September is a wondrous time for Brisbane arts. It’s when the famous
traveling Spiegeltent comes to town as part of Brisbane Festival.
Tonight was the return of The Basics. After a three-year hiatus, the band was back with a vengeance to prove themselves as one of the best live acts around.
Where do I even start? As knowledge would have it, The Basics are Kris Schroeder, Tim Heath and Wally De Backer.
When they came on stage in their dapper suits bang on 7.15pm (early I
know!), the room went bananas. Me included. My one an only previous
experience of The Basics was their final ever show before taking a break
for an undisclosed period of time.
They played mostly songs from their early releases with a handful of
new songs thrown in as well. They did this as the 'late' show was going
to feature some newer material. They opened without saying a word
playing “The No. 1 Cause of Death Amongst Youth Today”, which is such a
strong song to start with. They then began the friendly banter that
would continue for the rest of the evening. I’m going to provide you
with some insight form the minds of these men throughout the review
starting with Wally asking after the first song to have
'A bee’s dick more foldback. I can’t hear my voice', Kris then went on to pay out Wally’s 'beautiful' voice.
Speaking of Mr De Backer, he is sensational on the drums. I was fully
expecting him to break a cymbal or at least a stick or two! Also, he
looks so incredibly happy when he plays the drums. And everytime
something maybe wasn’t perfect, he would have a little chuckle and smile
to himself. By the time they reached “Rattle My Chain” and “Memory
Lane”, they had the audience in the palms of their hands. It made me
laugh when they introduced the year of one of these songs and they
couldn’t actually remember when they first recorded it and a member of
the audience corrected them.
Wally’s newbie “Roundabout” proves that you don’t need genius lyrics
to have a sensational song. The word roundabout was used more than few
time in the song but that didn’t lessen the beauty of the song. Their
final song of the set was Tim’s song, “Hey Rain” which he dedicated to
Northern Queensland. It was simply stunning to hear all three men
singing in luscious harmony with only Tim’s guitar for accompaniment. It
was still the Basics as we know and love them, just in a more mature
way.
Of cause they came back for an encore. Everyone knows it’s not over
till the house music comes on! Kris lead the band in a somber break-up
song with actually brought a tear to my eye. His voice has such a fine,
tight vibrato that just envelops all around it. The songs as a whole was
just too beautiful, and as I write this memories come flooding back of
the mood he created. Think “All or Nothing”, but even more intense.
They finished their hour and a bit long set with two covers. I
thought it appropriate that they perform The Beatles’ “Come Together”,
as they to me are a modern Beatles when they play in that true
rock’n’roll genre. They then played their version of The Police’s
“Roxanne”. After the first verse, Wally said, 'Oo, that was a bit fast
wasn’t it!' Immediately, the next verse was slower. Incredible!
This has got to be one of the best gigs I’ve been to in a long time.
Such an incredible band with the power to actually engage the audience
in friendly banter between songs rather than just bore them with trivial
nothings. I was laughing my ass off. Yes LMAO. No, seriously, they made
me giggle uncontrollably, and left me leaving with a grin on my face.
That is how a gig should be.
Monday, September 16, 2013
BIGSOUND Live (Night 2) - 12 September 2013, Fortitude Valley
w/ Melbourne Ska Orchestra, Tigertown, Dubmarine, Calling All Cars, Sheppard, Eden Mulhollandm Hey Geronimo, Spender
Welcome back to coverage from Brisbane’s premier music conference and live showcase, BIGSOUND! (crowd goes wild) Tonight will feature the likes of Hey Geronimo, Sheppard, The Jungle Giants, Dubmarine, Tigertown and the Melbourne Ska Orchestra, among others. However, let us begin with at Electric Playground.
Spender opened BIGSOUND night two at the old church with his soulful loop filled tunes. The thing that makes Tommy Spender unique, is his use of his Tenor Sax. The loops that he creates with the instrument and his vocals in combination make for such interesting live combinations. “Never Again” is such a cool tune and I think really captures what he is all about.
Up next was Hey Geronimo at the Bakery Lane stage. Okay, so I didn’t think it had been that long since I last saw this band play, however they were sporting two new members on bass and keys. Regardless of the loss, they are still almost too much fun to handle. Their set was full of old favorites and new tunes with “Carbon Affair” still being one of highlights of the set.
Eden Mulholland was next up at Alhambra Lounge. I wish that I had got to see more of this lad. He had such an interesting vibe to his songs. One moment it was just him singing with a guitar in an almost folk-like manner, then next minute the band came in and it morphed into a heavy garage jam. It was awesome. And then the set ended! Damn! Here’s one to check out post BIGSOUND.
Now, I’ve heard a lot of hype about my next act Sheppard but not really caught up with it yet. I know they were finalists in the Q Music Awards, so I was really curious to see what they were all about. To be perfectly honest, I was blown away! They are ridiculously fun and entertaining. Kudos to the bass player for having pink strings on her bass, with matching nail polish and strap. Both the singers had interesting qualities to their vocals, and worked so well together and with the rest of the band. They were clearly loved by their crowd and vibed off this to up their act. It was one of the best of the night.
You know as soon as you see ‘Tempo Hotel’ on the program it was going to be loud, but Calling All Cars were just stupidly loud! Stupidly loud, and awesome that is! They are such a tight band and put on an amazing show! The bands’ new single “Werewolves” is definitely going to be a hit!
Unfortunately I couldn’t get into The Jungle Giants, due to a huge ass line, which led me across the road to Dubmarine. Sometimes it’s the unexpected and seemingly unknown that make the biggest impression on a listener at an event like this. Dumbarine was that for me. I had no idea what to expect and what I got was amazeballs. They have so much energy, creating music with a funky groove. Their reggae and hip-hop sounds really had the crowd pumping. I’ve seen the Jungle Giants more than a couple of times and it was nice to see something maybe I wouldn’t have picked off the program. Really impressed.
The night just kept getting better and better with Tigertown at the Triple J Unearthed stage at Oh Hello! I freaking love this band. All the voices work so well together and the music they create together is the right amount of indie-pop with enough imagination to avoid that generic sound that is coming out of some Australian bands at the moment. Highlight of the set has to be when mid song, two “audience” members held up tom drums and became part of the song. Rad! Also, it needs to be said that the “BIGSOUND Jam Jars” at Oh Hello were absolutely amazing.
The final act of BIGSOUND was also the single highlight of the entire festival. Melbourne Ska Orchestra. I don’t think I’ve ever really quite seen anything like it. 26 people on the 5x4m stage that was Bakery Lane including stands for the 11+ member horn section. They opened the set with their version of the “Get Smart Theme” and as soon as frontman Nicky Bomba started controlling the crowd at the end of the song and getting them to interact with the final chords of the song, I knew we were all in for the time of our nights. The orchestra themselves were having so much fun onstage, despite the lack of personal space, and were waving their instruments around and dancing just as much as the rest of the crowd were. And oh my! There were steel drums! STEEL DRUMS! I know you’d expect it in a ska and reggae band, but still, Steel Drums!
When the orchestra finished their sensational set, they had a play off song where all the members weaved their way though the crowd and out the lane. And everyone followed them. We all went for a walk through the valley, slowly making our way to the Brunswick Street Mall were they played stationary for a while before playing their way back to the lane. In reality where there set should have been 30 minutes, it ended up being at least 45 minutes. Every second was incredible.
And it’s over for another year. 20 live acts over two nights. I feel empty! On a serious note, I said this last year, but I will say it again: If Brisbane live music has this many options for music venues on an everyday basis, things would be grand. However, of the 12 BIGSOUND venues, only six host shows on a regular basis. What does that say?
Well done BIGSOUND. You have brought out the best Brisbane, nay, Australia has to offer and thrown it at us. Thank you.
Welcome back to coverage from Brisbane’s premier music conference and live showcase, BIGSOUND! (crowd goes wild) Tonight will feature the likes of Hey Geronimo, Sheppard, The Jungle Giants, Dubmarine, Tigertown and the Melbourne Ska Orchestra, among others. However, let us begin with at Electric Playground.
Spender opened BIGSOUND night two at the old church with his soulful loop filled tunes. The thing that makes Tommy Spender unique, is his use of his Tenor Sax. The loops that he creates with the instrument and his vocals in combination make for such interesting live combinations. “Never Again” is such a cool tune and I think really captures what he is all about.
Up next was Hey Geronimo at the Bakery Lane stage. Okay, so I didn’t think it had been that long since I last saw this band play, however they were sporting two new members on bass and keys. Regardless of the loss, they are still almost too much fun to handle. Their set was full of old favorites and new tunes with “Carbon Affair” still being one of highlights of the set.
Eden Mulholland was next up at Alhambra Lounge. I wish that I had got to see more of this lad. He had such an interesting vibe to his songs. One moment it was just him singing with a guitar in an almost folk-like manner, then next minute the band came in and it morphed into a heavy garage jam. It was awesome. And then the set ended! Damn! Here’s one to check out post BIGSOUND.
Now, I’ve heard a lot of hype about my next act Sheppard but not really caught up with it yet. I know they were finalists in the Q Music Awards, so I was really curious to see what they were all about. To be perfectly honest, I was blown away! They are ridiculously fun and entertaining. Kudos to the bass player for having pink strings on her bass, with matching nail polish and strap. Both the singers had interesting qualities to their vocals, and worked so well together and with the rest of the band. They were clearly loved by their crowd and vibed off this to up their act. It was one of the best of the night.
You know as soon as you see ‘Tempo Hotel’ on the program it was going to be loud, but Calling All Cars were just stupidly loud! Stupidly loud, and awesome that is! They are such a tight band and put on an amazing show! The bands’ new single “Werewolves” is definitely going to be a hit!
Unfortunately I couldn’t get into The Jungle Giants, due to a huge ass line, which led me across the road to Dubmarine. Sometimes it’s the unexpected and seemingly unknown that make the biggest impression on a listener at an event like this. Dumbarine was that for me. I had no idea what to expect and what I got was amazeballs. They have so much energy, creating music with a funky groove. Their reggae and hip-hop sounds really had the crowd pumping. I’ve seen the Jungle Giants more than a couple of times and it was nice to see something maybe I wouldn’t have picked off the program. Really impressed.
The night just kept getting better and better with Tigertown at the Triple J Unearthed stage at Oh Hello! I freaking love this band. All the voices work so well together and the music they create together is the right amount of indie-pop with enough imagination to avoid that generic sound that is coming out of some Australian bands at the moment. Highlight of the set has to be when mid song, two “audience” members held up tom drums and became part of the song. Rad! Also, it needs to be said that the “BIGSOUND Jam Jars” at Oh Hello were absolutely amazing.
The final act of BIGSOUND was also the single highlight of the entire festival. Melbourne Ska Orchestra. I don’t think I’ve ever really quite seen anything like it. 26 people on the 5x4m stage that was Bakery Lane including stands for the 11+ member horn section. They opened the set with their version of the “Get Smart Theme” and as soon as frontman Nicky Bomba started controlling the crowd at the end of the song and getting them to interact with the final chords of the song, I knew we were all in for the time of our nights. The orchestra themselves were having so much fun onstage, despite the lack of personal space, and were waving their instruments around and dancing just as much as the rest of the crowd were. And oh my! There were steel drums! STEEL DRUMS! I know you’d expect it in a ska and reggae band, but still, Steel Drums!
