Track and Field #2 - 25 November 2011, The Arena

Bleeding Knees Club, Deep Sea Arcade, Velociraptor, Gung Ho

Track and Field #2. Where to even start! New venue, new bands, all round awesomeness. Its predecessor in June at the Old Museum was a hit, and this one was no different. Tonight, at The Arena, the boutique music event played host to Gung Ho, Velociraptor, Deep Sea Arcade, and Bleeding Knees Club, along with a whole bunch of DJ sets from the likes of Little Scout and Naysater & Gilsun.

After some sweet DJ tunes from the Unnecessary Knowledge 4ZZZ presenters, Gung Ho graced the stage. Here’s the thing; I swear, that according to the set times provided, they started late and finished early, and played for only 15 mins... However, what the band played was awesome. Some well-written tunes that I wished more people could have heard. Also, I become a bit of a Nazi with some mannerisms bands pick up when playing live. Please don’t apologise to the crowd and say, “don’t worry people, we’ve only got two more left, then Velociraptor will be up.” That’s plain stupid! Let people make up their own minds about your music. I, for one, loved it, and am now on the hunt for more. Love what you do, love making music. Isn’t that the reason you play in a band?

So, Gung Ho finished early, and Velociraptor started 10mins late. Leaving the Unnecessary Knowledge duo with a 50 minutes of set change to fill. Bet they didn’t plan for that... When Velociraptor finally did grace the stage with their presence, they really got the party started. This band is completely off the rails, and their hyped-up music really does make you feel like dancing. It’s infectious. On stage, there were four guitarists, a bass player, a chick on synth, a drummer, and their frontman. Eight in total. And from memory, there are usually twelve in the group. Tonight’s line up had all seven guys singing at one point or another, while the chick did not. I felt that there was a case of overlapping musicians, but each band to their own. The sound they did create was something truly incredible though. So in-your-face. I have to commend the band for having the guts to start late then proceed to play the entire planned set, making them finishing late. Kudos guys.

After some DJ tunes from the members of Little Scout, Deep Sea Arcade played some tunes for the more than welcoming crowd. This band can do no wrong. No matter what the venue, how big or small the room, they kick ass! Tonight’s set sounded quite a bit fuller than the last time I heard them play, and it works really well in their favour. Their new single, “Girls”, was being launched at the event, and it really was a fine event to do so. Also, it’s a great new track from the band. I still can’t go past the band's other hits “Don’t Be Sorry”, “Lonely In Your Arms” and “Keep on Walking”. All of the singles are truly special, and I cannot wait to hear more of the new material the band is cooking up for us.

After another very, very short DJ set from Little Scout, Bleeding Knees Club brought the night to a close, guns blazing, with their high-energy tunes. It was quite funny to watch the crowd; half were moshing, the other half standing back just chilling. As I was listening to their set, it occurred to me that almost all of the chord progressions for their songs came from the stock standard rock band chord progressions! They made it their own in a way only the Bleeding Knees Club can, but still. I hadn’t noticed that before...

The night was an amazing success, and both those at Amplifire and Mucho-Bravado should be very proud of their efforts. I can’t wait for the next installment.

Guineafowl - 18 November 2011, The Zoo

w/ Mosman Alder, Glass Towers

Another week, another gig at The Zoo. This time around brings the infectious Guineafowl, celebrating the release of their new single, "The Lie Is". Guineafowl never cease to entrance me with their sound, but it was the stupid the lack of people there were at this gig! I know, I know. Harvest. But! There were so many other awesome gigs on this weekend and I think sadly, they were forgotten. Well, It sucks to be you! You missed something special!

Opening the night were Glass Towers. This band tonight was another first for me and they were solid! They played to an empty room, but they still put on an enterraining show. Unfortunaltely however, they were a little one dimensional for me. The single "Lino the Lion" held its own, but alas, the other songs seemed to blur into a mush. The frontman had a voice that stayed in the one vocal range, which I think contributed to this. Something to ponder: what's worse than a drummer who speeds up? A drummer who follows when the bass guitarist speeds up. It was a little awkward. Sorry guys.

Mosman Alder, a band that I loved the first time I heard them, but the more I hear them live, the more they lose me. A thing that annoys me when listening to a band, if you're going to thank your audience, give them a chance to think for themselves and decide if they want to applaud your work before you thank them. This leads to obligatory applause, which is... well, onligatory. I also feel as though they have some useless members in their band. For example, the keys player basically doubles another instrument in every song. Whether it be tje violin, guitar or even the vocals. She never really had a part of her own. The thing that sustains my love for this band is the frontman's voice. His rich baritone is sensational, and makes up for almost everything.

Until Guineafowl took up the stage, the night had been a little less than memorable. But as soon as Master Guineafowl and his entourage walked on stage that all changed. The forst thing on their agenda? Get the crowd to the front of the room. And then the fun started. From the word go, they were out guns blazing. They played all the tracks from their debut EP, released earlier this year, as well as quite a few newbies. I can't go past "Botanist" as a dance track, but "Little Fingers" is all kinds of awesome in a completely different way. Theur new single "The Lie Is" takes the badn on a slight deviant to what they have been producing, in saying that however, it is an incredible new single. They finished the set with a sensational cover of The Cure's "Close to Me". And as soon as they started the song, it occurred to me that no cover could be more perfect for the band. Their encore tune was another newbie, and something that is much more reminiscent of what we're used to hearing from the band.

Needless to say, I am so very excited to hear what this band is cooking up. All I know is, it should be stellar if what I heard tonight is any indication.

Tim Freedman and the Idle - 11 November 2011, The Zoo

w/ Gossling, Holland

So, I've been to The Zoo on mroe than a couple of occasions and this is the first time I've sen rows of chairs set up at the front in preparation for a gig. Also, when I got there about a half hour after doors, there were less than 50 people in the room. Both of these things surprised me. I would have thought there would have been people lining up around the corner to get in to see Tim Freedman. Apparently not...

Opening the show were indie rockers Holland. I'd never hear the lads play before, but after tonight, I know I have found a new band to watch out for. The set opened with frontman, Jarryd Klapper, basking in the spotlight with a solo songs accompanied by his acoustic guitar. His voice was unexpectedly light with none of the heaviness I would have typically guessed by looking at him. A pleasant surprise. This seamlessly moved into the bands next song, which picked up the temp and brought in the full band. Upon hearing the full band, it again surprised me. I had the guys completely stereotyped in my head, and I should know better by now not to do that. They were the perfect genre to open for Mister Freedman. Subdued indie rock at its finest. 'No Control', the bands' latest single was definitely a track that caught the ears of the audience. One thing though. When Jarryd was singing, everything was brilliant. When he was speaking however, it was most awkward. If you're going to speak, just got for it! You can't be coy.

The charming Gossling was up next, with a set I was quite looking forward to. Having first heard her play a half hour set at BIGSOUND a couple of months previous, I was keen to hear her in a space where people weren't coming and going and making a racket. Not that element of tonight gig were dissimilar. I had been blown away by her stunning and unique vocals at BIGSOUND and I was blown away all over again tonight. She was joined by a couple of friends for the set, a bassist and a drummer and truthfully, It's amazing just what a difference it made to her live sound. After a couple of solo songs, she performed a cover of Ou Est Le Swimming Pool's 'Dance the Way I Feel' something she had previously recorded with Triple J's - Like a Version. My two picks of the set, 'The Only Way' and her final song 'I Was Young'. My, she's one pretty amazing young woman, and I hope she goes very, very far.

