirs, "Every June" I really liked, (and still really like) hence why I chose to see them over someone else, but the rest, not so much. Good performance though.
Running back to the Artisan Gallery Stage, I was just in time to get a kick-ass spot for Washington. I still can't believe I have been following her since her EP "How to Tame Lions" yet have never seen her live. Sad times I say. Regardless, I saw her this night, that's all that counts and let me tell you, she was on fire! She had the packed crowd eating out of the palm of her hand right from the word go. As soon as she walked onto stage to set up her keyboard, the crowd went wild. She played not only songs from her recently released album, but also guaranteed hits like "Cement" which I freely admit is a favourite of mine. I was disappointed not to hear "Sunday Best" . In a half hour set though, you just can't do everything I suppose. She is quite the eccentric performer and quite a stunner live.
Literally running for the Troubadour, I just made it in time for The Jezabels. Apparently almost as soon as I entered the Troub reached capacity. So glad I made it in time, because oh my, they were frigginsweet! At capacity, the Troub is a hard venue to play, due to the fact that it is so darn hot! Almost unbearable! Still, the show must go on. Regardless of only playing only a set of five songs, they utterly nailed it. Their opener "Easy to Love" went off like like you wouldn't imagine. I personally, was blown away. I love their EPs, and have done so since the first hearing, but live is something so much more special. The sound they make is so utterly different to what other bands produce. In part, I believe, due to the lack of bass, and prominence of the keys. Whatever it is, they really have something special going on there.
Back at The Zoo brought the final act of the night Fire! Santa Rosa, Fire! and to tell you the truth, there was nothing there. For me, it looked as though the lights were on, but no one was home. The chick singing in particular looked almost bored... I actually feel bad saying that, but it's true. Liked some of their songs though. I could have left it though, finish the night on the high that was The Jezables.
Whew! Night one, check! Bring on night two!
Crashing the Big Sound Conference after party was just the beginning of what was to be an EPIC night! I had a plan. It was foolproof. With Hungry Kids of Hungary being the only act I had seen live before, I was beyond excitement. Finally an opportunity to see Washington and The Jezabels, two acts I have been dying to see for an age, and both on the one night! Half hour sets, 20 min turnaround. Yes, yes, it was only going to be a snapshot of what they have to offer, but hell, it's going to be the best of what they have to offer. Your time starts... NOW!
The nights started at the Artisan Gallery Stage with [26]. I had not heard of this band before at all, but seeing as thought they were on the same stage as the Hungry Kids would be, I thought it would be an idea to check them out. To be entirely truthful, I didn't enjoy them. I liked one, maybe two of their songs, but even in those something just didn't sit right with me. They used a whole lot of pre-programmed backings. For example, one of the tracks had an acoustic guitar and a tambourine playing as an introduction. I thought something like that (especially when the guitarist was not playing guitar at all in the song) would be achievable live. I guess not... Maybe it was that, I don't know. I still can't really pick what didn't sit right with me...
Next up on the same stage was the Hungry Kids of Hungary. And let me tell you, they KILLED it! They played their power set, rocking one single after the next, showcasing both the new singles including Kane's hit "Coming Around" as well as all the old favourites. Me, I can't go past "Two Stones". I love that song so much and I was so glad to hear it in this power set, amongst of all their singles. Kane and Dean put such a great face to the band, with Kane at one point jumping down into the packed audience to show off his mad tambourine-ing skills. This makes for such a better live experience I believe. So many bands out there just play the notes and try rocking out, but their guys have art of performing in their veins. Maybe that was what I didn't get about [26]. They had a stage presence but it didn't look natural. Hmm...
After a quick change over from the Artisan Gallery stage to the Zoo, I walked in on the end of Metals' set. This was a little bit a strange sight. I see a girl in a leotard with feathery shoulder doobies alongside a drummer and two other guys with their backs turned to the audience playing their synths facing the drummer... What I did hear was quite pleasing, if a little strange (the music now, not the set up). As My Fiction took to the stage next, I was a little excited. Heard of them, never hear much of their music. A strange line up for them though, the frontman being just a singer. No instrument. Apart from that, guitar, bass, skins (with sampler), the use-. I hate to admit it, but I was severely disappointed with them! The one song I had head of theirs, "Every June" I really liked, (and still really like) hence why I chose to see them over someone else, but the rest, not so much. Good performance though.