When the orchestra finished their sensational set, they had a play off song where all the members weaved their way though the crowd and out the lane. And everyone followed them. We all went for a walk through the valley, slowly making our way to the Brunswick Street Mall were they played stationary for a while before playing their way back to the lane. In reality where there set should have been 30 minutes, it ended up being at least 45 minutes. Every second was incredible.
And it’s over for another year. 20 live acts over two nights. I feel empty! On a serious note, I said this last year, but I will say it again: If Brisbane live music has this many options for music venues on an everyday basis, things would be grand. However, of the 12 BIGSOUND venues, only six host shows on a regular basis. What does that say?
Well done BIGSOUND. You have brought out the best Brisbane, nay, Australia has to offer and thrown it at us. Thank you.
BIGSOUND Live (Night 1) - 11 September 2013, Fortitude Valley
w/ Regurgitator, Eagle and the Worm, Karl S. Williams, Glass Towers, Stonefield, Willow, Tkay Maidza, Cub Sport, The Audreys, Patrick James
There is a magical time of the year, when all the stars align and the live music scene in Brisbane booms. This magical time of year is called BIGSOUND. Step 1: bring together industry gurus from all over the country and from across the seas and throw them together in a conference room for 4 days. Step 2: On the middle two nights, then bring them out for to party, and invite the people of Brisbane who love live music. Step 3: Watch the bliss unfold. This year BIGSOUND live boasted 120 acts over 12 glorious stages. This is a but snapshot of the two-night festival.
Opening night one of BIGSOUND Live was Patrick James at Ric’s Bar. There’s a warm spot in my heart for this gentleman and his band. They make me happy and put a smile on my face that I can’t wipe off. “Bugs” sensational song and was the perfect way to start BIGSOUND 2013. When the band breaks into 4 part harmonies, it is such an amazing sound. Put that in the narrow space of Ric’s and it envelops you and draws you right into their sound. Stunning.
Across the way at Black Bear Lodge were The Audreys. It was so nice to see the stage dressed for the occasion, complete with fairy lights! Frontwoman Taasha Coates is so charismatic and carries the band so unbelievably well with her pure vocals. There were also a decent amount of beards on stage. The Beards would approve. “Small Things” was definitely a highlight of the set, and really captured in one song what the band are all about.
Down at Channel V’s Stage at Coniston Lane was Cub Sport (formally known as Cub Scouts). This is the first time where I felt the party getting started. They are such a fun band all round, and their songs really endorse and encourage this. Frontman Tim Nelson has such a great tone to his vocals, even if he still looks 14. The bands’ new single “Paradise” is rad. It is a testament to this band that they can change up the arrangement of their music from tracked to live.
Warning: Etiquette rant. It is at this moment I will take a second to mention amateur photographer etiquette. People, you can’t just stand in front for the entire set and take awkward photos with your wanky hipster cameras holding them at arms length trying to get that shot of the drummer. There a thing called “zoom.” Use it. I’m all for photographing bands, in fact I encourage it, however get your shots, get out. People actually want to enjoy the bands they came to watch. Rant over.
Something completely different came to me form Tkay Maidza at The Triple J Unearthed stage at Oh Hello! Things you need to know about this young lady. One, she’s tiny! To compensate this she had at least 3-inch platform boots on. Two, she is a powerhouse! She has seemingly come out of nowhere to steal the BIGSOUND stage. You don’t see to many proper female rappers and she is pretty darn awesome. So much so that she blew the sound system at the venue. There was smoke, lots of smoke. She took it in her stride though. Re-plugged things and 5 minutes later she was back in action. Kudos!
At the Press Club, Willow were breaking hears with their soul infused tunes. Frontwoman Bianca Sciuto has such an “old” voice. It has all the colours and inflections of a 50s jazz singer. It was amazing to witness. In the final song of the set where it was just her and her guitarist, it was then I believe that she shone brightest. All the heaviness of the rest of the band was gone and it was raw, and rough just they way it should be!
Next was my first experience of the all girl rockers Stonefield. The sisters are still so younge and have so much talent! It still unbelievable. Their latest single “Put Your Curse On Me” Is just how it should be. Raw, untainted Aussie rock. As I was watching, witnessing a revival in ‘Girl Power’ I was thinking to myself that they’ve been around for a good couple of years now, and how the hell had I not seen them live until now…
Glass Towers were up next at the Channel V Stage with their own take on rock. They are a whole lot of fun and that led to a lot of uncontrollable flailing from the crowd. It may or may not have been some form of dancing. “Jumanji” was a really rad song and definitely the highlight of the set. It had a really interesting groove that was different from the rest of their set.
Karl S. Williams is an entity unto himself. He mesmerized the press club with his melodious guitar. His vocals reminded me of Antony Hegarty, brainchild of Antony and Johnsons. And I got a little bit of that vibe from him as well. He has an amazing falsetto voce and that really was showcased in his piano numbers. The song that goes “I fell for you, did you fall for me too” broke my heart! It was so stunning and beautifully performed.
Where have Eagle and the Worm been for the last little bit of my life! They seemed to have slipped off my radar, and this has made me realize that they are really on of the bands of look out for again this year. Brass always make a sound edition to any band, and for a party band such as EatW, it is a nobrainer. Tonight they showcased both old and new songs, with newbie “Electricity” being a true highlight. “Too Young” had some stunning 5-part harmonies and was a little Beatle-esk. Ending with “All I Know” was a great move. Really finished with a bang, and got those feet moving in the crowd.
I was so looking for to seeing Regurgitator again! But as I walked into Electric Playground, there was not a single centimeter of space. I ask myself, why oh why did they put them at that venue! Why not the Zoo! It is easily the biggest venue. As I stood at the back trying to enjoy the flawless music I could not see 2 meters in front of me. And I had to laugh at the soundman, (who was just in front of me) he was having even less luck than me. It was a shame really, as I was really looking forward to ending the night with the Gurge.
Whew! What a night! The highlight would have to be Eagle and the Worm though. They lost me for a little while, however I am now most definitely back on the band wagon. Unexpected pleasures were found in Glass Towers, Patrick James and Tkay Maidza. Three completely different acts, yet all so pleasing. Stay tuned, BIGSOUND is not done just yet.
There is a magical time of the year, when all the stars align and the live music scene in Brisbane booms. This magical time of year is called BIGSOUND. Step 1: bring together industry gurus from all over the country and from across the seas and throw them together in a conference room for 4 days. Step 2: On the middle two nights, then bring them out for to party, and invite the people of Brisbane who love live music. Step 3: Watch the bliss unfold. This year BIGSOUND live boasted 120 acts over 12 glorious stages. This is a but snapshot of the two-night festival.
Opening night one of BIGSOUND Live was Patrick James at Ric’s Bar. There’s a warm spot in my heart for this gentleman and his band. They make me happy and put a smile on my face that I can’t wipe off. “Bugs” sensational song and was the perfect way to start BIGSOUND 2013. When the band breaks into 4 part harmonies, it is such an amazing sound. Put that in the narrow space of Ric’s and it envelops you and draws you right into their sound. Stunning.
Across the way at Black Bear Lodge were The Audreys. It was so nice to see the stage dressed for the occasion, complete with fairy lights! Frontwoman Taasha Coates is so charismatic and carries the band so unbelievably well with her pure vocals. There were also a decent amount of beards on stage. The Beards would approve. “Small Things” was definitely a highlight of the set, and really captured in one song what the band are all about.
Down at Channel V’s Stage at Coniston Lane was Cub Sport (formally known as Cub Scouts). This is the first time where I felt the party getting started. They are such a fun band all round, and their songs really endorse and encourage this. Frontman Tim Nelson has such a great tone to his vocals, even if he still looks 14. The bands’ new single “Paradise” is rad. It is a testament to this band that they can change up the arrangement of their music from tracked to live.
Warning: Etiquette rant. It is at this moment I will take a second to mention amateur photographer etiquette. People, you can’t just stand in front for the entire set and take awkward photos with your wanky hipster cameras holding them at arms length trying to get that shot of the drummer. There a thing called “zoom.” Use it. I’m all for photographing bands, in fact I encourage it, however get your shots, get out. People actually want to enjoy the bands they came to watch. Rant over.
Something completely different came to me form Tkay Maidza at The Triple J Unearthed stage at Oh Hello! Things you need to know about this young lady. One, she’s tiny! To compensate this she had at least 3-inch platform boots on. Two, she is a powerhouse! She has seemingly come out of nowhere to steal the BIGSOUND stage. You don’t see to many proper female rappers and she is pretty darn awesome. So much so that she blew the sound system at the venue. There was smoke, lots of smoke. She took it in her stride though. Re-plugged things and 5 minutes later she was back in action. Kudos!
At the Press Club, Willow were breaking hears with their soul infused tunes. Frontwoman Bianca Sciuto has such an “old” voice. It has all the colours and inflections of a 50s jazz singer. It was amazing to witness. In the final song of the set where it was just her and her guitarist, it was then I believe that she shone brightest. All the heaviness of the rest of the band was gone and it was raw, and rough just they way it should be!
Next was my first experience of the all girl rockers Stonefield. The sisters are still so younge and have so much talent! It still unbelievable. Their latest single “Put Your Curse On Me” Is just how it should be. Raw, untainted Aussie rock. As I was watching, witnessing a revival in ‘Girl Power’ I was thinking to myself that they’ve been around for a good couple of years now, and how the hell had I not seen them live until now…
Glass Towers were up next at the Channel V Stage with their own take on rock. They are a whole lot of fun and that led to a lot of uncontrollable flailing from the crowd. It may or may not have been some form of dancing. “Jumanji” was a really rad song and definitely the highlight of the set. It had a really interesting groove that was different from the rest of their set.
Karl S. Williams is an entity unto himself. He mesmerized the press club with his melodious guitar. His vocals reminded me of Antony Hegarty, brainchild of Antony and Johnsons. And I got a little bit of that vibe from him as well. He has an amazing falsetto voce and that really was showcased in his piano numbers. The song that goes “I fell for you, did you fall for me too” broke my heart! It was so stunning and beautifully performed.
Where have Eagle and the Worm been for the last little bit of my life! They seemed to have slipped off my radar, and this has made me realize that they are really on of the bands of look out for again this year. Brass always make a sound edition to any band, and for a party band such as EatW, it is a nobrainer. Tonight they showcased both old and new songs, with newbie “Electricity” being a true highlight. “Too Young” had some stunning 5-part harmonies and was a little Beatle-esk. Ending with “All I Know” was a great move. Really finished with a bang, and got those feet moving in the crowd.
I was so looking for to seeing Regurgitator again! But as I walked into Electric Playground, there was not a single centimeter of space. I ask myself, why oh why did they put them at that venue! Why not the Zoo! It is easily the biggest venue. As I stood at the back trying to enjoy the flawless music I could not see 2 meters in front of me. And I had to laugh at the soundman, (who was just in front of me) he was having even less luck than me. It was a shame really, as I was really looking forward to ending the night with the Gurge.
Whew! What a night! The highlight would have to be Eagle and the Worm though. They lost me for a little while, however I am now most definitely back on the band wagon. Unexpected pleasures were found in Glass Towers, Patrick James and Tkay Maidza. Three completely different acts, yet all so pleasing. Stay tuned, BIGSOUND is not done just yet.