And Tim Freedman. Where do I even start? First, I shall make a disclaimer: this is my first time hearing his voice in a live setting, so forgive me for what I am about to say. OH MY! His voice is like sex on a stick!! As soon as he opened his mouth and the first note came out, it was like I was transported to another place and time. He played a selection of songs from his first album in six years, "Australian Idle" as well as some favourites we know and love from The Whitlams. His new band The Idle are a diverse mix, but damn! They produce an awesome sound. While each is talented in his or her own way, Mister Freedman's duet with guitar/keys player, Amy Vee, was a touching song that was brilliantly executed! The keys heavy ensemble were a joy to listen to, and their hour and twenty minute set seemed to pass in a plash. For me, this is the sign of something truly special.

I was moved by the amount of talent in the room this evening, and not even the drunk person sitting next to me shouting charged comments could stop my from saying this was indeed a splendid gig.

Drawn From Bees - 22 October 2011, The Loft (Gold Coast)

w/ Buick Six, The Moderns

The Loft is an interesting kind of a place for a first timer and the thing that stands out as you walk in? No house music. The place was already awkward enough due to the unfortunate lack of people, and the absence of house music just made it that little bit more awkward. But as time went by, more and more people arrived, and it became less evident. But still...

This night, "Restless @ The Loft" is not your average gig night. For one, in the courtyard outside, there was a woman painting a canvas. She started with something blank, and before the night was out had a stunning painting. Also, before each band, there were three poets performing spoken word. T'was a little strange, but actually kind of awesome. My favourite, a piece full of Harry Potter puns. It was, shall we say, puntastic. Because of the poets however, the turnaround between sets seemed to go on forever, meaning the main act did not start until 11:40. That's a tad late for an intimate gig in a tiny venue methinks.

The music! The Moderns opened the night with their indie-rock tunes. For me, they weren't all that special. This is not to say they weren't good, and I didn't enjoy them, quite the contrary. I did enjoy them, it's just that their songs melded one and started to sound the same. There was a funk number thrown into the mix, and that was the highlight of the set for me. It made me chuckle a little, that brothers Andre and Levi were wearing matching akubra hats for the set. Some girls wear feathered headbands when they play, these lads wear akubras. Nice!

Buick Six were up next after some more spoken word. I have heard so much about this band, but never seen them live. And now I'm kicking myself. They were really good. Why haven't I seen them earlier! Their music was right up my alley with the pop-rock-indie-funk sound. To tell you the truth, I don't really know what to genre to call them. To me, they are called awesome. It always fascinates me to see a drummer singing and tonight, all three bands had singing drummers! Go figure. What was slightly different about Buick Six compared to the other bands tonight was the way there was an interchange between the frontman and drummer in the vocal department. They rarely sang at the same time and it made for a different feel because of the sparseness of the harmonies.

There's not much I can fault with Drawn From Bees. They have always been one of the bands I look out for, and seeing them again after almost a year gave me great pleasure. I'd almost forgotten how tight this band are live. Tonight however, guitarist Raven Jones was MIA and instead they were joined on stage by a chick playing keys. I wonder what was going on there... Anyway... Where Buick Six stayed away form the vocal harmonies in general, Drawn From Bees were the complete opposite. Dan James, Stew Riddle and Matt Wedmaier created lush, full three part harmonies that always remind me of one of my favourite Canadian Indie bands, Immaculate Machine. Their vocals always bring a smile to my face, as they are just that good. There are just not that many bands who can pull off proper vocal harmonies these days. Their new repertoire is allowing the band to move forward, while retaining that certain something that makes the guys just that little bit different and unique. Avant-garde even.

What a night. Art, spoken word, music and an all round good atmosphere (once the place had a few people in it). It was well worth the road trip.

Gotye - 9 October 2011, Brisbane Powerhouse

w/ Oscar + Martin

I had been buzzing with excitement about this gig for weeks, and the anticipation was not at all without substance. The show was absolutely sensational. First of all, the Visy Theater was the ideal venue for a show like this. Having now seen the show, I couldn't imagine it one of the other Brisbane venues like The HiFi or even The Tivoli.

As you walk into the theater, all you can see is MacBooks, synths, and percussion of every variety (including the three partial kits along with the complete kit). Oscar + Martin opened the show to a slightly disappointed crowd, but they soon warm up the room and had us moving and dancing along. I didn't quite get what they were all about in their short set though. Usually, even in a 25-30 minute set, I can work out what a band has got going on. But with these guys, each song was so completely different that I didn't know what was standard and what was slightly atypical. This fascinates me. Now I know that the duo is call Oscar + Martin but every second song their female vocalist friend cam and joined them on stage. Thing is, she's be on for one, off for one, on for one, off for one... And so on throughout the entirety of the set. A good set should have continuity rather than stopping, welcoming another member, starting, then rinsing and repeating. Regardless, I really did enjoy what I heard, and have since discovered more.

Wally De Backer the genius behind Gotye can do no wrong. After the longest set change in history, which was not unexpected from a Gotye set (7 mac computers that I could see and umpteen amounts of electronic interfaces connecting them this way and that) he took to the stage. With his back to the audience, he began the set with 'Making Mirrors', the opening number to his new record of the same name. Next up was 'Eyes Wide Open' and he had everyone hooked. What made this show all the more spectacular was the use of imagery behind the music. As soon as the album was release he uploaded videos for two of his unreleased songs. These featured two completely different animation styles which perfectly complemented the music they were accompanying them. These two, along with excerpts from the previously released 'Eyes Wide Open' and 'Hearts A Mess' videos, as well as new, unreleased animations provided unobtrusive accompaniment to the music Gotye and his "Mini Orchestra" created. Needless to say the set was freaking sweet! Something that baffled me in the funniest and best way though, 'Somebody That I Used To Know'. He explicitly said, "Because Kimbra can't be with us tonight, I expect you all to sing in her place. I look forward to being told to f**k off by the lot of you". And so when Kimbra's verse came along, lo and behold not one member on stage took the mic, but instead let the entirety of the audience sing the verse. It certainly was a unique experience to behold and I am so glad I could be there to experience it. He last official song was 'Bronte' which I though was a brave choice. After getting the crowd so hyped up, it takes talent to bring is all back. And 'Bronte' is the only choice for that. There was not a sound from anyone else in the room. It was breathtaking. And the encore, well. He got us right back there.

So... Wow. I did like that he played only two songs from his previous album ('Hearts A Mess' and 'Learalilgivinanlovin', and left the rest of the time for all the material from the new album. This is a very good thing. So this was certainly an incredible gig to witness, with moments that made me grin like a stupid fool, and moments that almost made me cry. Wally De Backer is certainly one talented mofo.

The Cat Empire - 29 September 2011, The Zoo

w/ Eagle and the Worm

The Cat Empire are celebrating their 10th year making music, and celebrating in a big way. Two sold out shows at The Zoo, two sold out shows at The Tivoli. Four night straight, and I'm guessing four nights of heinous partying. And I was privileged to get in for night one. For me, I have long been a Cat Empire fan, but this was the first time I had seen them live. And this was probably the best show to have come in on. But more on that soon.

They were preceded by the wonderful Eagle and the Worm who I can't get enough of. BIGSOUND showed me that they are amazing live, but stall for time. And you know what? This is exactly what they did tonight as well! I do love this band, but this front man, spends way too much time wasting time. There are occasion where you butter the crowd up, and other time where you show just what you're made of. This is one of the times for the latter. You are supporting an amazing band, and you need to make an impression, not annoy the crowd who only really want to see the main act. Also, whoever was doing the sound for the guys did a terrible job. The balance was all wrong, and it made my ears bleed a little bit. But! Upon walking into The Zoo, I did notice a second mixing desk, lets hope The Cat Empire's own sounds guy does a better job.