Running back to the Artisan Gallery Stage, I was just in time to get a kick-ass spot for Washington. I still can't believe I have been following her since her EP "How to Tame Lions" yet have never seen her live. Sad times I say. Regardless, I saw her this night, that's all that counts and let me tell you, she was on fire! She had the packed crowd eating out of the palm of her hand right from the word go. As soon as she walked onto stage to set up her keyboard, the crowd went wild. She played not only songs from her recently released album, but also guaranteed hits like "Cement" which I freely admit is a favourite of mine. I was disappointed not to hear "Sunday Best" . In a half hour set though, you just can't do everything I suppose. She is quite the eccentric performer and quite a stunner live.
Literally running for the Troubadour, I just made it in time for The Jezabels. Apparently almost as soon as I entered the Troub reached capacity. So glad I made it in time, because oh my, they were frigginsweet! At capacity, the Troub is a hard venue to play, due to the fact that it is so darn hot! Almost unbearable! Still, the show must go on. Regardless of only playing only a set of five songs, they utterly nailed it. Their opener "Easy to Love" went off like like you wouldn't imagine. I personally, was blown away. I love their EPs, and have done so since the first hearing, but live is something so much more special. The sound they make is so utterly different to what other bands produce. In part, I believe, due to the lack of bass, and prominence of the keys. Whatever it is, they really have something special going on there.
Back at The Zoo brought the final act of the night Fire! Santa Rosa, Fire! and to tell you the truth, there was nothing there. For me, it looked as though the lights were on, but no one was home. The chick singing in particular looked almost bored... I actually feel bad saying that, but it's true. Liked some of their songs though. I could have left it though, finish the night on the high that was The Jezables.
Whew! Night one, check! Bring on night two!
Friday, September 3, 2010
Ball Park Music - 2 September 2010, The Troubadour
w/ Oceanics, Emma-Louise (Bonfire Nights - Rics)
Two new experiences, one old favourite. Epic night. Beginning the evening at Rics Bar for a little bit of a Bonfire Night, then traveling over the road to The Troubadour for some sweet tunes from the Oceanics and Ball Park Music, the evening was bound to be a success. Despite the fact that Washington with Scott Spark were playing at The Zoo. Nonetheless, this was no second best.
In the "interesting" venue that is Rics Bar, Bonfire Nights lit up the stage playing songs from their self titled debut EP, as well as new a selection of old and new songs. Rics is never the easiest venue to play in, and I always find that no matter who is playing, regardless of size or genre, the vocals are always drowned out by the instruments. But regardless, they put one a hell good set, showing diversity not only within set list, but also within their individual songs. Some starting off ballad-esk with guitar and vocals, then powering on adding drums and synth. I love how this band has two chicks over one guy. It makes me chuckle. I have to say, the drummer - Ruth was incredible! Not only is she a brilliant drummer, she also is an incredible singer, and to do both, talent. I also have to mention the synth player, she brought not only a harmonica to the stage, but also a saxophone. Brilliant.
Moving quickly on to the Troubadour, to try and catch the end of Emma-Louise's set, I was sad to discover that she finished her set almost as soon as I walked in. From what I heard though, she was a real songstress. With a quick change came the Oceanics, with whom I am now in love with. They are all about the good times, bringing the dance out in more than a few seated audience members. They have the kind of indie-pop sound that is hard not to enjoy and get into. On stage, however, there seemed to be a discrepancy between which way you play a guitar. Traditional or lefty flip! But on a more serious note, the two very talented guitarists had the same make of hollow guitar, different colours, different playing styles. To this add a rocking rhythm section, and you have the makings of greatness. I was disappointed to miss out on securing one of their demo CDs that were going around, as like I said, I am in love with this band. I really like their stuff, and am excited to hear more.