Saturday, September 14, 2013
The Paper Kites - 6 September 2013, The HiFi
w/ Georgia Fair, Robbie Miller
To celebrate the release of their debut LP States, The Paper Kites brought along their band of merry men including the boys from Georgia Fair and Robbie Miller to the HiFi in West End. Last time they played in Brisbane they played The Alhambra Lounge, so to play the HiFi is a big step up for the band. To no ones surprise they had the venue nicely full without being super packed!
Opening the night was Robbie Miller. He has such a beautiful set of pipes. He flipped in and out of falsetto so effortlessly and that made his vocals even more mesmerising. He filled out the large room with his unique sound, and with just an acoustic guitar to accompany his vocals this is no mean feat. I do feel however, that type of music he was performed got a little lost in the HiFi. It’s the kind of slow ethereal music that you kind of have to me in the mood to listen to, and I think because of this, he lost quite a bit of his audience to their own conversations. A shame really.
Next up were the lads form Georgia Fair. I can’t quite express how much I enjoyed the lads’ set! They work so well as a duo, their voices melding into one sound. Jordan’s voice is good by itself, but is made even better by the support of Ben’s. They have an eerie yet melodic thing going on, and this is enhanced live by the lack of drums and bass. Their second to last song “Picture Frame” was by far the highlight of the set. They really captured the crowd and set the tone for the headliners.
I have a soft spot in my musical heart for The Paper Kites. They’re the kind of band that just capture your imagination in the way they perform. Front-people Sam Bentley and Christina Lacy work so well together as vocalists. Add to that Dave Powys to that mixture and you get something extraordinary. Their set is showing signs of catching up to their national successes, however, I believe there is still a little bit of rejigging to be done. They have so many amazing songs, and it was great to hear all the ones we know and love, coupled with tracks from the new record. “St Clarity” is definitely a song that is going to go somewhere. It’s a stunner. When they performed “Young” it was such a contrast to some of their other songs, really rad. Add that to Christina’s performance of “Living Colour” and wow. There was one moment that was by far and away the highlight of the set. “Bloom”. Need I say more? You could see every couple in the room just move a little closer together. Quite a special musical moment.
The issue (if you I can even call it that) I have with The Paper Kites is that their songs are just gorran too stunning. Too beautiful and the fact that each and every single song has the power to move you, it’s something not many bands ever achieve. However, put too much of that certain something together and it’s overwhelming. In the middle of their set there was a group of songs that when played together were too much. There needed to be an uptempo break in the middle.
It’s good to see The Paper Kites playing to a venue size they deserve. They said it themselves, “It’s so nice to not be playing in the valley”. This band deserve all the acclaim they are receiving. They’re something a bit special.
To celebrate the release of their debut LP States, The Paper Kites brought along their band of merry men including the boys from Georgia Fair and Robbie Miller to the HiFi in West End. Last time they played in Brisbane they played The Alhambra Lounge, so to play the HiFi is a big step up for the band. To no ones surprise they had the venue nicely full without being super packed!
Opening the night was Robbie Miller. He has such a beautiful set of pipes. He flipped in and out of falsetto so effortlessly and that made his vocals even more mesmerising. He filled out the large room with his unique sound, and with just an acoustic guitar to accompany his vocals this is no mean feat. I do feel however, that type of music he was performed got a little lost in the HiFi. It’s the kind of slow ethereal music that you kind of have to me in the mood to listen to, and I think because of this, he lost quite a bit of his audience to their own conversations. A shame really.
Next up were the lads form Georgia Fair. I can’t quite express how much I enjoyed the lads’ set! They work so well as a duo, their voices melding into one sound. Jordan’s voice is good by itself, but is made even better by the support of Ben’s. They have an eerie yet melodic thing going on, and this is enhanced live by the lack of drums and bass. Their second to last song “Picture Frame” was by far the highlight of the set. They really captured the crowd and set the tone for the headliners.
I have a soft spot in my musical heart for The Paper Kites. They’re the kind of band that just capture your imagination in the way they perform. Front-people Sam Bentley and Christina Lacy work so well together as vocalists. Add to that Dave Powys to that mixture and you get something extraordinary. Their set is showing signs of catching up to their national successes, however, I believe there is still a little bit of rejigging to be done. They have so many amazing songs, and it was great to hear all the ones we know and love, coupled with tracks from the new record. “St Clarity” is definitely a song that is going to go somewhere. It’s a stunner. When they performed “Young” it was such a contrast to some of their other songs, really rad. Add that to Christina’s performance of “Living Colour” and wow. There was one moment that was by far and away the highlight of the set. “Bloom”. Need I say more? You could see every couple in the room just move a little closer together. Quite a special musical moment.
The issue (if you I can even call it that) I have with The Paper Kites is that their songs are just gorran too stunning. Too beautiful and the fact that each and every single song has the power to move you, it’s something not many bands ever achieve. However, put too much of that certain something together and it’s overwhelming. In the middle of their set there was a group of songs that when played together were too much. There needed to be an uptempo break in the middle.
It’s good to see The Paper Kites playing to a venue size they deserve. They said it themselves, “It’s so nice to not be playing in the valley”. This band deserve all the acclaim they are receiving. They’re something a bit special.
Friday, September 6, 2013
Astrid and the Asteroids - 3 August 2013, The Hideaway
w/ Hailey Calvert, Isabel
There was a fairly high percentage of space themed attire donned at the Hideaway tonight for Astrid and the Asteroids’ "Autopsy" single launch, and it was wonderful to see the event sell out The Hideaway.
Opening the night was Astrid’s self-proclaimed “prodigal vocal student” Isabel. She picked up her Electric guitar, and together with her bass guitar playing friend they played a set of mellow melodies. Let me tell you, there’s an untamed soul woman behind her reserved demeanor. Her vocal style reminds me so much of Sara Bareilles in many ways. There are inflections that just captivate you into listening. Quite a stunning set, despite the unruly ambient noise in the small venue.
Next to light up the stage was Hailey Calvert. This lady is quite a sensational guitarist, vocalist and all round performer. Her country infused tunes really caught attention of the rowdy audience. Her voice was pure and ethereal and captured the best that the female voice has to offer.
So Astrid and the Asteroids burst onto the music scene a little two years ago, with their funky space tunes. Known for their outrageous attire, the band have calmed things down a bit, even although frontwoman, Astrid still loves the Black Milk nylons. AATA are a breath of fresh air in an indie music revolution. There are so many new bands out there that are just conforming to a pre-established unspoken set of songwriting rules. The Asteroids on the other hand have their own set of rules and each member of the band is supremely talented and has unmatched sense of musicianship. Parmis Rose in my opinion is unmatched on the keys. Add that to Astrid’s stunning vocals, Evan on the trumpet playing like a world renown professional and the rest of the band and it is truly magical.
Musically, they have their segues perfected which for such a ‘young’ band is really quite astonishing. For example, when telling the story of Charles Whitman (Texus sniper, look him up) the inspiration for the bands’ latest single “Autopsy”, instead of talking over the silence of her band to an unenthused crowd, the band jammed the introduction of the song while she told the lengthy story. Such a simple idea, yet absolute genius.
In fact, everything about this band screams talent. Each and every song in their repertoire is danceable. Yes. That is a word, I checked. Weather it be crazy unstoppable foot tapping, or knee jerking, even to ranging to the slow grind. For the latter, mid way the band breaks into Beyonce’s “Crazy in love”. You’d think it to be strange, but for these space cats, nothing is too out of this world!
In a nutshell the gig was rad, otherworldly even. This band has so much energy and hold nothing back when they perform. It’s an absolute privilege to watch them perform, and if I were you, I’d keep an ear out for these guys. They’re something special.
There was a fairly high percentage of space themed attire donned at the Hideaway tonight for Astrid and the Asteroids’ "Autopsy" single launch, and it was wonderful to see the event sell out The Hideaway.
Opening the night was Astrid’s self-proclaimed “prodigal vocal student” Isabel. She picked up her Electric guitar, and together with her bass guitar playing friend they played a set of mellow melodies. Let me tell you, there’s an untamed soul woman behind her reserved demeanor. Her vocal style reminds me so much of Sara Bareilles in many ways. There are inflections that just captivate you into listening. Quite a stunning set, despite the unruly ambient noise in the small venue.
Next to light up the stage was Hailey Calvert. This lady is quite a sensational guitarist, vocalist and all round performer. Her country infused tunes really caught attention of the rowdy audience. Her voice was pure and ethereal and captured the best that the female voice has to offer.
So Astrid and the Asteroids burst onto the music scene a little two years ago, with their funky space tunes. Known for their outrageous attire, the band have calmed things down a bit, even although frontwoman, Astrid still loves the Black Milk nylons. AATA are a breath of fresh air in an indie music revolution. There are so many new bands out there that are just conforming to a pre-established unspoken set of songwriting rules. The Asteroids on the other hand have their own set of rules and each member of the band is supremely talented and has unmatched sense of musicianship. Parmis Rose in my opinion is unmatched on the keys. Add that to Astrid’s stunning vocals, Evan on the trumpet playing like a world renown professional and the rest of the band and it is truly magical.
Musically, they have their segues perfected which for such a ‘young’ band is really quite astonishing. For example, when telling the story of Charles Whitman (Texus sniper, look him up) the inspiration for the bands’ latest single “Autopsy”, instead of talking over the silence of her band to an unenthused crowd, the band jammed the introduction of the song while she told the lengthy story. Such a simple idea, yet absolute genius.
In fact, everything about this band screams talent. Each and every song in their repertoire is danceable. Yes. That is a word, I checked. Weather it be crazy unstoppable foot tapping, or knee jerking, even to ranging to the slow grind. For the latter, mid way the band breaks into Beyonce’s “Crazy in love”. You’d think it to be strange, but for these space cats, nothing is too out of this world!
In a nutshell the gig was rad, otherworldly even. This band has so much energy and hold nothing back when they perform. It’s an absolute privilege to watch them perform, and if I were you, I’d keep an ear out for these guys. They’re something special.
Saturday, June 29, 2013
Tigertown - 23 June 2013, Black Bear Lodge
w/ The Starry Field, Mountains
Tigertown are an entity unto themselves. The five-piece boast luscious harmonies and a cleanly polished set. The Sydneysiders played to a sold out Black Bear Lodge for their 'What You Came Here For' National tour, which is already deserving of kudos!
Opening the night was Mountains. The front-man has a really interesting voice that is captivating to listen to. As he played his first song without the rest of the band, I was somewhat enchanted. When the rest of the band did join him on stage, the sound they created was a perfect balance of electronic sounds meets live performance. The drummer played a semi-electric kit, but what sets this band apart from mindless electronic music was the fact that it wasn’t smacking you in the face. It was controlled yet with the balls-y synth layers it was the perfect underlay for the brilliant vocals. An all-round classy act.
Next to warm up the stage were The Starry Field. To tell you the truth, I was not altogether impressed. While front-man Mark Myers has a stunning voice, he sang in the same sweet spot in his voice for almost the entirety of the set. This made everything, regardless of the nature of the song, sound a bit 'same-same'. That said, however, they had a nice range of songs, the last song of their set being a particular highlight.
I’ve heard bits and pieces from headliners Tigertown, but I've never really had a listening party. But tonight, I was simply blown away. Tigertown themselves are truly a sensational little band and to me have a very Fleetwook Mac kind of sound. Also, they have such precision in their playing and it makes everything sound just a little too easy - in the best possible way. Their latest single 'What You Came Here For' is, frankly, remarkable. It has all the makings of a little indie hit.