So, set time - Eagle and the Worm 8.35-9.20, The Cat Empire 9.45-11.30. Do that math. That's an hour and forty-five minutes for The Cat Empire. And seriously it was an hour and forty-five minutes of bliss. They played a set of old favourites, choosing to celebrate their 10 year history rather then throwing in some new material also. I've said previously that there is a line between an "amateur" professional band and a professional band. Again, the line between Eagle and the Worm and The Cat Empire was vast. It really does show why this band have successful been together for 10 years. For their entire set there was no down time, no moment where there was no energy. They played everything from 'How to Explain' to 'Call Me Home' with 'Fishies' and 'In My Pocket" in the mix also. This is not to mention their two main hits 'Hello' and 'Sly'. They had everyone swaying, jumping, bobbing, clapping and whatever else without even trying, and you know what? They looked good doing it. Felix Riebl has a certain sexiness to him when he's on stage, and it makes everything seem so swarve. Harry James Angus on the other hand brings the sound of the traditional rawness to the ensemble. Ollie McGill (keys) on the other hand, looks like he in another dimension when he plays. It's entrancing to watch.

I said that Kimbra's gig was gig of the year so far, this has topped it easily! But with Gotye up next week, I think I have to be careful what I say for now. But, know this. The Cat Empire are still kicking, and going strong. I can not wait to hear their new music. They say it's going to be epic, and I believe them wholeheartedly.

Kimbra - 23 September 2011, The Spiegletent

w/ Mosman Alder

And we're back at The Spiegletent as part of Brisbane Festival. This is a good thing in itself however, what makes it even better is the fact that the lovely and fabulous Kimbra was going to grace us with her music making.

Mosman Alder, it's been quite a while. And I'm delighted to say they've come a long way. I love the way the band incorporates a violin seamlessly into the texture of the songs, while also taking on the melody work on numerous occasions also. When this did happen, it was usually the violin and the keys playing a doubled melody while the rest of the band baked. This really did make for a texture unique to the band. Two things - first, if you're going to thank your audience, give them a chance to think for themselves and decide if they are actually going to applaud your work before thanking them for thanking you causing obligatory applause. That actually annoys me. Thank an audience after they start applauding your songs. And second, if you're going to play music as a profession, look excited to be there. Nuff said. In saying all this though, I do like this band, especially 'Raisin Heart'. The frontman's gorgeous baritone really does shine though in this.

Mosman Alder played an incredibly short set. This was both a good and bad thing - good in that we could get to Kimbra, and bad because I wanted to hear more. Seriously, I have to say this. There is a line between "amateur" professional musicians and professional musicians. Tonight it was obvious that the line between the likes of an act such as Mosman Alder and Kimbra was no fine line, but a vast field. The difference in the caliber of performance was phenomenal! What I'm talking about has nothing to do with the songs themselves, but in how they are delivered, presented, and more importantly, performed! Kimbra and her band (which included a guy on drums with his hair styled in a Flat Top, and a pretty impressive one at that) were what can only be described as tight. Flawless in their execution even. Not only is Kimbra herself as mad as a spoon in the best possible way when she performs, but also there was no hint of doubt, uncertainty or any of the like at any moment in her performance. Everything was planned down to the tee, and she even managed a costume change! Seriously! Who does that! It was freaking awesome. The band played on, and she left, and returned in a different dress two minutes later. On a musical note, Kimbra is insane. Just so, so incredibly talented. Her voice goes to extremes I could only dream of, yet it's so well controlled. Also, she works with the loop machine with such precision, laying down a dense foundation before layering the melody over the top. Words can not quite describe how incredible this young lady is. And when you're in a room with only a "few" other people (remember we're at The Spiegletent, and it's quite the tiny) it was something that I'm not going to forget for a long, long while.

I'm going to go out on a limb and say best gig of the year so far. Mmm. Yep.

Andy Bull & emma louise - 13 September 2011, The Spiegeltent

Andy Bull and emma louise

I's been a good five years since I'd been to the Spiegletent, the last time being Kate Miller-Heidke I'm guessing as part of the Brisbane Festival. Ans as soon as I walked in I remembered just what a beautiful thing the tent is. It's not just the tent itself that is beautiful, it's the whole atmosphere that's created. This is not like a gig at The Zoo, which, although is designed for live music, it's a very social place with a lot of ambient noise. Here, it's just the music. Both emma louise and Andy Bull played to complete silence. I didn't see any phone glows, nor anyone moving to get drinks. There are times and places for venues like this, and these two artists definitely deserve this type of respect every once in a while.

I know I was a bit harsh with emma louise at BIGSOUND, but i figured out what it was that was making me tick. It was the venue. She was not suited to a loud crowd where she is just a bit of background noise, even when people are paying to see her on stage there. She actually said it, "I've played a lot of pub gigs recently and you guys are really quiet. It's a little intimidating." Or something to that extent. Tonight, with the crowd who wanted to listen to, not just see, but actually listen she was stunning. Truly stunning. This is definitely the audience she deserves. Her voice was magical, twisting this way and that with the right amount of dexterity. And you know what? Even though I'd heard her not even a week ago, it was a totally new experience, with what sounded like new songs (even though I'd heard almost all of them previously). They had brand new life in this different setting, as you could actually hear the seep meanings she writes in the melodies and especially in the lyrics. I do apologies emma louise. You have completely turned my views around with this one. I'm converted.

Andy Bull is a completely different kettle of fish entirely to Miss emma louise. In response he her comments on how she staked him on myspace with no response, he joked what we as an audience already hate him. This theme is carried on throughout the set with much humor. And basically, he charms the pants of as all as he goes. Andy Bull is an interesting character in that his voice is just so damn high. I know he would get that a lot but still, it's unique and beautiful. He played a range of his older material, things that were more recent, and some things that he was trialing for the first time. He new songs 'Poison' was an absolutely phenomenal. Towards the end of the set, he welcomed the lovely Tara Simmons on stage for a rendition of 'Dog' which was stunning. He then welcomed Kane, a "Hungry Kid of Hungary" to the stage for his final songs. The thing about Andy Bull. You hear him on record and you like it, love it, however you feel. But then you hear it all live, and it's not just a reproduction of what he's put down on tape, it's a new take on a previously released song. That my friends, is the tell of greatness.

So, wow. Awesome gig. It's obvious the Spiegletent brings out the best in people. I am looking forward to coming back very very soon indeed.

Mardi Lumsden and the Rising Seas - 9 September 2011, Brisbane Powerhouse

Mardi Lumsden and the Rising Seas

First, kudos to this amazing band for their residency at the Brisbane Powerhouse. It is such an amazing opportunity to play this venue every Friday for a month. And seriously, who wouldn't want to come to the unique beauty that is the Powerhouse for a drink after work on a Friday evening. Um... pick me!

I have always loved the genuine charm that this band flaunts without even trying. It's simply beautiful. During this residency Mardi explained that they are going to mix things up quite a bit. This show, they played with a full contingency of band members, however next week we were told it would just be Pennay on Banjo and melodica, Mardi on guitars from the regular line up, but they would be joined by a string quartet as well as a flugelhorn player. I am very curious to see this. I shall have to try and make it. But... tonight. They played a whole bunch of the songs that we know and love, as well as quite a few new ones. I am liking the new material that Mardi is putting out. It incorporates her unique style and band instrumentation, yet is moving in new directions also.

I do hope to make it to another Friday night show, this would be a very good thing indeed.

BIGSOUND Live - 8 September 2011, Fortitude Valley

Night 2 - The Jungle Giants, Jakarta, Owl Eyes, Jonathan Boulet, San Cisco, Tin Can Radio, Eagle & The Worm, Ball Park Music

And so we continue. This night was way worst for missing things I wanted to see. Andy Bull, Millions, Big Scary, Mosman Alder, Papa vs Pretty, Husky, Guineafowl. I wanted so much to go see all of these acts as well as the ones I saw, however, time. There just wasn't enough of it, especially if you wanted a half decent spot for acts like Eagle & The Worm and Ball Park Music (or just want to get through the door...)