Another quick change brought to the stage Ball Park Music playing their last headline show before touring with Hungry Kids of Hungary on their 'Escapades' album tour. Man, these kids are shit talented, right? They have so much stage presence and from the word go, they are ready to rock a good show. Frontman Sam Cormack is one of the most eccentric stage performers I have seen in recent times. During the show not only was he found singing on his knees, or sitting and standing on the wedge, but also singing from guitarist Brock Smith's shoulders (while Brock was still attempting to play guitar). Incredible. Although the audience was considerably on the smaller side (I blame Washington) this did nothing to tamper the spirits of the band, nor those that had made the journey out on a school night. Highlight for me? I have to say 'Culture Vultures' and 'iFly'. 'Culture Vultures' is one of those songs that always gets me. As soon as Paul struts his stuff playing trombone the crowd goes wild, and tonight again was no exception. This puts a silly grin on my face. And 'iFly'? I don't think they could ever go wrong with that song. Tonight, add a slow sing along chorus, and commend the audience on passing AMEB theory, and there you have yourself a guaranteed hit.
If these guys continue on the route they're going, they are going to be the next big thing methinks. (Did I mention they also add a keytar to the mix now? It's pretty sweet.) Check it out man! Check it out!
Two new experiences, one old favourite. Epic night. Beginning the evening at Rics Bar for a little bit of a Bonfire Night, then traveling over the road to The Troubadour for some sweet tunes from the Oceanics and Ball Park Music, the evening was bound to be a success. Despite the fact that Washington with Scott Spark were playing at The Zoo. Nonetheless, this was no second best.
In the "interesting" venue that is Rics Bar, Bonfire Nights lit up the stage playing songs from their self titled debut EP, as well as new a selection of old and new songs. Rics is never the easiest venue to play in, and I always find that no matter who is playing, regardless of size or genre, the vocals are always drowned out by the instruments. But regardless, they put one a hell good set, showing diversity not only within set list, but also within their individual songs. Some starting off ballad-esk with guitar and vocals, then powering on adding drums and synth. I love how this band has two chicks over one guy. It makes me chuckle. I have to say, the drummer - Ruth was incredible! Not only is she a brilliant drummer, she also is an incredible singer, and to do both, talent. I also have to mention the synth player, she brought not only a harmonica to the stage, but also a saxophone. Brilliant.
Moving quickly on to the Troubadour, to try and catch the end of Emma-Louise's set, I was sad to discover that she finished her set almost as soon as I walked in. From what I heard though, she was a real songstress. With a quick change came the Oceanics, with whom I am now in love with. They are all about the good times, bringing the dance out in more than a few seated audience members. They have the kind of indie-pop sound that is hard not to enjoy and get into. On stage, however, there seemed to be a discrepancy between which way you play a guitar. Traditional or lefty flip! But on a more serious note, the two very talented guitarists had the same make of hollow guitar, different colours, different playing styles. To this add a rocking rhythm section, and you have the makings of greatness. I was disappointed to miss out on securing one of their demo CDs that were going around, as like I said, I am in love with this band. I really like their stuff, and am excited to hear more.
Another quick change brought to the stage Ball Park Music playing their last headline show before touring with Hungry Kids of Hungary on their 'Escapades' album tour. Man, these kids are shit talented, right? They have so much stage presence and from the word go, they are ready to rock a good show. Frontman Sam Cormack is one of the most eccentric stage performers I have seen in recent times. During the show not only was he found singing on his knees, or sitting and standing on the wedge, but also singing from guitarist Brock Smith's shoulders (while Brock was still attempting to play guitar). Incredible. Although the audience was considerably on the smaller side (I blame Washington) this did nothing to tamper the spirits of the band, nor those that had made the journey out on a school night. Highlight for me? I have to say 'Culture Vultures' and 'iFly'. 'Culture Vultures' is one of those songs that always gets me. As soon as Paul struts his stuff playing trombone the crowd goes wild, and tonight again was no exception. This puts a silly grin on my face. And 'iFly'? I don't think they could ever go wrong with that song. Tonight, add a slow sing along chorus, and commend the audience on passing AMEB theory, and there you have yourself a guaranteed hit.
If these guys continue on the route they're going, they are going to be the next big thing methinks. (Did I mention they also add a keytar to the mix now? It's pretty sweet.) Check it out man! Check it out!
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