The girls work so well together as vocalists, and it was a pleasure to listen to them sing. When the entire band come to the front to perform their acoustic song, it was simply stunning and totally different from everything else in their already diverse repertoire. The band’s music is a really nice balance of simple electro, music you want to pulse along to and music you actually want to listen to. Forgive the corniness, but it is, quite simply, music to make you happy.
For a first listen, I was really impressed by this band. They have so much going for them, and their career is only just beginning. If you do ever have an opportunity to check them out, make sure you do. You will not regret it in the slightest.
Tigertown are an entity unto themselves. The five-piece boast luscious harmonies and a cleanly polished set. The Sydneysiders played to a sold out Black Bear Lodge for their 'What You Came Here For' National tour, which is already deserving of kudos!
Opening the night was Mountains. The front-man has a really interesting voice that is captivating to listen to. As he played his first song without the rest of the band, I was somewhat enchanted. When the rest of the band did join him on stage, the sound they created was a perfect balance of electronic sounds meets live performance. The drummer played a semi-electric kit, but what sets this band apart from mindless electronic music was the fact that it wasn’t smacking you in the face. It was controlled yet with the balls-y synth layers it was the perfect underlay for the brilliant vocals. An all-round classy act.
Next to warm up the stage were The Starry Field. To tell you the truth, I was not altogether impressed. While front-man Mark Myers has a stunning voice, he sang in the same sweet spot in his voice for almost the entirety of the set. This made everything, regardless of the nature of the song, sound a bit 'same-same'. That said, however, they had a nice range of songs, the last song of their set being a particular highlight.
I’ve heard bits and pieces from headliners Tigertown, but I've never really had a listening party. But tonight, I was simply blown away. Tigertown themselves are truly a sensational little band and to me have a very Fleetwook Mac kind of sound. Also, they have such precision in their playing and it makes everything sound just a little too easy - in the best possible way. Their latest single 'What You Came Here For' is, frankly, remarkable. It has all the makings of a little indie hit.
The girls work so well together as vocalists, and it was a pleasure to listen to them sing. When the entire band come to the front to perform their acoustic song, it was simply stunning and totally different from everything else in their already diverse repertoire. The band’s music is a really nice balance of simple electro, music you want to pulse along to and music you actually want to listen to. Forgive the corniness, but it is, quite simply, music to make you happy.
For a first listen, I was really impressed by this band. They have so much going for them, and their career is only just beginning. If you do ever have an opportunity to check them out, make sure you do. You will not regret it in the slightest.
Sunday, June 23, 2013
Michelle Xen - 31 May 2013, Alhambra Lounge
w/ MKO, Scraps
It’s always fun when three local bands get together to put on a show and when these three acts are incredibly fun electro acts, it makes it rather rad. We have Michelle Xen to thank for this.
Opening the night was experimental act Scraps. She had a really cool vibe to her music, with vocals that floated over the top. I would have loved it however, if you could actually understand the vocals. They were so far in the back of the mix that it didn’t really add to anything she was creating on stage apart from another layer of effects. Also, there was so much reverb and delay I’m blowed if I could understand anything of what she said when when she tried to talk to the audience. As a producer, she is rad. And what she created was fabulously amazing.
Next up was MKO, and oh my! What a set of chops. Backed by a talented group of musicians, frontwoman Hannah Macklin's voice is certainly a force to be reckoned with. They produce a really cool funk vibe with their music. The bass was fat, the synths were captivating and the drums were insane. Mid set they broke from their funky vibe to play “Shadows”, which had a really different feel to it. It proves that this band is quite amazing. They closed with “Sexy You” another really rad tune that was the perfect way to close the set.
Headlining the night was the beautiful Michelle Xen. She came out donned in a patterned dress, with an outrageous cloak thrown over the top. You have to understand that I mean 'outrageous' in the most fashionably amazing way possible. Throughout the course of the set there was also a black fluffy, and a colourful material coat. I love it! “Cleopatra” was something I was not expecting; it was even more weird and wondrous. Michelle’s music had much more of a chilled electro than the other two bands, but at the same time it was still true to the electro genre.
Michelle is such a spirited and dramatic performer, matched only by her synth player. It certainly makes for something entertaining to watch. The new single “Lose My Cool” was definitely the highlight of the set. She picked up a dozen roses and during the casually decided to toss them away, pulling petals out as she went.
It was such an amazing even filled with music made for dancing, and let me tell you, there was certainly a lot of it.
It’s always fun when three local bands get together to put on a show and when these three acts are incredibly fun electro acts, it makes it rather rad. We have Michelle Xen to thank for this.
Opening the night was experimental act Scraps. She had a really cool vibe to her music, with vocals that floated over the top. I would have loved it however, if you could actually understand the vocals. They were so far in the back of the mix that it didn’t really add to anything she was creating on stage apart from another layer of effects. Also, there was so much reverb and delay I’m blowed if I could understand anything of what she said when when she tried to talk to the audience. As a producer, she is rad. And what she created was fabulously amazing.
Next up was MKO, and oh my! What a set of chops. Backed by a talented group of musicians, frontwoman Hannah Macklin's voice is certainly a force to be reckoned with. They produce a really cool funk vibe with their music. The bass was fat, the synths were captivating and the drums were insane. Mid set they broke from their funky vibe to play “Shadows”, which had a really different feel to it. It proves that this band is quite amazing. They closed with “Sexy You” another really rad tune that was the perfect way to close the set.
Headlining the night was the beautiful Michelle Xen. She came out donned in a patterned dress, with an outrageous cloak thrown over the top. You have to understand that I mean 'outrageous' in the most fashionably amazing way possible. Throughout the course of the set there was also a black fluffy, and a colourful material coat. I love it! “Cleopatra” was something I was not expecting; it was even more weird and wondrous. Michelle’s music had much more of a chilled electro than the other two bands, but at the same time it was still true to the electro genre.
Michelle is such a spirited and dramatic performer, matched only by her synth player. It certainly makes for something entertaining to watch. The new single “Lose My Cool” was definitely the highlight of the set. She picked up a dozen roses and during the casually decided to toss them away, pulling petals out as she went.
It was such an amazing even filled with music made for dancing, and let me tell you, there was certainly a lot of it.
Sunday, May 26, 2013
The Cat Empire - 10 May 2013, The HiFi
w/ Flap!
To celebrate the release of the much-anticipated new album Steal the Light, The Cat Empire brought their highly acclaimed live experience to the Brisbane Hi-Fi for two sold out shows together with an underage matinee.
Opening the night was Melbourne band Flap!. The quintet boasted some terrific 1920's influenced gypsy-jazz. What I loved about this band was how well they complemented The Cat Empire; so similar, yet nothing alike. Jess Guille’s uke-banjo (ukelele with a banjo head) was the only chordal instrument in the band, but with the virtuosity of the double bass player there was nothing at all missing from the band texture wise. Their final tune, a song based upon the Tetris melody, was the coolest thing I've heard in a long time.
Although Steal the Light is only officially released this coming Friday (the 17th) it was so good to see The Cat Empire go on warm up tour before heading out on the road for the better part 6 months. Tonight was made up both the old and the new, with songs from their self-titled debut release, as well as tunes that Brisbaneites were hearing for the first time. Highlights from the newbies were “Wild Animals” and “Still Young”. The latter is claimed to be their competitor to set list stable “The Chariot”. I’m not quite sure if it will get there, however it is a rad song.
Whenever I see the band live, I always get thinking about the differences between frontmen. Felix Reibl seems to be the lead singer on many of the singles, yet it is Harry James Angus who has the insane vocal solos in the live shows. What baffles me more is the fact that their vocals work so well together! Their vocals are so very, very different, yet somehow everything still work. I love it.
It is at the point where I have to say “Holy-Fuckballs”. These guys are true musicians. There are young bands were you can see that the players are still getting their heads around their instruments, and there are bands that are filled with musicians that could solo for days and never repeat the same melodic material. The Cat Empire it filled with these types of musicians and it is an honour to see them play. In each of the songs that were played tonight there was some form of solo, whether that be a vocal solo by Harry, an auxiliary percussion solo from Harry, a brass trio from the Empire horns and Harry, a piano solo from Ollie, or a 5+ minute solo from drummer Will Hull-Brown.
For the entirety of the set, which I have to add was over two hours, I stood in awe and admiration of the musicians I was watching on stage. They know each other like the back of their hand and this is plainly obvious in the way that they just let solos continue past the rehearsed bar allowance. I am ever thankful that this band has been as successful as they have been. Lord knows they deserve every success. Tonight has reinforced that I can still call The Cat Empire the best live act I’ve seen. Period.
To celebrate the release of the much-anticipated new album Steal the Light, The Cat Empire brought their highly acclaimed live experience to the Brisbane Hi-Fi for two sold out shows together with an underage matinee.
Opening the night was Melbourne band Flap!. The quintet boasted some terrific 1920's influenced gypsy-jazz. What I loved about this band was how well they complemented The Cat Empire; so similar, yet nothing alike. Jess Guille’s uke-banjo (ukelele with a banjo head) was the only chordal instrument in the band, but with the virtuosity of the double bass player there was nothing at all missing from the band texture wise. Their final tune, a song based upon the Tetris melody, was the coolest thing I've heard in a long time.
Although Steal the Light is only officially released this coming Friday (the 17th) it was so good to see The Cat Empire go on warm up tour before heading out on the road for the better part 6 months. Tonight was made up both the old and the new, with songs from their self-titled debut release, as well as tunes that Brisbaneites were hearing for the first time. Highlights from the newbies were “Wild Animals” and “Still Young”. The latter is claimed to be their competitor to set list stable “The Chariot”. I’m not quite sure if it will get there, however it is a rad song.
Whenever I see the band live, I always get thinking about the differences between frontmen. Felix Reibl seems to be the lead singer on many of the singles, yet it is Harry James Angus who has the insane vocal solos in the live shows. What baffles me more is the fact that their vocals work so well together! Their vocals are so very, very different, yet somehow everything still work. I love it.
It is at the point where I have to say “Holy-Fuckballs”. These guys are true musicians. There are young bands were you can see that the players are still getting their heads around their instruments, and there are bands that are filled with musicians that could solo for days and never repeat the same melodic material. The Cat Empire it filled with these types of musicians and it is an honour to see them play. In each of the songs that were played tonight there was some form of solo, whether that be a vocal solo by Harry, an auxiliary percussion solo from Harry, a brass trio from the Empire horns and Harry, a piano solo from Ollie, or a 5+ minute solo from drummer Will Hull-Brown.
For the entirety of the set, which I have to add was over two hours, I stood in awe and admiration of the musicians I was watching on stage. They know each other like the back of their hand and this is plainly obvious in the way that they just let solos continue past the rehearsed bar allowance. I am ever thankful that this band has been as successful as they have been. Lord knows they deserve every success. Tonight has reinforced that I can still call The Cat Empire the best live act I’ve seen. Period.
Tuesday, May 7, 2013
Groovin the Moo Festival - 28 April 2013, University of Canberra
As a Brisbane girl it’s an exciting experience to make a special trip
out of my city and state for a festival. And with the line up at this
years Groovin' the Moo, I wasn’t going to miss it for the world, even if
it meant two days of 4am wake up calls.