The night once again began again at The Zoo, this time with The Jungle Giants. I'd only seen these guys once before and really quite like them, although I remember the chick in the band annoying me. I will say that they were pretty stellar. But again! The chick! What was she thinking. When you play guitar in a band on a stage it might make sense to wear pants or a dress with tights or something. Seriously, this girl was wearing a dress that would barely covers her ass in a normal situation, but add a guitar to this mix, it was just way to short. I bet the guys standing around me would have though it awesome, but seriously. Dress appropriately for the genre of music you are playing. If you're playing Indie music, (and I laugh at myself saying this, but) be an Indie! No one really wants to see a skank onstage. You might think I'm being harsh, but I just write what I see. Regardless, I do like this band, and really so want to hear more of what they have to offer. They put on a good show.

I ran off to Jakarta at Electric Playground next. And The more I go to the venue, the more I like it. Shame it has to be a whorehouse on a regular weekend. Anyway... Jakarta were really pretty rad. They had something that made them special, yet for the life of me I can't work out what it was. I suppose sometimes you find yourself liking something even in spite of yourself. I will definitely have to find out more about this Vancouver based band.

I ran out of this showcase in order to catch the beginning of Owl Eyes at The Zoo. And I walked in to a familiar songs. I won't lie, I was thinking, awesome, this should be good. But you know what? I could not stay. The frontwoman, Brooke Addamo was a nutcase. She was all over the show with what she was doing on stage. From the moment the next song started to when it ended she did not stop using her arms in a swimmers dance kind of fashion. Sometimes you actually need to stop moving like a fish, and stand and sing. Yes, yes, she was getting into the music the only way she knows how and such. But really. There's a line you can cross when it starts looking stupid. And so I departed feeling rather disappointed. I had heard such awesome things about that band, and I'm sure on record they are awesome, but live, not so much.

I then made my way to The Aviary to catch a glimpse of the renown Jonathan Boulet. After hearing his song 'A Community Service Announcement' as single of the week on iTunes I was hooked. But when I got his album I could never really get into it. This has since changed. His set was phenomenal! Every song had it's place in the set and flowed smoothly from one to the next. It takes not only a skilled musician to plan a successful set list, but also a clever one. One that can work it so it plays the crowd right into their hands. Master Boulet did indeed take us on the journey that he had planned for us, and it worked a treat. After now hearing a whole bunch of his songs live, I come back to the record and find myself listening to it on repeat. I find it fascinating how a live show can either make or break an artist in the personal opinion of the crowd members. And when he eventually play 'A Community Service Announcement' the crowd did go a little more wild. It's still by far his best song.

After a trek down a dark and sightly creepy alleyway I found the Woodland Bar, where San Cisco were already playing. Again the first hearing of this band came courtesy of iTunes single of the week. And these guys are pretty serious stuff! I did enjoy them quite immensely. They sometime get a little generic in their Indie sound, but still I do like a bit of generic Indie every now and again. The thing they do have going for them, is their girl drummer. She was awesome! I do like it when a chick plays drums. Also she was the only girl in the band. This makes it all the more awesome. My thoughts are I will probably not see them the Perth lads again for some time, due to them coming from Perth and all.

On my way back to Mosman Alder at the Aviery, I discovered a little BIGSOUND unofficial showcase at The Press Club which at that moment in time happened to have Tin Can Radio playing. And I just happen to like these lads quite a bit, so tossed up my options... Mosman Alder (who I will see next week supporting Kimbra) or pop in to see Tin Can Radio who I haven't seen in months. Guess who won. Even although I could only stay for four songs this band made me grin like I hadn't grinned most of the night. A little unexpected, but very, very welcome. This band create such a great atmosphere when they play. It makes you want to get up and move. EVERY TIME! Without fail. That! Is what I love about this band. However you're feeling, they make you feel better. This is what music should do.

I ended up getting an ok spot for Eagle & The Worm at The Zoo, due to the fact that I stayed a little longer than I planned to at Tin Can Radio. I've loved this band since the first time I saw them, but they annoyed the shit out of me tonight. BIGSOUND is an even where the sets are ridiculously short. You only have half an hour to show the best you have in you right? The frontman of this band just kept yakking on and on and on. And he was yakking on about trying not to take up too much time because of short sets! What the! And to top it all off, they finished a couple of minuted early... They so could have easily played an extra song, maybe two, if they hadn't talked so much between songs. But maybe this is me being greedy. I do like the guitarist specially designed slide guitar. It's pretty cool to watch him play it also.

I decided to intentionally miss Guineafowl (who I was dying to see) in order to get a good spot for Ball Park Music back at Woodland Bar. This decision turned out to be the right one, as it was already packed when I got there, and I heard that it filled to capacity not long after. It was an absolute treat to witness these kids on stage. They have come such a long way in such a short period of time. And they're at the stage where they can begin their set with iFly rather than end with it. That's a good sign. This showcase was another example of just how important a perfect set list can be. They moved from one song to the next seamlessly, and brought the entire crowd with them. 'It's Nice to Be Alive' brought the house down. At one stage the band stopped, (they do do this on a regular basis with iFly now with this song also) and the entire crowd just kept going singing what was meant to come next. Master Cromack, the frontman looked a little stunned for a millisecond before gathering his thoughts. Right now however, 'Literally Baby' is my favourite song. It's genius. Nothing less. For me, I couldn't imagine ending my BIGSOUND experience on something any better.

And so that brings to a close the epic two days that was BIGSOUND Live. A lot of awesomeness, a little disappointment, and a whole lot of lovin' for Jinja Safari, Jonathan Boulet and Ball Park Music. Nuff said.

BIGSOUND Live - 7 September 2011, Fortitude Valley

Night 1 - Inland Sea, Gossling, Tiny Ruins, Boy in a Box, emma louise, The Medics, The Chemist, Jinja Safari, The Paper Scissors, Velociraptor

BIGSOUND. 8 venues. 30 minute sets. 20 minute turnaround. And it's back with a vengeance for another year, trying to be bigger, better and louder then the years gone by. The line up itself was truly stunning, and with so many bands that I wanted to see, it was a mission to try and fit them all in. I totalled 18 sets over two nights. That's personal improvement over last years effort. A had planned at least 4 more on top of that, but you know event such as this. It doesn't always go according to plan. My overall plan was to see those that I loved, but to try an experience as many new bands as possible also. Yes, yes, this is only a snapshot of what's on offer from these talented people, but if it isn't the best they have to offer then there's something wrong!

First up for my night was the orchestra that is Inland Sea showcasing The Zoo. With 10 members in the band, seven of who are frontline, it baffles me as to how this band can function. Having seen them a couple of times now, I have come to understand that every member does have their own role and has their own opportunity to stand out. The strings for example are not just accompanying instruments like in other bands, but actually carry the melodies through different pieces. The lead vocals are also shared around the different members of the group which provides an interesting variety between the songs. I do enjoy what these guys have to offer, it is something completely different to bands of a smaller size, just because of the different combinations of instruments they can utilise.

A short walk away was Gossling at the Black Bear Lodge. This particular showcase for me was a bit of a chance due to the fact that I hadn't heard of her before. However, this chance was more than worth the risk. She was simply stunning - just a young woman and her piano Her voice is to date the squeakiest sounding thing I have ever heard, yet, it was beautiful. As I walked up the stairs of the venue she was already singing, and i believed this to be just her singing voice, but no, this is her normal voice also. I won't lie, it was a little surprising. Her songs were all so different yet unified under her niche. I really do want to find her EPs and listen to some more of what I've heard, because I would love to delve deeper into what she has to offer.

I took another chance with Tiny Ruins, another female singer songwriter at Ric's Bar, and you know what? After hearing Gossling not two minutes before it was a complete let down. I'm sure she is wonderful in her own right, but after hearing something so unique and beautiful, she was lacking something special, something that made you go WOW. And so I left her play to Ric's Bar, and headed off to the Bakery Land Stage to catch the end Boy in an Box. I'd hear of these guys, and one of their songs, however, not much else. So it was great to be able to see them for the first time, and come away knowing straight away that I wanted to hear more. They had presence, they had good songs, and to top it all off, they had matching white shirts. Cute.

emma lousie is an interesting character. She stormed into he music scene earlier this year and since then has taken a firm standing with very little effort. Whatever she does, she is loved and she has a blue parrot which goes almost everywhere with her. I like what she does and what she has to offer, but at the same time, I don't quite get all the hype. She is brilliant, don't get me wrong, but I can't put my finger on it. 'Jungle' is a stellar song and I love that every song has a story behind it. She is a wonderfully talented songwriter, maybe it's just they all sound a little similar sometimes? I don't know. Maybe I'm just being harsh. Regardless, her performance on stage at The Zoo brought a massive crowd, and she did not disappoint them at all. For me, this is the first time I had seen the beautiful Hannah Shepherd join her in her entourage, and it made a lovely difference to the texture in her live sound.

The first time I saw The Medics was this time last year, and I remember being impressed with the diversity that they brought to the stage. Tonight's showcase at the Bakery Lane Stage was no different. Having looked them up a little more, and become more familiar with their work, it was brilliant to hear a amazing rendition of 'Joseph', which is easily my favourite song of theirs. With these guys maybe its a case of the more you listen to something, the more you like it. The different vocal tones colours between the main vocalist, and the drummer was an interesting contrast that works in the bands favour. This showcase made me want to scroll down in my music library and rediscover what else this band has to offer! This is a good thing.

A new addition to BIGSOUND this year was the inclusion of Electric Playground as a playing venue. I'd never been to this place before, and was a little sceptical as to how it was going to go as a live music venue, but you know what? It's pretty rad! And to see The Chemist here was a wondrous things. I love this band to pieces! They are pretty freaking talented. I also love what they do as a band. It's all a bit different, for example the way the frontman plays he guitar. At one point her was playing a riff that included the strumming of the strings above the neck of the guitar, near the pegs to create one of the notes. Just watching this band gives a whole new meaning to live music. You can listen to this band on record and have no idea of the intricacies of that is involved in playing the particular song. I also dig the old school effects mic that is used. It creates such a unique sound that we've all come to know and love about this band.

Making a dash back to The Zoo, I was only a tiny bit late for the start of Jinja Safari. I still managed to get a good spot for the set though which I was the best things that happened all night. Again with this band, I know and love them on record, but had not heard them live. And, oh my. The are freakingsweet! I don't know of any other band that not only uses a keytar, but also a sitar! Who uses a real sitar in live performances nowadays! Jinja Safari that's who! These hippies were easily the highlight of my night making me grin like a maniac for the entire set. For me? That is rare. More often than I'd like to admit, I'm the kind of person to get distracted during a set and check my phone, but not with this band. This is probably the only set apart form Gossling who managed to achieve this. 'Peter Pan' for me is a big winner for this band. It is an amazing song that captures everthing this band is about. Wow. That's all.

I decided to head back the the Black Bear Lodge to catch a bit of The Paper Scissors but you know what? I just couldn't stay. I was on such a high from Jinja Safari that I was in need of something that would keep that vibe going. Unfortunately that was not this band at that point in their set. So I decided to try Velociraptor, but as soon as I walked into Electric Playground it was overflowing with people, and I just didn't want to deal with that.

So as it turned out, Jinja Safari was the last real set in my night. And what a night it was. So much amazing music. So much damage to my poor ears. So much sleep lost. But you know what? So totoally worth it. One of the best musical experiences to date. And the best part? It all started again at 8pm the next night. Bring it on!

Mucho-Bravado BIGSOUND Warm-Up - 6 September 2011, Black Bear Lodge

w/ Hungry kids of Hungary, Ball Park Music, Charlie Mayfair, Spring Skier, City Riots

Black Bear Lodge, the new Troubadour. It felt so good to be back, and yet it was a very strange sensation. It was the same but completely different. With the whole back office section being opened up, it gives the room a much bigger feel, which is a good thing. And there's now actually a proper bar, instead of a desk you could fit like two people in front of. This is also a good thing. They have kept some of the wall decors that were Troubadour favorite, and added a whole bunch that are completely new. It has a completely different feel now. But! The best thing they've done? More seating. It think this is what they were going tof, more of a lounge bar, rather than just a music venue. I like it, I think...

Despite all the strangeness of the "new" venue, it was great to see some stripped down music from Ball Park Music, and Hungry Kids of Hungary. I was disappointed to have missed Charlie Mayfair, and Spring Skier also though. This is now a typical gig you would see at Black Bear Lodge I understand. More stripped back performances, rather than full set ups. Also, this is apparently the first time since opening that they've used the big stage. Usually music is now played at the opposite end to where the old Troubadour stage was. Ball Park's Sam Cromack and Jen Boyce played stripped down versions of all the favourite tunes, but for me it was 'Glass Jar' that really hit the spot. Having heard the demo for this song months ago, it was great to see them light up the stage with it's brilliance. I am also excited to see what they've done with it on their album. In this setting though, it was perfect. Simply stunning. Even though the duo only played a handful of songs, they really did show us where Ball Park Music comes from.

The boys from Hungry Kids of Hungary were up next with their small snatch of songs. In contrast to the Ball Park Music duo, all the boys from the band made their way onto stage as per normal, with the only difference being the radically reduced kit size. I am loving the new material coming from these guys. 'Up for Air' is certainly one to listen out for. The boys really do have something special. Even in an "acoustic" setting such as this, they put on one heck of a show, drawing the crowd into the world of sound that is created.

It really was good to be back, not only at the old Troubadour, but also back in general to the world of live music. It's been a while. And with an amazing event like this as a warm-up to BIGSOUND it looks like it's going to be a crazy couple of days filled with some kick-ass music.

Happy Birthday?

What a year it has been - a year today since I started this blog. And what a journey I have been on. April 10th 2010 changed my life in so many ways. One video shoot changed my way of thinking. (Many thanks to The Boat People). That's when I decided I could do this whole live music things, and that has allowed me to become the musician and writer I want to be. I've been to some sensational gigs, ones that have changed everything I thought I knew about music. I've also been to some that have been less than ok, they have also made me rethink things. I've also met some people I never thought I'd meet and I've become friends with people I thought wouldn't even take a second glance at me. This year has been good to me. Cheers.

Husky - 12 June 2011, The Beetle Bar

w/ Montpelier, The Trouble with Templeton

In my 'haste' not to be early, I actually ended up being late and missing the entirety of The Trouble with Templeton. T'was such a shame, coz apparently they were pretty freaking good. Regardless, a gig with both Montpelier and Husky is an ok gig by me. Also, it was nice to be back at the Beetle Bar. A strange kind of a place that apparently holds 450 people... This I don't quite believe, but still, quite a nice place with a balcony and everything. It is however the standard in backpackers pubs, and unfortunately smells the part as well. Ok, now I'm just being harsh. The place is pretty rad, and has plenty of character. And also plenty of beetles decorating the walls, this is what makes it rad.