To open the festival at the University of Canberra on the Triple J main stage was Julia and the Deep Sea Sirens. The band have a good little thing going on, even if they still are slightly unpolished. Julia’s vocals are reminiscent of Emma Louise but with a little more rasp. I did chuckle a little when they mentioned that they were going to play their most “electro” tune as it was definitely not electro. Folk-pop would be a more appropriate description and even that is a bit too pop and not enough folk. To open a Regional festival in their home “town” is such an amazing kick start to their journey.
Next up was Elisha Bones who played on the Channel V main stage. These guys were kinda cool, with their bass heavy indie rock. However, they were a little generic for my liking, and I would have liked to have seen something that really made me go 'wow'. In saying that, the last song of the set was the only song in which there was a taste of this.
Safia were up next with their electro tunes, and they were by far the most impressive local act of the tour. Frontman Ben Wooler has such an intense direction and focus to his voice, with a nice vibrato that really suited the music they were producing. They put on a fun, high-energy show with intricate and smart hook lines that got us bobbing along. Their tune “Space Invaders” was really rad.
I can’t even remember the last time I saw Last Dinosaurs live. But I do believe it had been some time, and to tell you the truth, I was a little disappointed with their set. Don’t get me wrong, they're a fantastic band, however at festivals you have to bring your “A” game, and the set they played just didn’t feel like that. They have so many insane dance numbers they just didn’t play. Their mash up of “Lady” by Modjo and Sophie Ellis Bextor's “Groovejet (If this Ain’t Love)” was awesome, but old. They premiered the mash up over a year ago at their album launch. Maybe even before. Usually I am all praise for this band. Today they felt tired.
My first visit to the Moolin Rouge stage was for the Hungry Kids of Hungary. Having only seen them in support of their latest album a week previous, it was really interesting to see them at their peak, but in a completely different context. They had lost all the “slow” numbers from their set and replaced them with rad on stage jamming, a whole lot more energy and a brilliant yet simple projection presentation. They played all their of their usual’s including “Scattered Diamonds” and “Wristwatch” and their latest “Twin Cities” and “Litter and Sand”. Today, Kane was on fire with the Tambourine. He was definitely in charge of crowd participation, and oh my, did they respond. I just chuckle at how often he used the instrument to instigate and initiate the crowd.
After some chow, I witnessed the bliss that was Matt and Kim. They are such eccentric performers, especially Kim. She was all over that drum kit and standing on the bass drum like it was a sturdy chair. They covered Alice DJ’s “Do You Think You’re Better Off Alone” and you could hear the whole crowd singing along from halfway back the paddock. There was a moment in the set where Kim decided it was a good idea to walk out into the crowd on peoples’ hands. It was quite a sight to see someone standing on top of the people grooving along to what Matt was producing. He is such an incredible singer as well. Kim should stick with the drums. They then gave out uninflated balloons for the crowd to blow up, and then in the next song they got everyone to raise them above their heads and let go. There were balloons going everywhere. And it looked really cool from a distance.
Let me interrupt this review with some BREAKING NEWS! There has been an outbreak of onesies at Groovin the Moo Canberra! No really, there were so many people wearing onesies, including (but not limited to) giraffes, lions, elephants, Pikachus, Winnie the Poohs, Angry Birds, superheroes, flying unicorns, and there was even proper pyjama onesies. Seriously… I didn’t quite understand.
The next act I caught were Alpine. I love this band to death, and for a first live show experience, it was incredible! The two frontwomen, Phoebe Baker and Lou James work so well together that their vocals almost seem to meld into one sometimes. This is a hard thing to achieve from two very different frontwomen. Also, those girls are crazy! There was nothing that was to over the top in terms of performance. They were all over the stage and looked as though they were having a merry ol’ time. Because of this if brought the crowd into the palm of their hands. A really cool set.
Regurgitator always get me pondering. They break all the rules when it comes to genre conventions. One minute they are electro-pop the next minute- hardcore rock, and the next hip-hop. And I love every part of their sound, which is even more bizarre. They have a massive catalogue of releases, and I was so stoked to hear some of my personal favourites including “Polyester Girl”, “Fat Cop” and they closed with “! (The Song Formerly Known As)” such a well rounded set. today they were dressed in pure white and stood out like light bulbs against the black stage in the blazing sun. Such a rad set.
I can’t believe that They Might Be Giants are in Australia. I remember listening to “Doctor Work” when I was a kid! They are a genuinely funny band but had a nice balance between silly songs including “The Guitar (The Lion Sleeps Tonight)” and more serious songs. I cannot believe how much I enjoyed their set. They played a lot of music from their latest record but delved back into their back catalogue as well, which was a good thing. And when I realised the introduction to the next song they were going to play was actually going to be “Doctor Worm” I literally started giggling like a small child. It was a little embarrassing.
Tame Impala were up next and I have to say even though the sun had not completely set, the production behind the set was the best of the day. Imagine Windows Media display in the good ol’ days. That’s what it was like, but on a whole new level. Musically their set was flawless, and so darn enjoyable! Frontman Kevin Parker has such a special voice that is so pure. I swear every voice in the mosh was singing along to “Feels Like We Only Go Backwards” and they are the moments you long for at festivals. So amazing.
I’ve never been really into Tegan and Sara but tonight’s set really changed my mind on that matter. I loved everything that they were doing. Especially “I Was A Fool” off their latest release Heartthrob. Their presentation was so incredibly good and I’m pretty sure I have a girl crush on both of them. Note to self: buy entire discography.
The Kooks presented the premature climax to the evening with their psychedelic tunes for which I was humbled to be in the 5th row. It was such a surreal experience. They had set up the stage so that frontman Luke Pritchard could jump up on a half stage that was raised along the entire width of the stage. To tell you the truth, there are no words that can describe the epic-ness of this set.
To close the main stages were The Temper Trap. They opened with “Love lost” which set the tone for the entire set. Full of high energy tunes and quite a stunning light show it may not have been my choice of acts to close the festival, coming off the back of the Kooks for example, but they do know how to put on a good show.
What makes Groovin the Moo such a special festival is that during the day it is hot as, I know I for one have a wicked tan, and at night, I was FREEZING! I mean, properly cold. Well at least coming from a Brisbaneite. It was such a spectacular day with too many highlights to recite. The food was delish, the drinks were refreshing, the coat check was well worth it, although highly disorganised and the music? Well I think I’ve said more than enough on that. Well done Canberra. Well done.
To open the festival at the University of Canberra on the Triple J main stage was Julia and the Deep Sea Sirens. The band have a good little thing going on, even if they still are slightly unpolished. Julia’s vocals are reminiscent of Emma Louise but with a little more rasp. I did chuckle a little when they mentioned that they were going to play their most “electro” tune as it was definitely not electro. Folk-pop would be a more appropriate description and even that is a bit too pop and not enough folk. To open a Regional festival in their home “town” is such an amazing kick start to their journey.
Next up was Elisha Bones who played on the Channel V main stage. These guys were kinda cool, with their bass heavy indie rock. However, they were a little generic for my liking, and I would have liked to have seen something that really made me go 'wow'. In saying that, the last song of the set was the only song in which there was a taste of this.
Safia were up next with their electro tunes, and they were by far the most impressive local act of the tour. Frontman Ben Wooler has such an intense direction and focus to his voice, with a nice vibrato that really suited the music they were producing. They put on a fun, high-energy show with intricate and smart hook lines that got us bobbing along. Their tune “Space Invaders” was really rad.
I can’t even remember the last time I saw Last Dinosaurs live. But I do believe it had been some time, and to tell you the truth, I was a little disappointed with their set. Don’t get me wrong, they're a fantastic band, however at festivals you have to bring your “A” game, and the set they played just didn’t feel like that. They have so many insane dance numbers they just didn’t play. Their mash up of “Lady” by Modjo and Sophie Ellis Bextor's “Groovejet (If this Ain’t Love)” was awesome, but old. They premiered the mash up over a year ago at their album launch. Maybe even before. Usually I am all praise for this band. Today they felt tired.
My first visit to the Moolin Rouge stage was for the Hungry Kids of Hungary. Having only seen them in support of their latest album a week previous, it was really interesting to see them at their peak, but in a completely different context. They had lost all the “slow” numbers from their set and replaced them with rad on stage jamming, a whole lot more energy and a brilliant yet simple projection presentation. They played all their of their usual’s including “Scattered Diamonds” and “Wristwatch” and their latest “Twin Cities” and “Litter and Sand”. Today, Kane was on fire with the Tambourine. He was definitely in charge of crowd participation, and oh my, did they respond. I just chuckle at how often he used the instrument to instigate and initiate the crowd.
After some chow, I witnessed the bliss that was Matt and Kim. They are such eccentric performers, especially Kim. She was all over that drum kit and standing on the bass drum like it was a sturdy chair. They covered Alice DJ’s “Do You Think You’re Better Off Alone” and you could hear the whole crowd singing along from halfway back the paddock. There was a moment in the set where Kim decided it was a good idea to walk out into the crowd on peoples’ hands. It was quite a sight to see someone standing on top of the people grooving along to what Matt was producing. He is such an incredible singer as well. Kim should stick with the drums. They then gave out uninflated balloons for the crowd to blow up, and then in the next song they got everyone to raise them above their heads and let go. There were balloons going everywhere. And it looked really cool from a distance.
Let me interrupt this review with some BREAKING NEWS! There has been an outbreak of onesies at Groovin the Moo Canberra! No really, there were so many people wearing onesies, including (but not limited to) giraffes, lions, elephants, Pikachus, Winnie the Poohs, Angry Birds, superheroes, flying unicorns, and there was even proper pyjama onesies. Seriously… I didn’t quite understand.
The next act I caught were Alpine. I love this band to death, and for a first live show experience, it was incredible! The two frontwomen, Phoebe Baker and Lou James work so well together that their vocals almost seem to meld into one sometimes. This is a hard thing to achieve from two very different frontwomen. Also, those girls are crazy! There was nothing that was to over the top in terms of performance. They were all over the stage and looked as though they were having a merry ol’ time. Because of this if brought the crowd into the palm of their hands. A really cool set.
Regurgitator always get me pondering. They break all the rules when it comes to genre conventions. One minute they are electro-pop the next minute- hardcore rock, and the next hip-hop. And I love every part of their sound, which is even more bizarre. They have a massive catalogue of releases, and I was so stoked to hear some of my personal favourites including “Polyester Girl”, “Fat Cop” and they closed with “! (The Song Formerly Known As)” such a well rounded set. today they were dressed in pure white and stood out like light bulbs against the black stage in the blazing sun. Such a rad set.
I can’t believe that They Might Be Giants are in Australia. I remember listening to “Doctor Work” when I was a kid! They are a genuinely funny band but had a nice balance between silly songs including “The Guitar (The Lion Sleeps Tonight)” and more serious songs. I cannot believe how much I enjoyed their set. They played a lot of music from their latest record but delved back into their back catalogue as well, which was a good thing. And when I realised the introduction to the next song they were going to play was actually going to be “Doctor Worm” I literally started giggling like a small child. It was a little embarrassing.