Moving on. Montpelier. It's been quite a while, and it's nice to see that the lads have lost none of their charm, but unfortunately, have not gained any interesting visuals while their on stage... This saddens me. They are kind of all kinds of brilliant, and when looking at them on stage, all you see is four heads down pulsing to the beat, engrossed in the music. Which is awesome, but there need to be a balance between that, and playing that connects with the crowd. Their songs though are just as stellar as they have always been. And I think I can finally conclude after numerous live performances and a recording, that the lyrics of 'Last Boat' go "Last boat out to see her" not "sea yeah". But you know what, I could still be wrong... Their new music is much the same kind of style as what they have been previously giving us, but I am stoked by this, and can't wait to hear it on record.

And Husky. Where do I even start with this band. They are kinds of incredible. Husky himself is a tiny red headed man, who is a little vertically challenged. This does not stop him from belting out a kick-ass ballad. We then move to the keys player Gideon. There are not too many bands that I know of who, mid set, will all sit down while the keys player plays a classical inspired number as an introduction to a song. I was blown away. It was beautiful, and straight after, right back into what they do best as a band. Their singles 'History's Door' and 'Hundred Dollar Suit' are definitely the songs that stand out, but that doesn't make their other songs any less brilliant. To top off their set, they performed a rendition of The Beatles' 'What Goes On', but with a slight twist. No mics, no amplification, just three voices, a guitar, some bells, and a shaker. I happened to be standing in the second row for this set, and as we all made room for them to come stand in the crowd, I ended up standing in the front, right next to them. And oh my, this was one of the single greatest musical moments I've ever experienced. They're harmonies were as tight as could be, and it was just so slick. I don't think I can adequately describe what an amazing experience this was. And you know what? In any venue apart from the Beetle Bar, this number probably wouldn't have worked. But being a long narrow venue with the balcony right above worked in Husky's favour.

One thing I have to add. Both Monpelier and Husky create perfect harmonies within their respective groups. There are bands that sing harmonies, and do it adequately, due to the fact that the guitarist probably isn't a singer, and then there are bands that have singers playing instruments. And what a difference that makes to the vocals. That's all I shall say, apart from the fact that this gig, and especially Husky, was something else.

Track and Field - 4 June 2011, The Old Museum

Last Dinosaurs, Ball Park Music, The Belligerents, The Jungle Giants

This was a gig that I wasn't going to go to. But you know what, I would have missed something truly special had I not gone, as it was something more. Great venue, great DJs and stellar bands!

First on were The Jungle Giants. I like what they have got going on here. A convergence of pop and something a little different and special. There's something, however, that I really don't get. They have a chick in their band playing guitar. I get that, but she didn't fit the rest of the portrait that the rest of the band were painting. They were all "rocking out" shall we say, and she was passively playing along. No doubt she's an amazing player, but sometimes you have to let your hair down as it were. Apart from that, I really liked. And I want to hear more. A lot more. Where do I get more!

The Belligerents are a bit of an enigma to me. I can't decide whether I love them or am indifferent. Two extremes, I know, but I can't decide. In one context, their songs all sound pretty much alike, however in another context, they're unique and intricate. Forgive me for being so indecisive. Regardless, they are an entertaining bunch of blokes, and that is one thing I do endorse.

Now, it's been a while, but I think I remember the sound of Ball Park Music. Aren't they the ones who sing about fucking loving someone? In all seriousness though, Ball Park Music are something of another caliber. From song one, they called Rich People Stupid, before moving on to saying it's Nice To Be Alive! Seriously guys, what do you want! Ok, seriousness. This band, especially their frontman, Sam Cromack have so much life and spirit in them it REEKS! And then spills into everyone in the room. This band have risen to such great heights since last I saw them, it's stupid. I believe they are going to have greatness thrust upon them, if they already haven't. One thing though, Paul wasn't up to his usual antics and is now a sitting keyboard player? When did that happen!

Finally, The Last Dinosaurs. They had big act to follow, and you know what, despite all the hipsters in the room, there was a certain vibe lacking from their set. It's been a good nine months since I saw these guys last, and I know they're going to have new tunes, but really in listening to them, their new songs did nothing for me. 'Honolulu' is still the hit, but there's nothing else that stood out... Is that a bad thing from a band that is so apparently liked? Also, have they got anything new out yet? Maybe they do, maybe they don't, but regardless of my ignorance, it hasn't really been that widely publicised. Forgive me if I am wrong. In saying all of that, they do what they do well, and I truly do like.

To top the night off, Dean from the Hungry Kids of Hungary played a DJ set, and you know what? It was all kinds of awesome. He could do no wrong, and had the whole place dancing up a storm until the Old Museum staff kicked everyone out... Such a shame. Regardless, the whole night was a stunning display of musical talent and opportunity. And hears hoping the next "Track and Field" in November will be just as wondrous.

Hungry Kids of Hungary - 28 May 2011, The HiFi

w/ The Chemist, Andy Bull, Daniel Lee Kendall

This is one of the gigs where the supporting acts together themselves would make a stellar lineup, and would draw a rather nice crowd. But, throw in one of Brisbane, no Australia's finest up and comings in the Hungry Kids of Hungary and you have yourself a line up that won't come around again in a hurry.

I was so disappointed to miss most of Daniel Lee Kendall's set tonight. When they say doors at 8, you generally thing that getting there right on 8.30 will see you in time for the first act, but alas, he was most of the way through his set. That'll learns me. However, I did catch his single 'Lost in the Moment' and that's pretty much the reason why I love this guy. His other songs are awesome acoustic numbers that really are gorgeous, and I wish I'd been early enough to hear some more of these gems. Sigh, next time.

Next up was the stupidly talented Andy Bull, and when I say stupidly talented, I really mean it. Everything about him screams pizzazz. His voice it so deep in the complete opposite meaning of the word, yet, that's what I find myself thinking as I watch and listen to him perform. He tonight is performing with his band, which is something I have not experienced. The first and only time I have seen him was at the Troubadour (RIP) as a solo gig. This was something more. His band filled out everything that may or may not have been missing and just made it something special. We heard also from Tara Simmons on the track 'Dog' which was a little exquisite, but, and I won't lie, I was a little disappointed not to hear 'Last Waltz' in which the Hungry Kids feature. Regardless, t'was still an incredible set.

The Chemist followed on from Master Bull, and pretty much rocked. The only thing? Sound was CRAP! The HiFi is a hard venue to get right sound wise, so I've been told, and they really didn't sound all that great at all! Too much bass and drums, and not much anything else. A tad disappointing, but you know what? I love this band too much to let that get me down. I do love when they do the loops with 'End of July'. It's rad. They've got a couple of new ones since the last time I heard them, and I like! Can't wait to get another listen to them sometime soon hopefully. I will just also add, that the fact that they have a Piano Accordion in their band just makes them all that much cooler.

It's been a while since I've seen the Hungry Kids. They've done a whole tour, been overseas, and done another tour in which this is the final date. And you know what? They're in a whole different ball park then they were last time I saw them at the beginning of that previous tour. Remy now fits into the band like an old hand, and they just look so good. And sound, well Andy Troy did a sensational job, and made them sound quite the amazing. They opened with a new-y, and it was pretty awesome. I like where they're going with things. Also! They played 'Last Waltz' with Andy Bull on lead! (as well as all their awesome music) But I am quite partial song. I do like that they closed with my favorite this time around 'Let You Down'. And then really finished with 'Set it Right'. Nice set boys.

So. Wow. T'was a good night of brilliant music. Mmm...

Lissie - 16 May 2011, The Zoo

w/ Emma Louise

It's been a while. Almost three months since I last went to a gig. And after going to two and three gigs a week, I won't lie, coming back was like being an addict having a relapse. But oh what a wondrous relapse it was. Lissie is something else. After hearing her song 'Everywhere I Go' on the finale of Dollhouse I was in love with her music. It took me a couple of months after that to acquire her album, and when I did, it was bliss. Just so, so amazing. And I could not imagine anyone more perfect to support her than now Brisbane based singer-songwriter Emma Louise.