Tame Impala were up next and I have to say even though the sun had not completely set, the production behind the set was the best of the day. Imagine Windows Media display in the good ol’ days. That’s what it was like, but on a whole new level. Musically their set was flawless, and so darn enjoyable! Frontman Kevin Parker has such a special voice that is so pure. I swear every voice in the mosh was singing along to “Feels Like We Only Go Backwards” and they are the moments you long for at festivals. So amazing.
I’ve never been really into Tegan and Sara but tonight’s set really changed my mind on that matter. I loved everything that they were doing. Especially “I Was A Fool” off their latest release Heartthrob. Their presentation was so incredibly good and I’m pretty sure I have a girl crush on both of them. Note to self: buy entire discography.
The Kooks presented the premature climax to the evening with their psychedelic tunes for which I was humbled to be in the 5th row. It was such a surreal experience. They had set up the stage so that frontman Luke Pritchard could jump up on a half stage that was raised along the entire width of the stage. To tell you the truth, there are no words that can describe the epic-ness of this set.
To close the main stages were The Temper Trap. They opened with “Love lost” which set the tone for the entire set. Full of high energy tunes and quite a stunning light show it may not have been my choice of acts to close the festival, coming off the back of the Kooks for example, but they do know how to put on a good show.
What makes Groovin the Moo such a special festival is that during the day it is hot as, I know I for one have a wicked tan, and at night, I was FREEZING! I mean, properly cold. Well at least coming from a Brisbaneite. It was such a spectacular day with too many highlights to recite. The food was delish, the drinks were refreshing, the coat check was well worth it, although highly disorganised and the music? Well I think I’ve said more than enough on that. Well done Canberra. Well done.
Monday, April 29, 2013
Hungry Kids of Hungary - 19 April 2013, The HiFi
w/ The Preatures, Them Swoops, Little Odessa
In 2010, the Hungary Kids of Hungary played the Hifi in support of their debut album Escapades. Over two years on and they return to this very stage to celebrate the release of their sophomore album You’re a Shadow.
Little Odessa opened the night with Them Swoops following soon after. Them Swoops have such an amazing showmanship, and have a rad live sound. They have the type of live show where all the songs have slightly different arrangements whenever you hear them. I love that in a band, because if you’re going to see a live show, you want more than just a play by play through recorded tracks.
The Preatures were freaking fantastic! The band played a 40min set however it felt like no time at all, they captivated me that much. I’d never heard anything from this band before, and shame on me. Fronted by Isabella and Gideon, they shared lead vocal duties each taking a half a set each. Isabella has such an interesting voice with so many colours throughout it, and Gideon sound like a deeper version of Jack Black. Take that whichever way you want. Their “new” song was probably my favourite of the set. Their tunes, a mixture of funk and rock ‘n’ roll, were well rounded and diverse enough to avoid that same-same feel which is ever present in Australian acts at the moment.
It’s amazing what a banner, a good man on lights, and an awesome sound man can make to an already stellar band. Hungry Kids of Hungary were out of this world tonight. With such simplistic production, it made the band look and sound so much more polished than previous gigs. They played through most of the tracks from the new albums, without leaving out the classics from their past. It made for a well-rounded set. There were never too many “slow” songs in a row which meant the vibe in the room was never lost.
“Scattered Diamonds” is a song where the band usually initiates the clap along in the bridge, however tonight, there was absolutely no need. The crowd took it upon themselves to get it started and partied like there was no tomorrow. For an encore, they played their cover of Tame Impala’s “Feels Like We Only Go Backwards” which the lads played for Triple J’s, Like a Version and finished with “Coming Around”.
It’s not every day that an Australian band come out with a stellar follow up record. So many unfortunately disappear into the abyss, but the Hungry Kids have truly stepped up their game with this latest tour, with an exciting and promising future ahead. Go forth and be fantastic. Allons-y.
In 2010, the Hungary Kids of Hungary played the Hifi in support of their debut album Escapades. Over two years on and they return to this very stage to celebrate the release of their sophomore album You’re a Shadow.
Little Odessa opened the night with Them Swoops following soon after. Them Swoops have such an amazing showmanship, and have a rad live sound. They have the type of live show where all the songs have slightly different arrangements whenever you hear them. I love that in a band, because if you’re going to see a live show, you want more than just a play by play through recorded tracks.
The Preatures were freaking fantastic! The band played a 40min set however it felt like no time at all, they captivated me that much. I’d never heard anything from this band before, and shame on me. Fronted by Isabella and Gideon, they shared lead vocal duties each taking a half a set each. Isabella has such an interesting voice with so many colours throughout it, and Gideon sound like a deeper version of Jack Black. Take that whichever way you want. Their “new” song was probably my favourite of the set. Their tunes, a mixture of funk and rock ‘n’ roll, were well rounded and diverse enough to avoid that same-same feel which is ever present in Australian acts at the moment.
It’s amazing what a banner, a good man on lights, and an awesome sound man can make to an already stellar band. Hungry Kids of Hungary were out of this world tonight. With such simplistic production, it made the band look and sound so much more polished than previous gigs. They played through most of the tracks from the new albums, without leaving out the classics from their past. It made for a well-rounded set. There were never too many “slow” songs in a row which meant the vibe in the room was never lost.
“Scattered Diamonds” is a song where the band usually initiates the clap along in the bridge, however tonight, there was absolutely no need. The crowd took it upon themselves to get it started and partied like there was no tomorrow. For an encore, they played their cover of Tame Impala’s “Feels Like We Only Go Backwards” which the lads played for Triple J’s, Like a Version and finished with “Coming Around”.
It’s not every day that an Australian band come out with a stellar follow up record. So many unfortunately disappear into the abyss, but the Hungry Kids have truly stepped up their game with this latest tour, with an exciting and promising future ahead. Go forth and be fantastic. Allons-y.
The xx - 9 April 2013, Brisbane Convention Centre
w/ Jagwar Ma
I’ve always liked the Brisbane Convention Center as a music venue. Although a little clinical and sports carpeted floors which is so not rock ‘n’ roll, the sound is always right and it vibes well. Tonight English sensation The xx wrapped up their Australian tour. Supported by Jagwar Ma it certainly was a concert to remember.
Australian dance act Jagwar Ma came along for the ride around the country with The xx and tonight truly knocked my socks off. They had an instantly recognisable sound and had a immense energy that they maintained for the entirety of the set. It is interesting when an electro band has a song where the bass is completely dropped out, making it lose the sensation of it slapping you in the guts. When the entirety of the set had been like that, it was certainly bizarre to not have it. Half way through the song it kicked in again, however a mistake? Who’s to know?
The xx were out of this world. From the very first notes they had the entire audience captivated and in silence during their songs. To tell you the truth though, I expected more production wise from the show. They had this great projection screen rigged up, but only used it for two maybe three songs and when they did, at times they flooded the stage with front lighting which rendered the projections pointless. Lighting 101 right? However, during the last song when the screen was raised to reveal their signature X and it was pretty rad.
The music was flawless. It was so great to see Jamie, controlling all the production, actually creating live drum patters on pads rather than just pressing play on the computer. There was so much happening up back, I wish that I could have seen it better than I did. Oliver and Romy work so well together as vocalist with the richness in Oliver’s vocals complemented by the lightness of Romy’s voice. They played track from both of their critically acclaimed albums, including “Islands” and “Chained”. Throughout the set the audience were sill and silent, captivated by the lush tones being produced infront of them. However, when them came back for their encore and played Angels, there was a moment when all the couples in the room held each other a little closer. It was cute.
It was a seriously amazing concert and I think a perfect way to end the bands’ Australian tour. Kudos guys!
I’ve always liked the Brisbane Convention Center as a music venue. Although a little clinical and sports carpeted floors which is so not rock ‘n’ roll, the sound is always right and it vibes well. Tonight English sensation The xx wrapped up their Australian tour. Supported by Jagwar Ma it certainly was a concert to remember.
Australian dance act Jagwar Ma came along for the ride around the country with The xx and tonight truly knocked my socks off. They had an instantly recognisable sound and had a immense energy that they maintained for the entirety of the set. It is interesting when an electro band has a song where the bass is completely dropped out, making it lose the sensation of it slapping you in the guts. When the entirety of the set had been like that, it was certainly bizarre to not have it. Half way through the song it kicked in again, however a mistake? Who’s to know?
The xx were out of this world. From the very first notes they had the entire audience captivated and in silence during their songs. To tell you the truth though, I expected more production wise from the show. They had this great projection screen rigged up, but only used it for two maybe three songs and when they did, at times they flooded the stage with front lighting which rendered the projections pointless. Lighting 101 right? However, during the last song when the screen was raised to reveal their signature X and it was pretty rad.
The music was flawless. It was so great to see Jamie, controlling all the production, actually creating live drum patters on pads rather than just pressing play on the computer. There was so much happening up back, I wish that I could have seen it better than I did. Oliver and Romy work so well together as vocalist with the richness in Oliver’s vocals complemented by the lightness of Romy’s voice. They played track from both of their critically acclaimed albums, including “Islands” and “Chained”. Throughout the set the audience were sill and silent, captivated by the lush tones being produced infront of them. However, when them came back for their encore and played Angels, there was a moment when all the couples in the room held each other a little closer. It was cute.
It was a seriously amazing concert and I think a perfect way to end the bands’ Australian tour. Kudos guys!
Friday, April 12, 2013
Little Casino - 7 April 2013, Black Bear Lodge
w/ Soviet X-Ray Record Club, Wolver
This EP launch has been a long time coming for Brisbane band, Little Casino. Back in June 2012 they said they were releasing their new EP Soon. It’s now April 2013, and it is finally here! They were joined tonight by fellow Brisbaneites Wolver and Soviet X-Ray Record Club.
Warming up the room first were 'Post Rockers' Wolver. I instantly fell in love with this band. On the bands Facebook they state that “Wolver produce a refreshing change from the ever-growing hyped up Indie Pop scene filling Australia airwaves.” And I completely and whole heartedly agree. I love my indie pop, don’t get me wrong, but when everything starts to sound the same it get a little mundane.
They two guitarists had such a connection on stage, vibeing off each other to create intricate riffs with complex rhythms. As soon as I heard the rad instrumentals, I was hoping and praying that the vocals would top it off nicely, as there are so many bands that have awesome music, but shit vocalists. Thankfully I was not disappointed. The frontman’s vocals were perfect for the genre: light, airy, unobtrusive and most importantly distinguishable from the bands’ instrumental texture.
Soviet X-Ray Record Club were up next. And you know what? As good as Wolver were, this is how average this band was. As a group of musicians they are talented and play a tight set, however, as a “psychedelic, garage” band they need to stay in their garage and write some good tunes before coming on stage again. It was all same-y same-y, with one track blending into the next with no real purpose. The vocals had almost no purpose as you could barely distinguish them in the mix. A really average set from the lads.
Little Casino was everything I hoped they would be and more. Frontman Ben Forbes has such a stunning voice that reaches out to everyone who has the pleasure of listening to him. Tonight the band were tight, creating their folk-rock melodies flawlessly. When Mr Forbes sang a song accompanied just with his guitar it was such a special moment. The whole room was silent, captivated by the young man’s voice. And when the whole band came it, it was a wow moment. Something that really stays with you as an audience member.
This is a band that are really going places. They ooze talent and appeal and have refined their set to be the best it can be. For now. Hear's hoping that it continues to develop and grow into something even more brilliant.
This EP launch has been a long time coming for Brisbane band, Little Casino. Back in June 2012 they said they were releasing their new EP Soon. It’s now April 2013, and it is finally here! They were joined tonight by fellow Brisbaneites Wolver and Soviet X-Ray Record Club.
Warming up the room first were 'Post Rockers' Wolver. I instantly fell in love with this band. On the bands Facebook they state that “Wolver produce a refreshing change from the ever-growing hyped up Indie Pop scene filling Australia airwaves.” And I completely and whole heartedly agree. I love my indie pop, don’t get me wrong, but when everything starts to sound the same it get a little mundane.
They two guitarists had such a connection on stage, vibeing off each other to create intricate riffs with complex rhythms. As soon as I heard the rad instrumentals, I was hoping and praying that the vocals would top it off nicely, as there are so many bands that have awesome music, but shit vocalists. Thankfully I was not disappointed. The frontman’s vocals were perfect for the genre: light, airy, unobtrusive and most importantly distinguishable from the bands’ instrumental texture.
Soviet X-Ray Record Club were up next. And you know what? As good as Wolver were, this is how average this band was. As a group of musicians they are talented and play a tight set, however, as a “psychedelic, garage” band they need to stay in their garage and write some good tunes before coming on stage again. It was all same-y same-y, with one track blending into the next with no real purpose. The vocals had almost no purpose as you could barely distinguish them in the mix. A really average set from the lads.
Little Casino was everything I hoped they would be and more. Frontman Ben Forbes has such a stunning voice that reaches out to everyone who has the pleasure of listening to him. Tonight the band were tight, creating their folk-rock melodies flawlessly. When Mr Forbes sang a song accompanied just with his guitar it was such a special moment. The whole room was silent, captivated by the young man’s voice. And when the whole band came it, it was a wow moment. Something that really stays with you as an audience member.
This is a band that are really going places. They ooze talent and appeal and have refined their set to be the best it can be. For now. Hear's hoping that it continues to develop and grow into something even more brilliant.
Saturday, March 23, 2013
Mama Kin - 7 March 2013, Black Bear Lodge
w/ Spender
Celebrating the release of her latest full length LP, Danielle Caruana AKA Mama Kin, graced the Black bear Lodge with her melodious presence along with the vibrant Spender.
From just looking at the 6-foot plus Spender, I would have picked him for the type of music he performed tonight. I am definitely ok with being proven wrong. I have always admired people who can work with loops to create something extraordinary, and Spender created all of his material in such a way that made it fascinating to not only watch but also listen to. The song “Never Again” was such an intense song that utilised guitar loops, vocal loops and saxophone loops. All of his songs had such dense layering with multiple harmonies layered on top of each other to create his backing track. A pretty rad artist.
Mama Kin has such a presence about her. Her voice has such a beautifully natural tone and vibrato and is seemingly so effortless. She performed the majority of songs her latest LP The Magician’s Daughter as well as some track from her 2010 release Beat and Holler. She opened with “Cherokee Boy” a rather depressing way to begin, yet at the same time the perfect way. It was a strange experience. She moved quickly onto her more up tempo tunes including “Rescue” a rather rad song about nod needing rescuing like the princesses in the fairy tails.
She played “To My Table”, “Tore My Heart Out” and “My Friend” from her previous release as well as other well loved songs from her collection. But it was how she presented her latest material that really impressive. If anything, I feel she talks too much between songs, and they could have played more music if there hadn’t had been so much idle chatter, but that’s why we go to gigs right, to get the whole package. Otherwise we’d all just sit in our small dark rooms and listen to CDs every night.
The highlight of the set was definitely one of her new songs “I’ll Be Ready”. The harmonies created were just exquisite! The type of music where you want the chorus to go on and on and never end. This is pretty much what happened. The repeated the chorus for what seemed an age, and it was the best thing ever.
Mama Kin certainly is a unique performer embracing and being completely true to what she wants to achieve as an artist. Her latest record The Magician’s Daughter is out now.
Celebrating the release of her latest full length LP, Danielle Caruana AKA Mama Kin, graced the Black bear Lodge with her melodious presence along with the vibrant Spender.
From just looking at the 6-foot plus Spender, I would have picked him for the type of music he performed tonight. I am definitely ok with being proven wrong. I have always admired people who can work with loops to create something extraordinary, and Spender created all of his material in such a way that made it fascinating to not only watch but also listen to. The song “Never Again” was such an intense song that utilised guitar loops, vocal loops and saxophone loops. All of his songs had such dense layering with multiple harmonies layered on top of each other to create his backing track. A pretty rad artist.
Mama Kin has such a presence about her. Her voice has such a beautifully natural tone and vibrato and is seemingly so effortless. She performed the majority of songs her latest LP The Magician’s Daughter as well as some track from her 2010 release Beat and Holler. She opened with “Cherokee Boy” a rather depressing way to begin, yet at the same time the perfect way. It was a strange experience. She moved quickly onto her more up tempo tunes including “Rescue” a rather rad song about nod needing rescuing like the princesses in the fairy tails.
She played “To My Table”, “Tore My Heart Out” and “My Friend” from her previous release as well as other well loved songs from her collection. But it was how she presented her latest material that really impressive. If anything, I feel she talks too much between songs, and they could have played more music if there hadn’t had been so much idle chatter, but that’s why we go to gigs right, to get the whole package. Otherwise we’d all just sit in our small dark rooms and listen to CDs every night.
The highlight of the set was definitely one of her new songs “I’ll Be Ready”. The harmonies created were just exquisite! The type of music where you want the chorus to go on and on and never end. This is pretty much what happened. The repeated the chorus for what seemed an age, and it was the best thing ever.
Mama Kin certainly is a unique performer embracing and being completely true to what she wants to achieve as an artist. Her latest record The Magician’s Daughter is out now.
Sunday, January 27, 2013
I Heart Hiroshima - 22 January 2013, Alhambra Lounge
It is such a special occasion when a band reunites for a show, no matter how big or small they may be. I Heart Hiroshima
did just this for the Gold Coast Big Day Out with members flying half
way across the world to make it happen. It's even more special when said
band puts on a slightly sneaky headline show a couple of days later to
make the union all that more special.
Up first, playing for a fairly thin crowd was Cobwebbs. And in my own personal opinion, I had no idea what the deal was with this group of guys. It was like a garage band had been thrust unexpectedly onto the stage and told to play. The frontman was stumbling all over the place like he was on something and the instrumentalists just looked bored, with one of the guitarists performing the entire set with his back to the crowd. I get that I Heart Hiroshima started off as an underground band and all that, but this was a different kind of raw. Hey, that’s just my opinion.
Next up was Tight Slip, who was another interesting kind of a band. Donning his pink stretchers, the frontman had a voice that reminded me all too fondly of the colour grey. It was good and fine, yet uninteresting. In saying this, the music the guitars were producing was awesome. It was well construed and inviting, so I guess the simplicity of the vocals on top works. Of note was the last song the band played. It had a wicked guitar solo, and I so wish there had been more of it!
Once I Heart Hiroshima hit the stage, the whole dynamic of the venue changed. Alhambra was full, not packed, but nicely full, and the band responded to this in a big way. Susie Patten throughout the gig just kept saying with all sincerity how appreciative they were that everyone came out on a Tuesday night to see them play. She also remarked that this gig meant so much more to them than their set at BDO.
IHH knocked my socks off. They played heaps of songs from Tuff Teef as well as The Rip, but it was sons like “Shaketown” that really got the crowd going. There was a group of barely 18 year olds right up against the stage who amused me greatly. There was not one moment in the entire set that they stopped dancing like maniacs. That’s the power of music and music played passionately. I've never seen a band more enthused by what they are playing than this band, especially Susie on the drums. In all, she broke at least three drumsticks, while Matthew Somers broke two guitar strings on the last “official” song alone and had to borrow a guitar for the encore. You know you've played a good gig when things break, right?
This gig has restored my faith in indie music, but it is a sad day when you know that you may never see the band play again. But that’s music for you. Bands come, bands go. However, never let it be said that they will be forgotten. Come and play again one day IHH. Yeah?
Up first, playing for a fairly thin crowd was Cobwebbs. And in my own personal opinion, I had no idea what the deal was with this group of guys. It was like a garage band had been thrust unexpectedly onto the stage and told to play. The frontman was stumbling all over the place like he was on something and the instrumentalists just looked bored, with one of the guitarists performing the entire set with his back to the crowd. I get that I Heart Hiroshima started off as an underground band and all that, but this was a different kind of raw. Hey, that’s just my opinion.
Next up was Tight Slip, who was another interesting kind of a band. Donning his pink stretchers, the frontman had a voice that reminded me all too fondly of the colour grey. It was good and fine, yet uninteresting. In saying this, the music the guitars were producing was awesome. It was well construed and inviting, so I guess the simplicity of the vocals on top works. Of note was the last song the band played. It had a wicked guitar solo, and I so wish there had been more of it!
Once I Heart Hiroshima hit the stage, the whole dynamic of the venue changed. Alhambra was full, not packed, but nicely full, and the band responded to this in a big way. Susie Patten throughout the gig just kept saying with all sincerity how appreciative they were that everyone came out on a Tuesday night to see them play. She also remarked that this gig meant so much more to them than their set at BDO.
IHH knocked my socks off. They played heaps of songs from Tuff Teef as well as The Rip, but it was sons like “Shaketown” that really got the crowd going. There was a group of barely 18 year olds right up against the stage who amused me greatly. There was not one moment in the entire set that they stopped dancing like maniacs. That’s the power of music and music played passionately. I've never seen a band more enthused by what they are playing than this band, especially Susie on the drums. In all, she broke at least three drumsticks, while Matthew Somers broke two guitar strings on the last “official” song alone and had to borrow a guitar for the encore. You know you've played a good gig when things break, right?
This gig has restored my faith in indie music, but it is a sad day when you know that you may never see the band play again. But that’s music for you. Bands come, bands go. However, never let it be said that they will be forgotten. Come and play again one day IHH. Yeah?
Wednesday, January 23, 2013
Big Day Out - 20 January 2013, Gold Coast Parklands
So, let it be known that I until this day was a Big Day Out virgin
and might I say, what a ride! The day started slow and steady and ramped
up for one big party at the main stages.
Once through the doors, a quick turn about the Gold Coast Parklands was in order while the crowds were still thin. Although not as hot as the 46 degree day Sydney had for their BDO, it was still remarkably hot and shade was limited to spattering’s under trees.
Up first for the day was Sneeky Picnic, an all girl five-piece from the Gold Coast. They were rad! I couldn't have imagined a better start to the day. The band are still very rough, I mean the drummer couldn't keep a tempo to save her life because she was so busy doing tricks with her sticks, but they have so much potential. It’s not every day you see a chick rapping in a young band and between Jess Koroi and the singer Erin Ross, they led the band in well written tunes.
Catching the end of Toucan, it was clear the duo, accompanied by their friends, have a real clear vision as to the sound they make. It was pop but infused with roots and electro, and was really cool to hear. Up next in the same tent was Avalanche City; why have I not looked this man up before?! Absolutely sensational! It’s the “new” folk-pop sound that I have been searching for. They had a huge assortment of instruments that makes a good folk band.
I tried to have a look into Hunting Grounds, but the Vans Tent was packed and standing out in the sun in midday heat was too much to bear. They were sounding rad though! Grinspoon. They are such a solid band. They put on a remarkable show and were everything we've come to expect from the band. They played tracks from across their catalogue, but mainly tracks from their latest record.