Emma Louise is a songstress in the making. Her songwriting is so tender and heartfelt, with each song having a particular place in her heart. This much is clear. Something else that has been solidified in my mind after this night, is that she is going to go far. I have seen her gig once before, and even then she blew my mind. Tonight was a notch above that, something even more special. Her final song of the set (and her current single) 'Jungle' was easily the highlight of the set, going that bit over and above where her other songs had been sitting. While her songs are divine, sometimes they sound a little the same.. However if she can produce another Jungle-esk song, mmm.. I can't even begin to imagine what we might be in for. It will be a treat. That's all I know.

I actually can not believe how excited I was for Lissie to come on stage. I'm pretty sure this is the most excited I have been at a gig in a good long while. Yes, it has been a while, but then again, it was Lissie! And can I say right now, I was not disappointed in the slightest. Hearing someone on record is one thing, hearing who they really are in a live situation is something else. I had seen a couple of YouTube clips prior to this gig, and had found it curious just how raw and untamed her voice was in comparison to her record and actually being in the room was just something else. She is a free spirit. There is no other way to describe her performance and ever Lissie, the person, in general. There was just so much heart and soul in everything she performed, and her rendition of 'In Sleep' was utterly sensational, while 'When I'm Alone' brought the crowd to the forefront. 'Everywhere I Go' however was my personal highlight, but then I am quite partial to that song. It is in watching someone like this that I realise just how far Brisbane bands have to progress before they even start to be in the same league as international acts, even that of someone like Lissie.

If this is my relapse into the world of gigs, oh my, what a wonderful relapse it was, and will be! I am quite the excited to see what next time brings me and I am hoping it is sensational!

Float On... Night Two - 7 February 2011, The Hifi

Regurgitator, John Steel Singers, The Boat People, Ball Park Music, Numbers Radio

So back I go for Float On... Night Two! More Regurgitator with possibly my favourite band, The Boat People and a whole bunch of other talent! After all the good times that happened the night before I am guessing shenanigans run amok tonight.

Up first were Numbers Radio and it was a little disappointing to see that they played to an empty room. With the set times having them start 15 minutes after doors open, I suppose that was to be expected. Still, a little saddening, because they were awesome and sounded so incredible. From what I've heard the Hifi can be a difficult room to play sometimes due to sound issues, however, they sounded incredible! I would like to hear more of this band, they intrigued me. I do like it when a band intrigues me.

Next on were the ever impressive Ball Park Music. Tonight they completely mixed up their set, and it was brilliant. To a music fan who goes to almost every gig of a particular band, the last thing they want to hear is the same set over and over again, with almost no variation. They still want to hear all the songs, but they don't want to hear them in the same format, in the same order every time. That's the way to make a fan not come to gigs. Ball Park Music don't do this. They completely rearranged some of their songs tonight, adding a ballad-esk intro to one of the favourites, and playing 'iFly' much, much earlier in the set. Also they keep a range of song both old and new. Things from their first EP through to things they are currently recording. This alone makes them interesting to watch, as you never know what you're going to get. Also, they are far from a boring band to watch.

The Boat People. Where do I start... This band changed my life. Yet of late I find myself not wanting to go to their gigs. Because of the what makes Ball Park Music so interesting to follow. Their set has basically been the same since when they released their album in July of last year. They play almost only songs from this record, forgetting about those that made them great. They play nothing from "yesyesyesyesyes" and only 'Light of Love (You Got A...)' from "Chandeliers", and to tell you the truth, (and 'Light of Love' is quite possibly my favourite song of theirs, so it hurts me to say this) 'Light of Love' is sounding tired. For as long as I've heard them play, it has been their final song. And it works so well as a final song, but... I would love to hear them play some old stuff, 'Unsettle My Heart' is nothing short of brilliant. Bring that back maybe? Enough said on this.

It was the John Steel Singers that brought forward the crowd into the bottom level of the Hifi and really kicked off the night. Their mix of lush vocals harmonies, guitars, and those ever present brass sounds really brings out what this band are really about. While some other occasions JSS haven't captured me, tonight they were on fire. I would quite like to understand whey bands change their stage set up from gig to gig. Compared to Laneway, only a couple of days previous, they had swapped the staging of the keys with the 12-string guitar. Hungry Kids of Hungary do this on a regular basis also, as I'm sure most bands do, but I would love to know what the reasoning is behind this. Regardless, these guys play a killer set, even when told that they are going quite the overtime and have to cut some of their set, making the bass player struggle on a bass with different tuning... Poor guy.

Last up this night were Regurgitator. And if the previous night's performance left you wanting the rest of the set, tonight more than covered it! I was worried that they would be playing almost the same set as the night before with a coupld of changes, but no. They played a completely different set, dropping many, but adding many more, while keeping the big favourites. It was like tonight completed the set they didn't get to finish the night before, and made for the full experience. For me tonight, I ventured away from the safety towards the middle of the room, and thrust myself in amongst it. And you know what? It was freakingsweet! So, so awesome! Such a different experience than just standing watching a gig. To be in the mosh for a band like this... mmm. Awesome.

And thus ends the epicness that was Float On. I do truly hope that a shitload of money was raised for the floods, because you know what? These two nights have probably been the best musical experience of my life so far. And I believe more than a couple of those who were there would be saying the same thing.

Float On... - 6 February 2011, The Hifi

Regurgitator, Custard, Kate Miller-Heidke, Hungry Kids of Hungary, Screemfeeder, Gentle Ben & His Sensitive Side, Little Scout

I don't know how to even begin thinking about this line-up. Only a natural disaster could bring together such a talented bunch of people. Not to mention reunite one of Brisbane's greatest band of the 90s! Custard! After the line up that was Laneway, follow it two days later with this, and my musical dreams have almost been fulfilled. I kind of wish I had been this age in the 90s so I could appreciate these bands in their peak as well as all the weird and wonderful musical sensations that were the 90s. Sigh.

Opening the night was the big talent that is Little Scout. I have never heard this band sound so loud! Given I've never heard them in a bigger venue than The Troubadour, but still, this was a little much. For me, the thing this band have going for them is their quirkiness, which mainly comes from drummer Miro Mackie's riffs. Tonight however the kit was so heavy that these light idiosyncrasies were lost in the mix. This especially happened in 'Shakes and Rattles' where the kick over powered everything else. I would like to see this band continue to hold on to that quirkiness that makes me adore them, but if this is more the direction they are heading in, so be it. Regardless, their new material is solid, and I do look forward to hearing it on record.

Gentle Ben & His Sensitive Side were up next, and while I appreciate what they have going on, they're not my cup of tea. I did however marvel at their frontman and his antics. He has so much energy on stage, and that combined with good musical ideas is what makes a band. Its one thing to play well. It's another thing to look sort of interested on stage, but it takes something special to capture a crowd just with the antics of even one person in the band. I'm not saying that this band didn't play good music, they most certainly did! It's just not my particular cup of tea.

See, now Screemfeeder are amazing. I swear I've never heard the sound system at the Hifi quite this loud before. It kind of blew my mind, and my ears. Like Gentle Ben, but in a completely different way, I really didn't enjoy Screemfeeder. Just so obsenely loud! I actually don't get it. I tried to appreciate this band, I really tried. But when all I can hear is a kick drum, and the bass with a hint of guitars and a tiny inkling that the vocals, it's a little difficult. Maybe it's because I actually like to listen to the lyrics of songs. I believe that this is where the heart and soul of an artist comes to life. And with this band, I couldn't get anything. You can be a loud band while still being able to get the vocals above the sound of everything else in the band. On record it's probably a completely different story, but these are my thoughts on the subject, and I shall say no more.