At this time, it was time for some chow and of all the festivals I’ve been to, BDO certainly has the widest selection. I settled in on the top of a hill under a tree with my woodfired pizza and watched We All Want To play the Red Stage. They have a cool, chill vibe and were the perfect soundtrack to accompany lunch.
My second venturing to the Main Stage was for Band of Horses. The band was spot on and played a great set, but there was no magic in what they were playing. Vampire Weekend who were up next however were just sensational! They have the entire D barrier crowd dancing around like maniacs. I was one of these maniacs. This band is sensational and live, are even better. Frontman Ezra Koenig has such unique vocals that accompany the African influenced percussion so incredibly well.
The Yeah Yeah Yeahs continued to heat up the main stage, while over at the Lilypad, Hey Geronimo performed to a crowd of movers and shakers as they caught people's attention as they walked through the thoroughfare. This band has an undeniable talent for creating a hell good pop tune that, upon listening to, you can’t help but dance and be unconditionally happy. The new songs they have added to the setlist are no different. Kudos lads.
As the night was drawing to a close, The Killers were playing the main stage, and were the definite highlight of the night. The production of the set was phenomenal, and even though I was close to 150m back from the stage, it still felt like I was in the mosh. The camera work also has to be mentioned, as without such quality, that feeling wouldn't have been created. They played all the songs that everyone wanted to hear as well as songs from across their catalog. It was balanced and it had fireworks! Yes, at the end of the set, there were fireworks timed to be set off at pivotal moments in “When You Were Young”.
As everyone shifted their eyes to the right for the Red Hot Chili Peppers there was a feeling of excitement in the air, however that feeling was gone by the middle of the first song. The sound was terrible! I’m not talking average, but borderline unlistenable. From where I was standing, I could only hear the bass drum, and pretty much no vocals at all. And where The Killers used the video stream to their advantage, with the Chili Peppers, it felt like a pre-recorded video due to the amount of filter and editing to the live feed. If you couldn't see the stage itself, which oh-so-many people couldn't, then the feed didn't help you to experience the show at all. They played their classic hits and songs off their latest record, but I know from what I heard around me that people were got really frustrated and many left saying it wasn't even worth it. I was disappointed and I’m not even a die-hard RHCP fan. I hope that Adelaide fares better.
Despite the disappointment in sound at the Peppers, it was a day to remember with many highlights, including the heavy metal band Compressorhead who played in between each act on the main stages. I return to Brisbane with my BDO cherry popped and a wicked sunburn, despite the multiple reapplications of sunscreen, to prove it. Nicely done BDO.
Once through the doors, a quick turn about the Gold Coast Parklands was in order while the crowds were still thin. Although not as hot as the 46 degree day Sydney had for their BDO, it was still remarkably hot and shade was limited to spattering’s under trees.
Up first for the day was Sneeky Picnic, an all girl five-piece from the Gold Coast. They were rad! I couldn't have imagined a better start to the day. The band are still very rough, I mean the drummer couldn't keep a tempo to save her life because she was so busy doing tricks with her sticks, but they have so much potential. It’s not every day you see a chick rapping in a young band and between Jess Koroi and the singer Erin Ross, they led the band in well written tunes.
Catching the end of Toucan, it was clear the duo, accompanied by their friends, have a real clear vision as to the sound they make. It was pop but infused with roots and electro, and was really cool to hear. Up next in the same tent was Avalanche City; why have I not looked this man up before?! Absolutely sensational! It’s the “new” folk-pop sound that I have been searching for. They had a huge assortment of instruments that makes a good folk band.
I tried to have a look into Hunting Grounds, but the Vans Tent was packed and standing out in the sun in midday heat was too much to bear. They were sounding rad though! Grinspoon. They are such a solid band. They put on a remarkable show and were everything we've come to expect from the band. They played tracks from across their catalogue, but mainly tracks from their latest record.
At this time, it was time for some chow and of all the festivals I’ve been to, BDO certainly has the widest selection. I settled in on the top of a hill under a tree with my woodfired pizza and watched We All Want To play the Red Stage. They have a cool, chill vibe and were the perfect soundtrack to accompany lunch.
My second venturing to the Main Stage was for Band of Horses. The band was spot on and played a great set, but there was no magic in what they were playing. Vampire Weekend who were up next however were just sensational! They have the entire D barrier crowd dancing around like maniacs. I was one of these maniacs. This band is sensational and live, are even better. Frontman Ezra Koenig has such unique vocals that accompany the African influenced percussion so incredibly well.
The Yeah Yeah Yeahs continued to heat up the main stage, while over at the Lilypad, Hey Geronimo performed to a crowd of movers and shakers as they caught people's attention as they walked through the thoroughfare. This band has an undeniable talent for creating a hell good pop tune that, upon listening to, you can’t help but dance and be unconditionally happy. The new songs they have added to the setlist are no different. Kudos lads.
As the night was drawing to a close, The Killers were playing the main stage, and were the definite highlight of the night. The production of the set was phenomenal, and even though I was close to 150m back from the stage, it still felt like I was in the mosh. The camera work also has to be mentioned, as without such quality, that feeling wouldn't have been created. They played all the songs that everyone wanted to hear as well as songs from across their catalog. It was balanced and it had fireworks! Yes, at the end of the set, there were fireworks timed to be set off at pivotal moments in “When You Were Young”.
As everyone shifted their eyes to the right for the Red Hot Chili Peppers there was a feeling of excitement in the air, however that feeling was gone by the middle of the first song. The sound was terrible! I’m not talking average, but borderline unlistenable. From where I was standing, I could only hear the bass drum, and pretty much no vocals at all. And where The Killers used the video stream to their advantage, with the Chili Peppers, it felt like a pre-recorded video due to the amount of filter and editing to the live feed. If you couldn't see the stage itself, which oh-so-many people couldn't, then the feed didn't help you to experience the show at all. They played their classic hits and songs off their latest record, but I know from what I heard around me that people were got really frustrated and many left saying it wasn't even worth it. I was disappointed and I’m not even a die-hard RHCP fan. I hope that Adelaide fares better.
Despite the disappointment in sound at the Peppers, it was a day to remember with many highlights, including the heavy metal band Compressorhead who played in between each act on the main stages. I return to Brisbane with my BDO cherry popped and a wicked sunburn, despite the multiple reapplications of sunscreen, to prove it. Nicely done BDO.
Friday, January 11, 2013
Two Door Cinema Club - 7 January 2013, The Tivoli
w/ The Vaccines, The Jungle Giants
Two Door Cinema Club. The first and only time I have seen the band play was at Laneway two years ago. They were amazing them, sensational now.
Likewise, it’s been a long time since I'd seen The Jungle Giants play, and it’s surprising even now how much you actually miss a good live act. The band showcased a whole range of their pop hits and certainly got the crowd dancing in anticipation for the main act. Frontman Sam Hales has extraordinary vocal talent and creates that crazy party atmosphere. Cesira Aitken is an amazing guitarist, and tonight was her first time using a mic, and In “Mr. Polite” she provided some “hey’s”. Cute. I do love this band and I wait in anticipation for some new recorded material from them.
Next up were The Vaccines. I don’t really know what they have going on, but I like to think of them as Punk-Alt-Rock. Their set was full of short sharp to the point songs, which was cool, and although I was a bit stunned to begin with, they won me over by the end and had me dancing like a fool along with everyone else. Their frontman was all over the place and eccentric as anything. Loved it. The one thing that brings all three of these bands together was their lead guitar parts. They all have a sound that relies on these solos and the unique sound that it brings. The Vaccines are no exception. The parts were really complimentary, and work well.
Where do I even start with Two Door Cinema Club. I love this band so unconditionally much and it was such a privilege to see them live. The production of the show was incredible and whoever does their lighting design deserves to be bought a drink. So many flickering lights flickering in time with the music! The band themselves were sensational, and the music was flawless, however it did seem like they have been playing the same set for quite some while now. They energy was insane, but it was like they didn’t care where they were or who they were playing for.
Regardless, no one in the room could dispute the fact that they put on a hell good show. They had the whole room, especially the lower floor, dancing like lunatics. Their second song, “Undercover Martyn” was stupidly amazing, and is still one of my favorites alone with “I Can Talk”, which they played later in the set. When “Sun” came around you heard many, many voices singing along with frontman Alex Trimble’s smooth voice. Throughout the set lead guitarist, Sam Halliday’s guitar, intrigued me and I wish I could have seen it up close. He is such a sensational player, and really makes the band’s unique sound what it is. They played a good mix of songs from the latest release Beacon as well as a good selection from Tourist History. This was a really good thing. I though we had missed “What You Know”, but was very excited to have them play it as their final song in the encore. Brilliant.
What a show. It was a privilege to see the band play, and but I do hope they mix things up. I know they age old saying, stick to what works or whatever, but changing things up is also a good thing. It would make it even more sensational!
Two Door Cinema Club. The first and only time I have seen the band play was at Laneway two years ago. They were amazing them, sensational now.
Likewise, it’s been a long time since I'd seen The Jungle Giants play, and it’s surprising even now how much you actually miss a good live act. The band showcased a whole range of their pop hits and certainly got the crowd dancing in anticipation for the main act. Frontman Sam Hales has extraordinary vocal talent and creates that crazy party atmosphere. Cesira Aitken is an amazing guitarist, and tonight was her first time using a mic, and In “Mr. Polite” she provided some “hey’s”. Cute. I do love this band and I wait in anticipation for some new recorded material from them.
Next up were The Vaccines. I don’t really know what they have going on, but I like to think of them as Punk-Alt-Rock. Their set was full of short sharp to the point songs, which was cool, and although I was a bit stunned to begin with, they won me over by the end and had me dancing like a fool along with everyone else. Their frontman was all over the place and eccentric as anything. Loved it. The one thing that brings all three of these bands together was their lead guitar parts. They all have a sound that relies on these solos and the unique sound that it brings. The Vaccines are no exception. The parts were really complimentary, and work well.
Where do I even start with Two Door Cinema Club. I love this band so unconditionally much and it was such a privilege to see them live. The production of the show was incredible and whoever does their lighting design deserves to be bought a drink. So many flickering lights flickering in time with the music! The band themselves were sensational, and the music was flawless, however it did seem like they have been playing the same set for quite some while now. They energy was insane, but it was like they didn’t care where they were or who they were playing for.
Regardless, no one in the room could dispute the fact that they put on a hell good show. They had the whole room, especially the lower floor, dancing like lunatics. Their second song, “Undercover Martyn” was stupidly amazing, and is still one of my favorites alone with “I Can Talk”, which they played later in the set. When “Sun” came around you heard many, many voices singing along with frontman Alex Trimble’s smooth voice. Throughout the set lead guitarist, Sam Halliday’s guitar, intrigued me and I wish I could have seen it up close. He is such a sensational player, and really makes the band’s unique sound what it is. They played a good mix of songs from the latest release Beacon as well as a good selection from Tourist History. This was a really good thing. I though we had missed “What You Know”, but was very excited to have them play it as their final song in the encore. Brilliant.
What a show. It was a privilege to see the band play, and but I do hope they mix things up. I know they age old saying, stick to what works or whatever, but changing things up is also a good thing. It would make it even more sensational!
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