Hungry Kids of Hungary took to the stage next with their particular brand of awesomeness. They played through their power set with such an ease that it brings the crowd (or at least those who made the perilous journey to the front) to life from the word go. So Remy is now officially a member of this band. Hurray! He brings another personality to the already brimming presence that they have on stage, and also fills out the texture of both the instrumental and vocal sides of the music. I do particularly like how his voice blends in with the harmonies, and adds that extra mmm.

For me, it's been probably two years since I had seen Kate Miller-Heidke live. I think the last time was at the Tivoli, years ago... Anyway, since then she has toured around the world, most recently with the obscenely talented Ben Folds. And what a difference a couple of years can make in regards to the growth of a musician. While she has lost none of her quirkiness musically, she brings a much more reserved approach to her set, augmenting it tonight with guest harmonies, and a hint of rhythm. From what I understand though, she has been recently just been performing as a duo with Keir. And this actually works surprisingly well. I had reservations about the 'acoustic' set, but like I said, she has grown so much since last I saw her, and really honed her flair for performance. (It's not like it wasn't there in the first place though). Also, Keir is a freaking ah-mazing guitarist.

I still can not believe that I witnessed the reform of Custard! It's actually quite the mind blowing! This is the first club gig they have played in 10 years. And you know what? I actually have no idea where to even begin with these guys. For one, they played about 15 mins over time, and you know what? I think that would have totally been ok with everyone in the room! I don't know if I am qualified to do justice to this set. It was beyond anything I could have possibly imagined. And probably one of the best sets I have possibly ever seen.

Regurgitator have always been in my life I have recently found out. It may be quite naive of me to say this, but you know when you are exposed to music, but you don't really take an interest, then realise who it is later in life and go a little bit nuts? Yeah, this happened to me a week ago. In acquiring Regurgitator's music off my brother, I realised that I could belt out the lyrics to more than a couple of their songs without even trying! I also realised that I do love this band, and had forgotten them. Woops... Anyway, their set this night was incredible! I would never have thought that I would see myself at a Regurgitator gig, but you know what! I loved it, so very very much! Highlights for me were easily 'Polyester Girl' and 'Fat Cop' but you know what, they did no wrong. I was a little disappointed that they left off some important singles, but fingers crossed tomorrow night's set will cover these missing songs!

This gig could quite possibly be the greatest thing I will ever see! I just do not see how it can be topped. The artist that got me into the live music scene, Miss Kate Miller-Heidke, one of my favorite Brisbane bands at present, Hungry Kids of Hungary, Brisbane legends Custard, and Regurgitator. I do not see how this will be topped... Wow. That is all.

Laneway Festival - 4 February 2011, Fortitude Valley

First off, I have to mention how freaking amazing this festival line up is! I couldn't even begin to comprehend it when I first found out the line up. And with such a stellar line up I was literally wetting myself in anticipation of the set times to be released, praying that there wouldn't be too many clashes. Thankfully there were only a handful, and well, it was bound to happen. Thankfully it could have taken a worse turn than it did.

So my annoying habit of running late to gigs has returned it seems. Aiming to be at the gates at 1 was achievable, but alas... I was after 2 before I arrived. This actually frustrates me! I don't like making a habit of being late to anything, and this made me miss Inland Sea, who I'd been hoping for another chance to hear since their Powerhouse show late last year. Ah well. I know there will be another time in the near future to see these youngsters. After taking a turn about the grounds, I settled on Stornoway as a good place to start the festivities. Taking on the big stage they drew a reasonable sized crowd considering the early set time, and the smouldering heat that embraced the sun exposed viewing arena. Can I just add that this heat was relentless! There was absolutely not getting away from it, even in the shade. And as the sun went down, it didn't ease up all that much, which was much to my disappointment! Just so sticky and gross! Anyway. Stornoway. They have a good thing going on. I would like to hear more of them. They have made me curious.

Taking a perch at the New Alexandria St Stage, we all waited for what I hoped would be one of the highlights of the day. Local Natives. And what an act they are! I will admit, I have maybe over-indulged myself in their record "Gorilla Manor" but nothing can really prepare you for a live experience. They were stunning, with their three part harmonies soaring above the textured underlying riffs. They brought out all the stops especially with 'Who Knows Who Cares' which really brought out the life in the crowd. This band really have something special going on, with a kind of simplicity that is actually mind blowing in it's complexity, if that even makes sense...

Again staying put at the Alexandria St Stage we were blessed with the touching tunes of Beach House. This wasn't the venue, nor the time of day for these guys. Not at all. I believe they would have been much better on a smaller stage. But this is just me. They pulled a huge array of people, but something just didn't feel right to me. I don't know. Their melancholic tunes were truly incredible. And no matter how hard I tried to accept it in my brain, it just would not let me remember, nor accept that it was a chick singing. Her voice remind me so much of a guys voice, with its inflections and turns, but alas, I am obviously daft! Haha! She is quite the talented.

Now this is a big call, but I do believe that the next act up on the big stage Two Door Cinema Club were my pick of the day. For this one it was a must to be in amongst the action as opposed to sticking to the outskirts like I had been, and I would not have changed this decision for the world. They played hit after hit, and just kept on going! And where this band went on this excruciatingly disgusting afternoon, the whole crowd went with them. 'Undercover Martyn' went off. 'Eat That Up, It's Good for You' also went off. 'I Can Talk' went off also. You know what? They didn't really do much wrong at all. Not even someone bursting the fire hydrant could dampen the spirits of this crowd. (:P) In fact it was actually very welcome! Nothing like getting soaked to reset the energy levels on a hot day.

Allons-y! Zoo/ Big Sound Stage! Arriving in the middle of the John Steel Singers it was a surprise to see Mel from Little Scout on stage also. Don't think this has ever happened before... Deciding not to stay too long into their set, I thought it would be a better idea to take the opportunity to find food, maybe a drink among other things. And lucky I left when I did. Because to do all of this, I still didn't make it back in time for the start of Hungry Kids of Hungary's set. I don't think I need to say it again, but this band really do have something special, and I believe that they have a great future ahead of them. Not only do they sound good on record, but they also look and sound phenomenal on stage!

At this stage of the night I was pretty low on energy. Saw a bit of Cloud Control from the very back of the crowd (and that little laneway stage they were playing on was full beyond capacity.) Also saw a bit of Foals from the back of the crowd on the Alexandria Stage next door. I wish I could have been apart of the crowd instead of lingering on the outskirts of it! It would have been amazing. But alas, due to set times and unavoidable clashes at this time of night, that was impossible due to the fact that Gotye was set to play starting half way through their set. And it would have been an unpleasant mission to find a route out of that mosh.

Gotye - the final act of the night for me. Holy shit. Mind blowing!! As a whole, his set was so flawed and actually a bit of a failure, but despite all that, so so awesome. I do feel for his sound guy! I have never seen so much gear on stage for just three people to play with. And that's where his troubles started. When things were working what he produced was beautiful! When they weren't... His main synth was an electric xylophone, not a keyboard, and aesthetically, that made all the difference. Yeah you can stand in front of a keyboard or a set of pads, but having a xylophone made it look that much more extravagant and cool. But enough with the aesthetics. This man is so talented, and is a born performer. When things were going oh so wrong, he managed to keep the crowd in his hands by creating a "song" based on crowd participation until the problem was... resolved? Also the music he makes is so full and complicated on so many levels it is a mission to listen to. I mean that in the best possible way. On each listen to the record you hear something you had missed the time before. And live it just creates a whole new level of appreciation for this complexness. Mmmm. :)

There are so many more bands that I would have loved to have seen, but time and energy can only let you do so much. I wish I could have a do-over of the day, see everything I wished I could have seen. But alas. One day.